On Tue, Dec 17, 2013 at 6:29 AM, John Rose <[email protected]> wrote:
>
> IMO a "creativity" could be a search through morphisms of experiential 
> computational complexity patterns applied on relatively unrelated patterns 
> correlated through some expressive indicativistic search potential (the best 
> I can articulate verbally). This would only be a portion of what the 
> generally accepted view of what creativity is. So with my little math subset 
> of "creativity" I would not refer to it as that but it would fall under the 
> umbrella.



It took me a little while to get that one.  Even though you cannot
define an ultimate meta function of imagination, it is imagination
that can potentially break through the barriers that the lack of
ultimate meta-generalizations leave in its void.  Using imagination
with rational methods (including the use of key structural insights
that can leverage incremental learning) are methods that can often be
used to transcend the limitations of narrow AI.  So, even though early
examples of imagination in AI are too primitive to achieve what we
think is AGI, they should be powerful enough to demonstrate the
potential of their application.  I personally think that a program
that is able to do some genuine learning would be able to acquire the
skills that are necessary to implement variations of the method.  The
flaw in this opinion is that while it might be easy to create a test
that would demonstrate how learning could be used to implement new
variations of applied artificial imagination the examples would
probably need to be cherry picked out of the morass of ineffectual
complexity that such a test would create using current knowledge.  So,
one opinion is that imaginative creativity is just another AGI
problem; given a solution to learning in a complex data environment
(and of learning to outwit the subsequent retrieval complexity) then
the problems of imaginative creativity would sort themselves out.

> My original question though was if an explicit/a priori creativity would need 
> to have an input variable as reference to a self as our human view of 
> creativity is based on a similar search result’s (as described above) 
> effectiveness. A "creative" solution to a problem, a "creative" musical 
> composition. Does creativity rely on a relation to a self as possessor and/or 
> observer? Is there a common relationship of creativity across selves without 
> self? That’s all that I was thinking about...
>

I don't believe so. As Robert and I were saying it becomes a "so what"
situation -except- for one possibly critical matter.  If artificial
imagination can be employed without a sense of self, and if a sense of
self is implied by AGI then that implies that the imagination can be
part of the fundamental solution to AGI (because it is not dependent
on the attainment of a critical base for AGI to emerge).  If rational
methods (narrow AI combined with meta definitions of how they are
employed during run time) can be used to filter out a lot of the
useless theories and other noise then imagination can be used to
further the narrow AI methods.  So, my other opinion is that
imaginative creativity is part of the solution to the AGI problem.  It
can exist within a low level of meta awareness and I believe be used
to create a higher level of meta awareness that can discern effective
actions from ineffective actions.

Jim Bromer





On Tue, Dec 17, 2013 at 6:29 AM, John Rose <[email protected]> wrote:
>
> To build an explicit functional creativity you have to go into definitions 
> even if the result is the definition. Even if building an implicit creativity 
> that emerges from an autopoietic self. Or a relativity defined creativity 
> from an observational standpoint. Creativity is relational and a mathematical 
> concept of creativity can subdivided.
>
>
>
> IMO a "creativity" could be a search through morphisms of experiential 
> computational complexity patterns applied on relatively unrelated patterns 
> correlated through some expressive indicativistic search potential (the best 
> I can articulate verbally). This would only be a portion of what the 
> generally accepted view of what creativity is. So with my little math subset 
> of "creativity" I would not refer to it as that but it would fall under the 
> umbrella.
>
>
>
> My original question though was if an explicit/a priori creativity would need 
> to have an input variable as reference to a self as our human view of 
> creativity is based on a similar search result’s (as described above) 
> effectiveness. A "creative" solution to a problem, a "creative" musical 
> composition. Does creativity rely on a relation to a self as possessor and/or 
> observer? Is there a common relationship of creativity across selves without 
> self? That’s all that I was thinking about...
>
>
>
> John
>
>
>
> From: Anastasios Tsiolakidis [mailto:[email protected]]
>
>
>
> a bit of an exercise in futility methinks this topic, unless the definition 
> allowed to quickly screen human and machine "culture" for creativity. Since I 
> consider "survival" (of the "selves" you might say, as there is strength in 
> numbers and speciation) as the key driver of intelligence, it follows that 
> the self must be in all equations. Presumably creativity is keeping the self 
> alive and its memes spreading while generating new domains and new 
> sub-domains of activity, cognitive imperialism you might call it, perhaps I 
> was drinking water from a cup and you start flipping and flying glasses and 
> bottles all over the place like Tom Cruise in that movie. If barman skills 
> were 100% showmanship then probably they wouldn't exist, but since you get a 
> bit of a workout too and get your drinks mixed in the process, while 
> partially satisfying the demands of innovation seekers, then you probably 
> have constructive creativity,
>
> As I have pointed out before, the surviving self is a rather non-computable 
> entity, eternally waltzing towards its own annihilation with little to show 
> for it in the process, so I would not go into definitions and algorithms for 
> the self or its creative side, perhaps after creating the self I have no need 
> for further definitions, it could well be the self has a need for definitions 
> but that is not my problem or yours, is it?
>
> AT
>
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-- 
Jim Bromer


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