This is interesting on how Hofstadter talks about how the concepts are
compressed. Meaning basically they go from lossy to lossless to lossy to
lossless were the interweavings of the lossless "nodes" form recursive trees
and the loopy self is the continuous attraction of the active nodes foci up
the hierarchy away and into itself symmetrically. sounds interesting. I
think that's what he means.. Haven't read that book yet, I did read GEB ages
ago.

 

I don't agree though I think insects have more sense of self than Hofstadter
alludes. At least from my observance of their behavior which makes me wonder
on how they can fit it into such small a network from their brain size. They
have little creativity I think but - not sure about the amount of creativity
in relation to their intelligence, it could actually be a lot. This is hard
to measure.

 

John

 

From: Robert Levy [mailto:[email protected]] 
Sent: Tuesday, December 17, 2013 6:48 PM
To: AGI
Subject: Re: [agi] Abstract Creativity

 

The Hofstadter Strange Loop keynote was just posted online, relevant to this
discussion: http://www.infoq.com/presentations/strange-loop-keynote

 

On Tue, Dec 17, 2013 at 9:40 AM, Jim Bromer <[email protected]> wrote:

On Tue, Dec 17, 2013 at 6:29 AM, John Rose <[email protected]> wrote:
>
> IMO a "creativity" could be a search through morphisms of experiential
computational complexity patterns applied on relatively unrelated patterns
correlated through some expressive indicativistic search potential (the best
I can articulate verbally). This would only be a portion of what the
generally accepted view of what creativity is. So with my little math subset
of "creativity" I would not refer to it as that but it would fall under the
umbrella.




It took me a little while to get that one.  Even though you cannot
define an ultimate meta function of imagination, it is imagination
that can potentially break through the barriers that the lack of
ultimate meta-generalizations leave in its void.  Using imagination
with rational methods (including the use of key structural insights
that can leverage incremental learning) are methods that can often be
used to transcend the limitations of narrow AI.  So, even though early
examples of imagination in AI are too primitive to achieve what we
think is AGI, they should be powerful enough to demonstrate the
potential of their application.  I personally think that a program
that is able to do some genuine learning would be able to acquire the
skills that are necessary to implement variations of the method.  The
flaw in this opinion is that while it might be easy to create a test
that would demonstrate how learning could be used to implement new
variations of applied artificial imagination the examples would
probably need to be cherry picked out of the morass of ineffectual
complexity that such a test would create using current knowledge.  So,
one opinion is that imaginative creativity is just another AGI
problem; given a solution to learning in a complex data environment
(and of learning to outwit the subsequent retrieval complexity) then
the problems of imaginative creativity would sort themselves out.


> My original question though was if an explicit/a priori creativity would
need to have an input variable as reference to a self as our human view of
creativity is based on a similar search result's (as described above)
effectiveness. A "creative" solution to a problem, a "creative" musical
composition. Does creativity rely on a relation to a self as possessor
and/or observer? Is there a common relationship of creativity across selves
without self? That's all that I was thinking about...
>

I don't believe so. As Robert and I were saying it becomes a "so what"
situation -except- for one possibly critical matter.  If artificial
imagination can be employed without a sense of self, and if a sense of
self is implied by AGI then that implies that the imagination can be
part of the fundamental solution to AGI (because it is not dependent
on the attainment of a critical base for AGI to emerge).  If rational
methods (narrow AI combined with meta definitions of how they are
employed during run time) can be used to filter out a lot of the
useless theories and other noise then imagination can be used to
further the narrow AI methods.  So, my other opinion is that
imaginative creativity is part of the solution to the AGI problem.  It
can exist within a low level of meta awareness and I believe be used
to create a higher level of meta awareness that can discern effective
actions from ineffective actions.

Jim Bromer






On Tue, Dec 17, 2013 at 6:29 AM, John Rose <[email protected]> wrote:
>
> To build an explicit functional creativity you have to go into definitions
even if the result is the definition. Even if building an implicit
creativity that emerges from an autopoietic self. Or a relativity defined
creativity from an observational standpoint. Creativity is relational and a
mathematical concept of creativity can subdivided.
>
>
>
> IMO a "creativity" could be a search through morphisms of experiential
computational complexity patterns applied on relatively unrelated patterns
correlated through some expressive indicativistic search potential (the best
I can articulate verbally). This would only be a portion of what the
generally accepted view of what creativity is. So with my little math subset
of "creativity" I would not refer to it as that but it would fall under the
umbrella.
>
>
>
> My original question though was if an explicit/a priori creativity would
need to have an input variable as reference to a self as our human view of
creativity is based on a similar search result's (as described above)
effectiveness. A "creative" solution to a problem, a "creative" musical
composition. Does creativity rely on a relation to a self as possessor
and/or observer? Is there a common relationship of creativity across selves
without self? That's all that I was thinking about...
>
>
>
> John
>
>
>
> From: Anastasios Tsiolakidis [mailto:[email protected]]
>
>
>
> a bit of an exercise in futility methinks this topic, unless the
definition allowed to quickly screen human and machine "culture" for
creativity. Since I consider "survival" (of the "selves" you might say, as
there is strength in numbers and speciation) as the key driver of
intelligence, it follows that the self must be in all equations. Presumably
creativity is keeping the self alive and its memes spreading while
generating new domains and new sub-domains of activity, cognitive
imperialism you might call it, perhaps I was drinking water from a cup and
you start flipping and flying glasses and bottles all over the place like
Tom Cruise in that movie. If barman skills were 100% showmanship then
probably they wouldn't exist, but since you get a bit of a workout too and
get your drinks mixed in the process, while partially satisfying the demands
of innovation seekers, then you probably have constructive creativity,
>
> As I have pointed out before, the surviving self is a rather
non-computable entity, eternally waltzing towards its own annihilation with
little to show for it in the process, so I would not go into definitions and
algorithms for the self or its creative side, perhaps after creating the
self I have no need for further definitions, it could well be the self has a
need for definitions but that is not my problem or yours, is it?
>
> AT
>

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Jim Bromer


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