Is 35 the newest 1? IF so no I've meant to just haven't gotten to it.
Will do soon though. Thanks for the reminder.
On 5/13/2020 11:13 AM, Georgina Joyce wrote:
Hello Hamit,
Out of interest do you listen to Mosen at large (specifically 35)? He is
singing from the roof about the F6 as it has an iPhone app which is not perfect
but gives access to functions we have never had access to before.
Regards,
On 13 May 2020, at 16:07, Hamit Campos <hamitcam...@gmail.com> wrote:
Actually Gena there's 1 place where I'll give it to ya. Dynamic mics. This is
also true for the H5 but much much less oddly enough. Same for the H4N Pro. The
H6 in this respect is again as noisy as the Olympus LS-100. Now can't say on
the F6 as no one's demoed dynamics on that yet and Neal hasn't demoed dynamics
on his 744-T so can't say nothing on that either.
On 5/13/2020 11:02 AM, Georgina Joyce wrote:
Hello Aidan,
Well I am picky, there is nothing wrong in getting the best out of the
equipment. The Zoom 6 pre-amps are renowned for their hiss. It would be useful
to share your tips to get the most from the recorder.
Regards,
On 13 May 2020, at 13:52, Aidan <aidan.smartt...@gmail.com> wrote:
If using something like h6 I cannot really imagine that you would need
to apply noise filters. Unless you very picky.
On 5/13/20, Georgina Joyce <g...@gena-j.me.uk> wrote:
Hello Tim,
Interesting, if using a non destructive DAW like reaper, if it is
incorrectly applied simply undo it. I am not familiar with using expanders.
But the noise comes from whatever equipment. Very few mics have a
undetectable noise floor and even the best pre-amps have some noise. So a
light touch of post processing is likely to be required. But as you rightly
point out it is down to the environment and what purpose the recording is to
serve.
Thanks,
On 13 May 2020, at 12:23, tim cumings <thcumi...@comcast.net> wrote:
I agree about most of theadvice here. However i would be careful about
using a noise gate. If set incorrectly, a noise gate can make things sound
worse than better. A downward expander would be better, but if you are
using a quality mic and have recording levels set properly, even a
downward expander probably isn't necessary, depending on what you are
recording.
On 5/12/2020 5:30 PM, Georgina Joyce wrote:
Hello All,
Rather than making the current discussion on Zoom Microphones. very long
I thought I would ask the community of their experiences and how they
undertake a recording? As I was not sure if Andy wanted tips on recording
techniques I thought such a thread would help him and those of us who
have a Zoom.
Firstly, I would record in wav. Then use reaper to apply a noise gate.
This removes hiss and other quiet unwanted noises.
I would not use a capsule on the recorder unless it was the only mic
available for that application. Using such a mic I would secure the
recorder and start the recording early so that I could discard the first
second as it will contain handling noise.
I would not wear noisy clothing or jewellery and try to get away from the
active recording space. It is surprising how clothing, shoes and bangles
rustle and jangle when you are trying to be quiet.
Then it is about choosing the mic for the sound stage I am trying to
capture. Remembering that the wider stage means that I have to be that
much quieter. It could pick me up breathing and moving my feet.
Then there are practical considerations such as power for the Zoom and
protection from wind and rain.
Of the top of my head these are the considerations I would employ before
a recording. So what about your experiences and approach?
Regards,
Gena
Call: M0EBP
DMR ID: 2346259
Loc: IO83PS
73
Gena
Call: M0EBP
DMR ID: 2346259
Loc: IO83PS
73
Gena
Call: M0EBP
DMR ID: 2346259
Loc: IO83PS
73
Gena
Call: M0EBP
DMR ID: 2346259
Loc: IO83PS
73
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