I can understand for Pappu, but Hawa sun hawa Rawat!
1) The way the flute has been used throughout.
2) The piano bits here and there.
3) ARR was given " Koun hai yada jo har pal aye, yada woh aye tho ake na
jaye"
But he smartly and heavenly uses the same line to be repeated by Alka
after Sonu finishes the same line.
4) The second para he starts with a new tune " meri sadayein , tujho ko
bulaye "....ever seen any MD have diff tunes from 2 diff paras ? very
rare!
5) the aja re aja re part, so lovely
6) Usage of the tabla mixed with sizzles.
7) And last but not least, the usage of the flute again, during the end of
the song!
You have been hearing. All you have to do is listen :)
But A R Rahman!
On Tue, Jul 22, 2008 at 10:59 PM, Vinayakam Murugan <[EMAIL PROTECTED]>
wrote:
> Also my belief is that the fusion bits (addition of raaga and stuff)
> is done with a lot more sincerity by ARR than the rest. It doesn't
> sound pretentious like the rest.
>
>
> Warm Regards
> ~~~~~~~~~~~~~~~
> Vinayak
> http://theregoesanotherday.blogspot.com/
>
> ----------------------------------------------------------
>
> Main chupana jaanta toh jag mujhe sadhu samajhta, Shatru ban gaya hai
> chal rahit vyahvar mera
>
> Harivanshrai Bacchan
> ----------------------------------------------------------
>
> On Tue, Jul 22, 2008 at 10:23 AM, Gomzy <[EMAIL
> PROTECTED]<gomtesh.upadhye%40gmail.com>>
> wrote:
> > Pappu cant dance- The string bit in the begining along with the
> > bass....definetly ARR style
> > Hawa Sun Hawa- The flute pieces, the aja re aja re repeats throught the
> > song....definetly ARR`
> >
> > On Tue, Jul 22, 2008 at 8:55 PM, V S Rawat <[EMAIL
> > PROTECTED]<vsrawat%40gmail.com>>
> wrote:
> >>
> >> I am confused because my 16 years of ARR experience is has deserted me.
> >>
> >> The problem is: I am not able to find Rahman's SIGNATURE in Pappu Can't
> >> Dance of JTJYN and Hawa, sun Hawa of Ada.
> >>
> >> Pappu got hit like anything and it feels great that our man did a
> >> Muqqala or a hello doctor again. Hawa, sun hawa is so calm and cool, so
> >> soothing, subtle like Water songs, it is a pleasure to listen to it.
> >>
> >> In rest of the songs of these two albums, I could find the telltale ARR
> >> effect, but not in these two songs. I feel that these songs could have
> >> been as well composed by anyone else. No, not copy, no inspiration, no
> >> nothing. Just a genre, a level, just that others have given songs of
> >> that type in the past.
> >>
> >> If I am still not clear, you listen to first 1 second of Tu Hi Rey, and
> >> you can tell it it ARR's. No, not memory, but the effect, the sound, the
> >> level. Nobody but ARR could have created it. Nobody could in last 10
> >> years, even with inspiration from ARR.
> >>
> >> I have listened these two songs many times, still, I could not identify
> >> that ARR effect in these two.
> >>
> >> Could anyone help me here.
> >>
> >> Which part of Pappu and Hawa hold the telltale Signature that ARR is
> >> known for and that no one else could create so far?
> >>
> >> --
> >> V
> >>
> >
> >
>
>
