-in Pappu the beats the song starts with somehow give the feel that it is not a regular Pritam, VS or whoever song as they are different from those in these composers' songs. then as soon as the chorus/chant (tintin ta na tintin ta na na, whatever) starts it becomes evident that it is ARR. it is typical ARR style of chant.
-Hawa is pure ARR this I can guess right one second into the song as soon as the beats start. --- In arrahmanfans@yahoogroups.com, V S Rawat <[EMAIL PROTECTED]> wrote: > > I am confused because my 16 years of ARR experience is has deserted me. > > The problem is: I am not able to find Rahman's SIGNATURE in Pappu Can't > Dance of JTJYN and Hawa, sun Hawa of Ada. > > Pappu got hit like anything and it feels great that our man did a > Muqqala or a hello doctor again. Hawa, sun hawa is so calm and cool, so > soothing, subtle like Water songs, it is a pleasure to listen to it. > > In rest of the songs of these two albums, I could find the telltale ARR > effect, but not in these two songs. I feel that these songs could have > been as well composed by anyone else. No, not copy, no inspiration, no > nothing. Just a genre, a level, just that others have given songs of > that type in the past. > > If I am still not clear, you listen to first 1 second of Tu Hi Rey, and > you can tell it it ARR's. No, not memory, but the effect, the sound, the > level. Nobody but ARR could have created it. Nobody could in last 10 > years, even with inspiration from ARR. > > I have listened these two songs many times, still, I could not identify > that ARR effect in these two. > > Could anyone help me here. > > Which part of Pappu and Hawa hold the telltale Signature that ARR is > known for and that no one else could create so far? > > -- > V >
