I think the easiest way to understand this is to forget about numbers,
decibels, and bits per sample for a minute, and just think about what's
coming out of the DAC.

To oversimply only slightly: there are two things always coming from
the DAC. 1) signal and 2) noise.

The level of the noise output *stays the same* no matter what signal
level is being produced. That is really important to understand!

When the DAC is making a loud signal, there is a *lot* of signal and a
*little* noise. That's a high SNR, which is good.

However, when the DAC is making a quiet signal, you have a *little*
signal and a *little* noise. If we now consider the noise level *in
relation to* the signal level, the noise is now louder. The noise level
hasn't gone up in absolute terms (eg volts), but relative to the signal
it has, so you now have a bad SNR.

Now consider a simple resistor attenuator being fed by a loud (good
SNR) signal from the DAC. When the voltage passes through the resistor
divider, *everything* gets attenuated - the signal and noise together.
You have the same* SNR coming out of the divider as you had going in,
i.e., the DAC's optimal SNR is preserved.

OK, now back to bits per sample. As you can see, the above effects
really don't have much at all to do with bits per sample. We could send
a million bits per sample, and it would still be the same. So why does
bit depth matter? What is the significance of 16 vs 24 bit?

What matters is that we send enough bits per sample that the DAC's full
dynamic range is utilized. It is important to realize that the DAC's
dynamic range is finite, and is less than its input word size - more
like 20 bits, since it is limited by its output noise level.

By "expanding" a 16 bit signal to 24 bit, all we are doing is saying
"these 16 bits go in the most significant slots of the 24 bit word". We
haven't improved the SNR of the signal, any more than you can "enhance"
a digital photo the way they do on CSI.

If we attenuate the 16 bit signal, yes, the zeroes and ones will
migrate down into the least significant bits of the 24 bit word, and
yes, if we still "have all the bits" we could then mathematically go in
reverse and get back to the same data. But that is not what the DAC does
with the signal! The bits represent a smaller signal now than they did
before. We still have exactly the same decreasing SNR effect. Sending
24 bits into the DAC just means we aren't making it any worse than it
already is. We haven't "bought more headroom"... it does NOT mean that
those first 8 bits of attenuation are "free".

To prove this, you could play a sine wave through the DAC and measure
the SNR at each volume step. We would expect to see the SNR decrease as
the volume is decreased. If there were anything special about the point
where we start "losing bits", or if we were really getting "extra
headroom", then the plot would decrease slowly (or not at all) until it
reaches that point, and then there would be an inflection.

However, that is not what you'll see. The SNR will simply decrease with
the signal level, all the way down.

I hope this helps... for extra credit maybe someone will try testing
this?

-* Actally, there are a number of secondary effects which reduce the
SNR by the time it gets through the amplifier, but these are
vanishingly small in comparison.-


-- 
seanadams
------------------------------------------------------------------------
seanadams's Profile: http://forums.slimdevices.com/member.php?userid=3
View this thread: http://forums.slimdevices.com/showthread.php?t=30916

_______________________________________________
audiophiles mailing list
audiophiles@lists.slimdevices.com
http://lists.slimdevices.com/lists/listinfo/audiophiles

Reply via email to