jh901 wrote: 
> PCM (redbook), hi-res PCM, SACD/DSD....whatever!!  When will any of us
> turn our attention to the mastering engineer?  I'll bet dollars to
> doughnuts that I have dozens of good old redbook CDs pressed (and
> mastered) before 1988 which smoke that latest and greatest. 
> Additionally, I guarantee I have a good number of DCC and Audio Fidelity
> redbook that will smoke the hi-rez, whether PCM or DSD, etc.
> .

Actually spot on the delivery formats is almost unimportant compared to
other factors involved in the recording and producing I'll take one of
those good recordings/masterings on cassette tape any day :) 

Or maybe someone’s vinyl rip of the net ? looks like a completely
bizarre thing to do until you are confronted with the facts that some
things never gets re-released and are thus otherwise unavailable or the
remaster for digital is very shoddy or simply the original tapes are
lost or damaged to a degree where can only do so much .


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