Gandhi wrote: 
> Interesting. I have read the PDF files and must say that most of his
> points och conclusions are quite surprising to me. It's not how I have
> interpreted other sources. I'm not questioning him, he seems to have
> done his homework, I'm just surprised. His views are also very strong.

It's hard to answer your concern without more specific information (what
specific sources are you referring to, what contradictions you are
encountering, and so on).  Regarding his strong views, I know what you
mean.  It seems to be a quirk of his style that when asked a question,
he will answer unequivocally.  I've found that if asked a follow-up
question to test just how strongly he holds these views, he will often
equivocate.

Gandhi wrote: 
> Do these views represent common knowledge?

These are somewhat new developments.  There are other workers in the
field who have reached similar conclusions, with products based on them.
Harman seems to be active in this area.  Todd Welti and Allan Devantier
of Harman wrote an article a while back called
"'_Low-Frequency_Optimization_Using_Multiple_Subwoofers_'
(mkloudspeakers.com/pdf/todd-welti-white-paper.pdf)", which is worth a
read.

The basic idea is this.  Let's say you already have a multi-sub system,
and you measure the bass response at multiple listening positions.  If
you use EQ that's common to all subs, it causes the same change in
frequency response at all listening positions.  So it cannot improve the
variation in frequency response with position.  If individual gain,
delay and EQ are provided for each sub, then it's possible to control
how the subs interact with one another as a function of listening
position to reduce the variation of frequency response with position. 
Welti and Devantier describe a technique they call Sound Field
Management (SFM) which is now used in the JBL Arcos product, a
super-expensive system not really accessible to most people.  Here's how
part of it works.  They define a statistical measure called Mean Spatial
Variance (MSV), which is a measure of how much the frequency response
varies with position in the bass region.  The software uses an algorithm
that adjusts on a per-subwoofer basis the gain, delay, and the
parameters of one PEQ per sub to find the configuration that minimizes
the MSV, independent of what the resulting frequency response is.  Then
they use global EQ to clean up the non-flat response.  This is all
described in their paper.

An earlier attempt by Harman to accomplish a similar goal was in a
product called BassQ.  It did not use SFM, but rather the so-called
matrix inversion technique also described in the paper linked above. 
Here's a '_review_of_the_BassQ_'
(http://www.avsforum.com/forum/90-receivers-amps-processors/1163240-jbl-bassq.html#post16916242)
by Roger Dressler of Dolby Labs.

Geddes uses a different approach.  One reason is that Harman's approach
is patented, so he's trying to avoid getting caught up in that.  Also,
Geddes is concentrating on getting equivalent results with commonly
available low-cost EQ hardware, such as the Behringer DCX2496 and
miniDSP.

Not sure if I answered your question, but my goal was to provide more
technical justification (which seemed to be at the heart of your
question).  These issues seem to be explored more in the AV realm than
the two-channel audio world.


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