Apesbrain wrote: 
> "Correcting" my two listening rooms is the most interesting and
> meaningful thing I've recently done with my Squeezebox system.  I spent
> $75 for a UMIK-1 calibrated microphone and downloaded the free REW
> measurement suite.  Implemented 3-4 parametric equalizer filters in each
> room using SoX and custom-convert.conf.  Whole thing took me under an
> hour per room.

I did listen to a friend's corrected room. I had been there before, and
the huge glass surfaces overlooking a very scenic view were not gentle
on the presentation. Despite a huge expense, it was tinny and indistinct
and ethereally placed. He knew it. He introduction room correction, and
the Bill Evans Trio was resurrected... 

His space is huge and glassy and challenging. I think my room is very
optimal,  plus I am single and no one can dictate my placement choices
:) hence when I experimented, I heard some improvements but also felt
staging and layering collapsed, even though some bass became more
accurate. I went back and forth and kept the uncorrected, yet diligently
placed option. I have no doubt room correction is the one single thing
that is imminent in my audio future.



...pablo
Server: Virtual Machine (on VMware Workstation 12) running Ubuntu 16.04
+ LMS 7.9
System: SB Touch --optical->- Benchmark DAC2HGC --AnalysisPlus Oval
Copper XLR->- NAD M22 Power Amp --AnalysisPlus Black Mesh Oval->- Totem
Element Fire
Other Rooms: 2x SB Boom; 1x SB Radio; 1x SB Classic-> NAD D7050 -> Totem
DreamCatcher + Velodyne Minivee Sub
Computer audio: workstation --USB->- audioengine D1 -> Grado
PS500e/Shure 1540
------------------------------------------------------------------------
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