> 8.  Only because I saw the splashy and because big monsters tearing
> down
> buildings is always fun.

Eight, huh?

Well, I can see that.

But still, blowing eight goats...

Reminds me of the time I interviewed Martin Brest, writer and director of
"Gigli":

AC: Martin, you have blown many goats during your career, have you not?

MB: Why yes I have, Adam.  It all started in 1972 with my directorial debut,
"Hot Dogs For Gauguin," where I blew no fewer than seven goats.

AC: Wow, seven goats right out of the chute.  That's impressive.

MB: Thanks.  Then it was onto "Hot Tomorrows," where I took on one more goat
for my troubles.

AC: A total of eight for that movie?

MB: That's right.

AC: When did you first realize that you were destined for goat-blowing
greatness?

MB: Adam, I think that had to be Meet Joe Black, where I took a classic
supernatural storyline that anyone would normally enjoy, covered it with
cold molasses, and then stretched it out so long that not even a Chihuahua
on speed could have kept from falling asleep.

AC: And for that you blew...?

MB: Nine.

AC: Nine goats a-blowin'!  Wow, that's an accomplishment.

MB: Not really.

AC: I feel you.  So... Gigli.  Talk to me.

MB: Not much to say.  It was July, 2002.  I had just finished praying to
Uhh-Duh, god of fucktards, where I had asked for a creative spark.  Uhh-Duh
inspired me to write a story about a mentally handicapped person, Ben
Affleck, and Jennifer Lopez.

AC: A tard, a turd, and a tart?

MB: Precisely.

AC: And for that you polished the goatly knob how many times?

MB: Ten.

AC: You rang the bell, in other words.

MB: You know, funny story about that, Adam.  You see, goats wear little
bells around their necks, so each time I lifted my--

AC: Thanks so much for joining us on VH-1 today, Martin.  That's all we have
time for on Movie Chat.  See you next week when we talk with Elaine May, who
hasn't directed since Ishtar over twenty years ago.  Bye!

Respectfully,

Adam Phillip Churvis 
President
Productivity Enhancement


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