At 8:43 AM -0400 10/13/02, Dennis Bathory-Kitsz wrote:
It's not that hard! I always say "written B should be Bb" or "At bar 4, the second note, concert F, should be E natural". It's an old habit that I acquired after the first player said, "B written or concert?" and if I define my terms in the context of my request, no player has ever expressed confusion. All this talk of chaos over transposed/non-transposed scores is overwrought, in my opinion. But then I don't live in Germany. . .At 01:16 PM 10/13/02 +0200, Johannes Gebauer wrote:Just imagine the nightmare in the orchestra pit, when the conductor asks "are you playing a B flat or a B natural there", and the clarinetist starts trying to work out what the hell the conductor is talking about, "do you mean that C - (it is a C isn't it?)?" - Conductor, trying hard not to embarass himself: "C... C, that right, that C (are they playing B flat clarinets, or A clarinets...) could be a... hang on, I just work this out...don't worry, I'll look at it later...".
Linda Worsley
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