On 2002/10/13 04:23 PM or thereabouts, Christopher BJ Smith <[EMAIL PROTECTED]> intoned:
> I don't know whether this is universal, but the way I was taught when > writing concert-pitch scores, octave-transposing instruments such as > picc, contrabassoon, glock, and double bass are written in the octave > read by the player regardless. This seems to fly in the face of the > convention of concert pitch, where EVERYTHING should be written where > it sounds, but I learned to call these things C scores, not > concert-pitch scores. Again, this problem is easily avoided by using octave-transposing clefs for octave-transposing instruments. - Darcy ------ [EMAIL PROTECTED] Boston, MA _______________________________________________ Finale mailing list [EMAIL PROTECTED] http://mail.shsu.edu/mailman/listinfo/finale
