Geez, Roy...you took my message way wrong. When I said "curious," that's exactly and only what I meant. Nothing more and most certainly nothing adversarial!
That being said, I can relate to the notion of the player second-guessing something that seems to be an example of an arranger or composer who did not seem to know the instrument very well. I would think this sort of thing varies according to the reputation (if any) of the composer or arranger; possibly the conductor's influence; and practical factors, such as it sounding like crap... --RH _______________________________________________ Finale mailing list [EMAIL PROTECTED] http://lists.shsu.edu/mailman/listinfo/finale
