At 10:10 AM 9/30/03 -0400, Tim Thompson wrote: >On the senza misura question, I know from personal experience that many >performers want to know exactly when to play, and don't do well with >approximate rhythmic notation. But as soon as one makes the notation >more specific, then the freeness is hopelessly lost.
I wasn't clear. The music was without barlines, but was otherwise very specific. The long lines were very detailed, but had no consistent meter to them, nor in relationship to the other parts. However, the notes always 'lined up' rhythmically. It's reminiscent (if it's reminiscent at all!) of Ockeghem via Reich, except with much longer phrases before a cadence of any kind is reached. Dennis _______________________________________________ Finale mailing list [EMAIL PROTECTED] http://lists.shsu.edu/mailman/listinfo/finale
