Thanks for that Rob.I do a large volume of short to medium length pieces
with many being very 'layout specific'- eg marching band size, or A5 book
size. Fortunately I have the time to do the required tweaking- but by the
time I am onto the 39th of 40 different band parts I really am p****d of
with it!
I'll give it a try! Thanks again.
Keith in OZ



----- Original Message -----
From: Rob Deemer <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Friday, December 12, 2003 6:08 AM
Subject: Re: [Finale] Templates for Parts Extraction


> David,
>
> I'm not sure this is what you're looking for, but I've found it to be a
helpful,
> time-saving process when extracting parts.
>
> Once I'm done with the score, I "Save As" that file to create a part
template. I delete
> every staff except the top one, which contains all of the textual
instructions and
> rehearsal numbers/letters as measure expressions, and then format that
part the way I'd
> like the rest of the parts to look like (margins, font sizes, title
location, etc.). I
> usually do this with the notes still existing from the top score staff
(usually a piccolo
> or flute part) and after I've already selected the entire document and
created
> multi-measure rests with the measure tool. I then save as "piccolo" and
save again as
> "template", after which I select all, break multi-measure rests (measure
tool) and clear
> all entries and smart shapes (mass mover tool). Now I have a virgin
template for the
> remainder of the score. I open the score file and move it so it fills half
the screen and
> the template file so it fills the other half. Using the Mass Mover tool, I
select the
> entire next part I want to make, drag it over to the template, and boom -
instant part. I
> rarely have to do much more than small tweakings and I'm done (clef
changes are the only
> major thing that can't be transferred this way).
>
> The only caveat to this is that you need to make sure all your expressions
that you want
> to be transferred from the score to the part are note expressions, or else
they won't
> show up in the part. I set my note and measure extractions to be different
colors so I
> can see immediately what will and won't transfer. I've been using this
method now for
> over a year and it saves me hours in part creation time. Hope that helps.
>
> -Rob
>
> =====
> Rob Deemer
> Doctoral Candidate in Music Composition,
> Assistant Director, UT New Music Ensemble
> The University of Texas at Austin
>
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