On 21 May 2008 at 4:34, Darcy James Argue wrote:

> Even in 4/4, dotted half and quarter rests should be avoided, but  
> there's absolutely nothing wrong with the classic dotted eight rest 
> +sixteenth combo. That's actually much more clear than eight rest +  
> sixteenth rest+ sixteenth note.

That's actually completely consistent with your stated preference for 
dotted rests in compound meters, because what you just articulated 
boils down to:

- use dotted rests only for values of one beat or less.

I don't see anything wrong with dotted half rests, but it's certainly 
possible for someone to miss the dot, and the alternative is hardly 
going to be fussier (and be unmissable).


-- 
David W. Fenton                    http://dfenton.com
David Fenton Associates       http://dfenton.com/DFA/

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