I think you are right on the money..... You can find a lot more folks that play (not just Jazz folk but Rock guys, etc.) that can play a C min6/A but have to stop and think about Ami7(b5) I see this all the time with by new students. It also details the chord u write Ami7(b5) I'm gonna starting thinking ....hmmmm nat 11, tri tone Eb7(#11) and you probably would to....Cmin6/A is more specific and less likely to be changed by some folk. When I write charts I always thake that into consideration in the changes. It may not be neccessary and of course this is my opinon and subjective. Terry > I work with Barry Harris from time to time (pleasure for > me), and he speaks about Monk calling an Am7b5 a > Cmin6/A. I never did get why this was important to > Monk or to Barry, who is usually into simplifying the way > one needs to think about harmony rather than making it more > complex.
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