But when I write in a transposed score I can hear the tone quality of the
instruments in that range without having to do a transposition as I write.



On 7 January 2011 20:02, Patrick Sheehan <patricksheehanmu...@gmail.com>wrote:

> Working with a C score is like none other.  Transposed scores screw up my
> eye's ear.  I always work in C scores.  I suggest you give it a try.  This
> way you can see exactly where each instrumental line is being played in
> real
> pitch.
>

-- 
Lawrenceyates.co.uk
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