I understand wanting what you want as an option, but the default functionality 
is absolutely not a bug. Holding down a C on a MIDI keyboard that generates its 
own sound causes that device to sound a C. Having Finale also sound an A 
simultaneously is going to be very confusing for most users. 

This feature is something only advanced users (and I suspect, users who spent 
years writing out transposed scores by hand) would understand and want. I use 
transposed scores as well, but would never want the behavior you suggest, and 
that may be a function of me having never really used pencil and paper much 
(I've been using Finale since I was 19).

I believe in Sibelius this feature is an option, but it is turned off by 
default.

Cheers,

- DJA
-----
WEB: http://www.secretsocietymusic.org



On 7 Jan 2011, at 5:07 PM, Steve Parker wrote:

> It makes much more sense for me to work with a transposed score.
> If I input a C into an alto sax part I should hear an A in the correct octave 
> as I input.
> Anything else is a bug.
> 
> Steve P.
> 
> On 7 Jan 2011, at 20:02, Patrick Sheehan wrote:
> 
>> Working with a C score is like none other.  Transposed scores screw up my
>> eye's ear.  I always work in C scores.  I suggest you give it a try.  This
>> way you can see exactly where each instrumental line is being played in real
>> pitch.
>> 
>> Patrick J. M. Sheehan
>> Music Director, Instructor: Woodlawn Arts Academy
>> P. S. Music
>> Host: "The Saturday Blues" on 89.5 WNIJ-FM, 1 pm - 4 pm (CST) & WNIJ.org
>> 1-815-973-2317 (m)
>> 
>> patricksheehanmu...@gmail.com
>> -----Original Message-----
>> From: Darcy James Argue [mailto:djar...@earthlink.net]
>> Sent: Monday, January 03, 2011 9:38 PM
>> To: finale@shsu.edu
>> Subject: Re: [Finale] Playback in transposed scores while entering notes
>> 
>> Hi David,
>> 
>> There is no software solution. The solution for me has been to become
>> accustomed to doing all my note entry in concert pitch, then flipping to
>> transposed pitch for everything else.
>> 
>> Cheers,
>> 
>> - DJA
>> -----
>> WEB: http://www.secretsocietymusic.org
>> 
>> 
>> 
>> On 3 Jan 2011, at 3:36 PM, David Froom wrote:
>> 
>>> Hello all,
>>> 
>>> I have a question related to the discussion about transposed scores
>> (scores with or without key signatures, but where instruments are notated as
>> the players see them, so if Bb clarinet has a written C, it sounds as Bb).
>>> 
>>> I routinely write and think in transposed scores, and write music without
>> key signatures.  So, I use the chromatic transposition setting in the staff
>> setting, as many have been discussing.  It looks right and it plays back
>> right.  No issues.  If I'm copying something that has key signatures, I let
>> the setup wizard take care of it, and once again, it looks and plays back
>> fine.
>>> 
>>> But ... here is what really bothers me.  As I'm entering the notes in
>> speedy, Finale plays them for me in "C."  For example, I'm writing a piece
>> right now for alto saxophone.  If I want to write a C, which sounds as an
>> Eb, I play the C on my midi keyboard, and I hear a C as I'm entering the
>> note.  If I exit speedy and play back, I hear the Eb.  This is annoying,
>> especially while editing and changing things directly in Finale, to hear the
>> "untransposed" note while entering it.  It also slows me down, as I have to
>> transpose twice (from what I hear and play to what I want to hear, and then
>> from what I see to what I want to hear).
>>> 
>>> Does anyone know if this is fixable?  I want to hear what the player will
>> produce, not only during playback, but as I'm entering the pitch.  Is there
>> a setting for that?
>>> 
>>> Thanks,
>>> 
>>> David
>>> _______________________________________________
>>> Finale mailing list
>>> Finale@shsu.edu
>>> http://lists.shsu.edu/mailman/listinfo/finale
>> 
>> 
>> 
>> 
>> _______________________________________________
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> 
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