Good and evil would be some other essay. We were talking about art and involvement and attribution of appreciation. I was attempting to provide a counter-argument that we simply did not know on the face of it whether some fictional commandant indeed had such and such an appreciation, so one could therefore call into question the assertion about art appreciation and moral fiber. No intent here to make blanket assertions about commandants in general.

On 10/15/10 9:10 AM, Steve Smith wrote:
 Carl Tollander wrote:


Pamela, I doubt that the commandants you describe were experiencing this complexity (most of us are grateful to make a glimpse). Perhaps more cargo-cult banal -- 'He consoles himself that he is cultured because he can summon the works of Bach and Goethe from the vasty deep'. So can I, and so can any one (given inclination and time), but does the commandant show up for them? Big whup, he's got a Gramophone (or its 21st century equivalent). How do you define appreciation? Does one converse with a specific work or an art form to cultivate ones self into manifesting a better person or because the form or the artifact is a Linji challenge and you just have to?

I'm not sure I can agree to dismiss the implied paradox this easily. While I believe that many people *do* engage in what superficially looks like deep appreciation of cultural experiences (Art being one of them) in a "cargo-cult banal" manner, I am not sure this is required. And I am not sure those we recognize as "evil" are less capable of such than those (ourselves most notably) who we identify as "good" are moreso.

In the deeper questions of "good vs evil" it is quite common (because it is easy?) to align ourselves and our own highest aspirations, deepest desires and motivations with "good" and assume/assert that anyone whose nature or activities we define as "evil" not be capable of experiencing the same aspirations/desires/feelings.

I strongly suspect that the commandants in question enjoyed Bach *much more* than I do (or could)... partly because despite my Teutonic blood, I have little Teutonic culture which they would have been steeped in. I also suspect that those same commandants could very well be capable of loving their spouses and children every bit as much as any of us here. It is *very* hard for me to think about how someone could have those feelings while being as callous (or downright disrespectful of) to the dignity and the lives of the victims of such a sweeping genocide (any genocide would do).

I do not think that Beauty or Grace or ... alone is an antidote/ward for "evil" or a proof of "good"... I think it is much more subtle and complex than that. And I think that for all the non-fiction (harping on that topic again) such as the sum of Freud and Jung's work on the topic of Good&Evil that works of Fiction such as that of Dostoevsky and Tolstoy and Dickens and (most if not all of the Fiction authors listed in our last spate of recommendations) have significant amounts of insight to offer about the nature of Good&Evil. The fictional nature of the details of the specific characters, settings and events is irrelevant to whether they help to frame the fundamental questions of character vs circumstance, of choice, of will, of human kindness.

It is *scary* to consider activities and behaviors which we identify as *evil* in association with other activities, behaviors and attitudes which we identify as *good*. At best there might be partial correlations. Perhaps, the beauty of good music or painting or dance might in some circumstances help a twisted soul transcend their own damage and arise like a phoenix from their own ashes to shine in the glorious sunlight of goodness! But I don't think it really works that way, except in rhetorical arguments about the objective and transcendent value of "Art" (worked into NEA Grant proposals?).

- Steve

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