On Mon, Apr 17, 2000 at 09:36:35AM +0100, Nick Bailey wrote:
>
> It might also make it confusing if the player only has sight of his/her part.
> Seeing a key change at a point which is a few bars after the rest of the
> orchestra has actually changed key has to be confusing, doesn't it?
>
Well, ok, even if the printed key doesn't match the actual key everywhere
(in every bar), if the music is modulating a lot.
But what about brass? They only have the double bars and no noted
<notated??> key, the accidentals are always before the notes.
Should the multi-measure rests be interrupted for the double bars here, too?
Can someone please explain to me why brass wind instruments don't are notated
in C major always? (I guess they're too lazy to remember the accidentals ;-) )
If an instrument has very many rests in sequence, and during those rests,
the printed key changes several times (and there are double bar lines in
the staffs of the other instruments), should the key change be always printed
and the multi-measure rests be split?
--
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[EMAIL PROTECTED] | Knowledge is not wisdom | Love is not music
Bonn, Germany | Wisdom is not truth | Music is THE BEST
| Truth is not beauty | (Frank Zappa)
