Yes, William, perfectly expressed but polite also.
It is a pity, that such subject too often require, that
they are the gods in their field, but lacking the most
simple concepts, as you said. We can do nothing
against & why should we. They will bump their nose
very hard - sooner or later.

By the way, it is a pleasure, that we both found a way 
to agree in principles as our views of the things are not 
that different at all.

#################################################
Am 11.02.2011 um 12:28 schrieb [email protected]:

> Point taken. Everyone has different aptitudes. It isn't often politically  
> correct to say so, but there are some people I've met who seem to never  
> understand simple concepts of music, or mathematics, or even language. It  
> doesn't mean that they are dumb, just that those subjects are just not what 
> they 
> are good in.
> 
> -William
> 
> 
> In a message dated 2/11/2011 6:26:17 A.M. Eastern Standard Time,  
> [email protected] writes:
> 
> Hello  William,
> 
> I agree with what you have said, but oppose one  thing:
> 
> if there is no talent even the hardest work will not produce  more
> than a technical very good executor.
> 
> Very good ear cannot be  acquired, it must be there.
> Rhythmical feeling can be cultivated but must  be there before.
> Anatomically good facts must exist, but must be cultivated  too.
> 
> A good perception of colors, also the colors of the sound must  exist, 
> just needing perfection. If this distinction does not exist,  it
> cannot be built up by no means. You cannot teach a color-blind
> to  distinct mini changes in colors or color relations. 
> (Be relativated: it is  possible within certain limitations.)
> 
> Otherwise, your statement is  correct. 
> There are no secrets with musicianship.
> Recognizing high  quality comes from experience & being
> exposed to high  quality.
> 
> But this is valid not only for the arts, but should be valid  for
> all ways of  life.
> 
> ####################################################
> Am  11.02.2011 um 12:10 schrieb [email protected]:
> 
>> I agree with Hans on  this. Musicianship is not some ethereal, magical 
> thing 
>> that is  mysterious. It's something pretty definite, and something that 
> can 
>> be  taught and learned. 
>> 
>> The biggest thing I don't like  to hear regarding musicianship is the 
> idea  
>> that it somehow  can't be taught. It sort of goes back to a general 
>> epistemology   - can you figure something out, or are you going to stand 
> back and say  
>> "gee I  don't know", or worse yet, invent an answer that isn't  even true 
>> just so you  stop looking?
>> 
>> If we  stopped at the ether theory of matter, or astrology, we would have 
> 
>> never figured out how things really worked. Thankfully we  didn't.
>> 
>> With enough hard work, you might very well be the  next Radovan or ver  
>> Meulen. Then again, you might not - but it  won't happen with a lot of 
> dedication 
>> and a lot of knowledge from  those who know how to do it. I liken it to 
>> running a  marathon.  You may never be the fastest marathon runner in the 
> world. 
>> But,   history is rife with people that trained properly of all shapes 
> and 
>> sizes and  who ended up running many marathons under three hours. (But,  
>> nobody is going to  fault you for not being the next Dennis  Brain or 
> Paula 
>> Radcliffe if it doesn't  make you happy.)
>> 
>> -William
>> 
>> 
>> In a message dated 2/11/2011  5:35:33 A.M. Eastern Standard Time,  
>> [email protected]  writes:
>> 
>> Musicianship requires a lot:
>> 
>> very  good ear, perhaps acquired  perfect pitch, perhaps
>> superb  rhythmic sense
>> very good objective  taste
>> 
>> plus:  listen, listen, listen
>> plus: store the listened musical  pieces  well, so to find the data for 
>> reproduction purpose
>> plus:  musical  understanding, acquired by reading scores & hear they  
>> realized to  sound
>> the same time, but no musical  instrument touched & no record  player of 
> any 
>> type turned  on.
>> 
>> plus: understanding the arts in general,  developing  a sense of 
> symmetry, 
>> progression 
>> & tension &  relax;  understanding colors & setting them into relation to 
> 
>> acoustical
>> sensations (sounds).
>> 
>> plus:  performance technique,  performance routine, performance  
> discipline
>> 
>> plus: comprehensive  knowledge about the  music writing (composing) 
> system, 
>> harmonic 
>> system,   bigger phrasing to the mini phrasing.
>> 
>> plus: being exposed to  music from  the very early years of life
>> 
>> A very good  teach has all this & is  able to transfer it to the students 
> &  
>> motivate them
>> to follow his or  her example, using their  brain &  phantasy.
>> 
>> #####################################################################
>> Am  11.02.2011 um 10:25 schrieb Lawrence Yates:
>> 
>>> I'm  not sure you can  teach musicianship but you can, to a point, teach 
> a
>>> damn good  imitation.  I had a colleague who taught  some very unmusical 
>> kids
>>> to produce what sounded like  very musical performances - they couldn't  
>> feel
>>> anything, but they could follow instructions to the letter.    Whether 
> that
>>> ever turned into what I think we are calling   musicianship, I don't 
> know.
>>> 
>>> Cheers,
>>> 
>>> Lawrence
>>> 
>>> On 11 February 2011 09:14,  Ralph Hall  <[email protected]> wrote:
>>> 
>>>> 
>>>> Ralph R. Hall
>>>> [email protected]
>>>> Ralph R.  Hall
>>>> http://www.brasshausmusic.com
>>>> 
>>>> I have   just written two articles attempting to answer the question:
>>>> 'Can  you teach musicianship'?
>>>> 
>>> --  
>>> Lawrenceyates.co.uk
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