No need to scream Hans, someone else was able to answer my question. Thanks for at least trying to. I appreciate the effort.
Hans Pizka <[email protected]> wrote: >Your question was inaccurate & unqualified. > >YOU CANNOT BLOW A HORNS NOTE TO PLACE IF A NOTE IS NOT IN TUNE. YOUR >EMBOUCHURE WILL GET USED TO THE OUT OF TUNE NOTE AND CORRECT IT AUTOMATICALLY. > >BUT IF YOU CHANGE THE HORN, THIS AUTOMATIC CORRECTION WILL REMAIN IN PLACE & >THE SAME NOTE WILL BE (to remain with the same sample) TOO SHARP THEN >(preconditioned the note be right in place on the new instrument). > >Sorry, what kind of silly questions or innocent questions. Have you never hear >or read anything >about the relations of the natural pitches ? Has your teacher never told you >something about it ? > >############################################################# > >Am 05.05.2011 um 22:25 schrieb SH: > >> That wasn't my question Hans. >> >> Hans Pizka <[email protected]> wrote: >> >>> Why playing it on the bb horn if you have it perfect on the f side ???? Use >>> your double as a 4-valve- or 5-valve-horn (stop valve included) ?? >>> >>> Very simple solution. >>> >>> Some Bb horns have the middle g as real "wolf-note", even to be heard >>> clearly from (stubborn) >>> widely known soloists, females included, CDs included. >>> >>> ######################################################### >>> Am 05.05.2011 um 20:29 schrieb SH: >>> >>>> I think what I mainly wanted to know is if the change in sound gets any >>>> better the more you play the g on the b horn? Why is it that all the >>>> other mid notes below g sound much better on the b horn than the g? >>>> >>>> Thanks >>>> >>>> Hans Pizka <[email protected]> wrote: >>>> >>>>> Valerie, you used the term "almost". I remember a talk with Rolls-Royce >>>>> airplane engine engineers >>>>> in Kobe/Japan 20 years ago. They talked about the problems their Japanese >>>>> colleagues had when tuning these most delicate engines & could not master >>>>> the problems so to call in the British engineers. They (British), suspect >>>>> about the tools used by the Japanese, asked them: "Did you use the >>>>> original tools ?" - "Yes, yes, almost, almost !" - "where these tools >>>>> original Rolls-Royce tools ?", they insisted. "Almost, almost !". - It >>>>> turned out, the Japanese engineers had used tools, which were metric, >>>>> while the originals were after the British measurement in fractions of >>>>> inches. >>>>> >>>>> So it be with your statement "the middle G sound almost identical". What >>>>> does "almost identical" mean ? Identical means 100% the same. But for >>>>> your ears perhaps, but not for the objective listener. It cannot be. If >>>>> you mean, you can lip it into place, the sound cannot be the same, nor >>>>> can it be unlipped, as there are different harmonics involved. >>>>> >>>>> You wrote, that it "feels a little different on both sides of your >>>>> Merker". Yes, off course, as these are different harmonics. >>>>> >>>>> If you try a certain note on any horn, you MUST NOT lip it up or down nor >>>>> correct it by the use of the right hand. >>>>> >>>>> You can start correcting, after you have explored the particular horn in >>>>> full first. >>>>> >>>>> ########################################################## >>>>> Am 05.05.2011 um 19:32 schrieb valerie wells: >>>>> >>>>>> Do you think some of the problems with middle G on the Bb horn may >>>>>> depend on >>>>>> the horn? I have trouble centering the tone & pitch of middle G on my >>>>>> single Bb horn, but not on the Bb side of my Holton Merker. The tone of >>>>>> middle G sounds almost identical, yet "feels" a little different, on both >>>>>> sides of my Merker. >>>>>> -- >>>>>> Valerie Wells >>>>>> The Balanced Embouchure Method >>>>>> http://bebabe.wordpress.com/ >>>>>> http://www.beforhorn.blogspot.com/ >>>>>> _______________________________________________ >>>>>> post: [email protected] >>>>>> unsubscribe or set options at >>>>>> https://pegasus.memphis.edu/cgi-bin/mailman/options/horn/hpizka%40me.com >>>>> >>>>> _______________________________________________ >>>>> post: [email protected] >>>>> unsubscribe or set options at >>>>> https://pegasus.memphis.edu/cgi-bin/mailman/options/horn/schmidhorninst%40gmail.com >>>> _______________________________________________ >>>> post: [email protected] >>>> unsubscribe or set options at >>>> https://pegasus.memphis.edu/cgi-bin/mailman/options/horn/hpizka%40me.com >>> >>> _______________________________________________ >>> post: [email protected] >>> unsubscribe or set options at >>> https://pegasus.memphis.edu/cgi-bin/mailman/options/horn/schmidhorninst%40gmail.com >> _______________________________________________ >> post: [email protected] >> unsubscribe or set options at >> https://pegasus.memphis.edu/cgi-bin/mailman/options/horn/hpizka%40me.com > >_______________________________________________ >post: [email protected] >unsubscribe or set options at >https://pegasus.memphis.edu/cgi-bin/mailman/options/horn/schmidhorninst%40gmail.com _______________________________________________ post: [email protected] unsubscribe or set options at https://pegasus.memphis.edu/cgi-bin/mailman/options/horn/archive%40jab.org
