Now Hans,

Why should he need to learn all of that "theory" stuff.  You don't need that to 
be a conductor.  All you need to know is:

4/4 time is: down left right up     down left right up    down left right up
3/4 time is:  down right up   down right up  down right up
2/4 time is:  down up   down up   down up.

LOL   :)
 
Milton

Milton Kicklighter
4th Horn Buffalo Philharmonic
Retired




________________________________
From: Hans Pizka <[email protected]>
To: The Horn List <[email protected]>
Sent: Fri, May 27, 2011 9:40:29 AM
Subject: Re: [Hornlist] La Traviata: the performance

Is your grandson good or very good on piano ? If so, get him much better.
He should also get intensive lessons on "classical" composer skill, music
theory, eventually later, playing a sight-reading piano reduction from score and
play piano reductions from ready arranged piano scores (good source are the
one arranged by Felix Mottl, the great conductor, to be found on used book 
sales or flea markets). 

A young conductor must be prepared perfectly well, sonot to corrupt himself. 
Conducting is a great art, an art to transfer feelings into the orchestra, to 
enthusiast 

the orchestra & transfer all in a very cooperative work between Orchestra & 
Conductor 

to the Audience. - And it is great excitement & fun to conduct an orchestra.

#############################################
Am 27.05.2011 um 15:11 schrieb Joe Scarpelli:

> The best part of this story is that you got to play the performance with
> your daughter. I myself am trying to teach my grandson how to conduct (with
> an assistance from Lenny). 
> 
> http://www.youtube.com/watch?v=PRRhdbxtojo
> 
> http://www.youtube.com/watch?v=Ui6ZWCv-8nw&feature=related
> 
> Someday the world will have a conductor we can trust :)
> 
> Joe
> 
> -----Original Message-----
> From: [email protected] [mailto:[email protected]] On Behalf
> Of Daniel Canarutto
> Sent: Friday, May 27, 2011 7:02 AM
> To: The List Horn
> Subject: [Hornlist] La Traviata: the performance
> 
> Hi all,
> since many of you answered my question about after beats in La  
> Traviata, I'd like to tell you how it went. I think that, eventually,  
> that tricky (for me) passage was played acceptably; the mental trick  
> which helped me most was thinking the after beats as before-beats, as  
> someone suggested. It was much easier when the choir joined the  
> rehearsals; a seasoned pro eventually joining us as 3rd was also of  
> help.
> 
> We played the integral version of the opera, in concert form. It was a  
> success and we are proud, even more since in Italy amateur classical  
> performances are nearly non-existent (but the solo singers were  
> professionals, and the title role soprano was wonderful).
> 
> For me it was a special joy since I was joined, for the first time in  
> a public performance, by my beloved child on IV horn; and she played  
> (nearly) all the notes she had to. Even more, she got to know well and  
> really appreciate a classical opera. Because this is great music,  
> deeply original and moving, despite what some intellectual snobs may  
> say.
> 
> Daniel
> ______
> 
> The two links below point at pictures of the horn section for this  
> performance: the first one is taken during the "acoustical rehearsal"  
> in the afternoon, the second shows us just before the concert together  
> with conductor Johanna Knauf.
> 
> http://www.dma.unifi.it/~canarutto/Xs/Traviata/DSCN1608r.jpg
> http://www.dma.unifi.it/~canarutto/Xs/Traviata/DSCN1634r.jpg
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