Wrong, we would all be happy if they would follow that pattern (Henri Kling: 
Dirigentenschule),
but how about these living composers works ? 17/19, 7/15, 11/6 ????

Or all these conductors, who conduct all with "up, up, up, up", like catching 
spaghetti ???

########################################################################
Am 27.05.2011 um 19:11 schrieb Milton Kicklighter:

> Now Hans,
> 
> Why should he need to learn all of that "theory" stuff.  You don't need that 
> to 
> be a conductor.  All you need to know is:
> 
> 4/4 time is: down left right up     down left right up    down left right up
> 3/4 time is:  down right up   down right up  down right up
> 2/4 time is:  down up   down up   down up.
> 
> LOL   :)
>  
> Milton
> 
> Milton Kicklighter
> 4th Horn Buffalo Philharmonic
> Retired
> 
> 
> 
> 
> ________________________________
> From: Hans Pizka <[email protected]>
> To: The Horn List <[email protected]>
> Sent: Fri, May 27, 2011 9:40:29 AM
> Subject: Re: [Hornlist] La Traviata: the performance
> 
> Is your grandson good or very good on piano ? If so, get him much better.
> He should also get intensive lessons on "classical" composer skill, music
> theory, eventually later, playing a sight-reading piano reduction from score 
> and
> play piano reductions from ready arranged piano scores (good source are the
> one arranged by Felix Mottl, the great conductor, to be found on used book 
> sales or flea markets). 
> 
> A young conductor must be prepared perfectly well, sonot to corrupt himself. 
> Conducting is a great art, an art to transfer feelings into the orchestra, to 
> enthusiast 
> 
> the orchestra & transfer all in a very cooperative work between Orchestra & 
> Conductor 
> 
> to the Audience. - And it is great excitement & fun to conduct an orchestra.
> 
> #############################################
> Am 27.05.2011 um 15:11 schrieb Joe Scarpelli:
> 
>> The best part of this story is that you got to play the performance with
>> your daughter. I myself am trying to teach my grandson how to conduct (with
>> an assistance from Lenny). 
>> 
>> http://www.youtube.com/watch?v=PRRhdbxtojo
>> 
>> http://www.youtube.com/watch?v=Ui6ZWCv-8nw&feature=related
>> 
>> Someday the world will have a conductor we can trust :)
>> 
>> Joe
>> 
>> -----Original Message-----
>> From: [email protected] [mailto:[email protected]] On Behalf
>> Of Daniel Canarutto
>> Sent: Friday, May 27, 2011 7:02 AM
>> To: The List Horn
>> Subject: [Hornlist] La Traviata: the performance
>> 
>> Hi all,
>> since many of you answered my question about after beats in La  
>> Traviata, I'd like to tell you how it went. I think that, eventually,  
>> that tricky (for me) passage was played acceptably; the mental trick  
>> which helped me most was thinking the after beats as before-beats, as  
>> someone suggested. It was much easier when the choir joined the  
>> rehearsals; a seasoned pro eventually joining us as 3rd was also of  
>> help.
>> 
>> We played the integral version of the opera, in concert form. It was a  
>> success and we are proud, even more since in Italy amateur classical  
>> performances are nearly non-existent (but the solo singers were  
>> professionals, and the title role soprano was wonderful).
>> 
>> For me it was a special joy since I was joined, for the first time in  
>> a public performance, by my beloved child on IV horn; and she played  
>> (nearly) all the notes she had to. Even more, she got to know well and  
>> really appreciate a classical opera. Because this is great music,  
>> deeply original and moving, despite what some intellectual snobs may  
>> say.
>> 
>> Daniel
>> ______
>> 
>> The two links below point at pictures of the horn section for this  
>> performance: the first one is taken during the "acoustical rehearsal"  
>> in the afternoon, the second shows us just before the concert together  
>> with conductor Johanna Knauf.
>> 
>> http://www.dma.unifi.it/~canarutto/Xs/Traviata/DSCN1608r.jpg
>> http://www.dma.unifi.it/~canarutto/Xs/Traviata/DSCN1634r.jpg
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> 
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