Later, Friar Duck.

Bruce E. Clausen




On 5/27/2011 9:36 PM, Walter Lewis wrote:
> John,
>
> If memory serves correct, those prophetic words were spoken by Daffy Duck?
>
> Walt Lewis
>
> --- On Fri, 5/27/11, John Baumgart<[email protected]>  wrote:
>
> From: John Baumgart<[email protected]>
> Subject: Re: [Hornlist] La Traviata: the performance
> To: "The Horn List"<[email protected]>
> Date: Friday, May 27, 2011, 1:53 PM
>
> The living composer meters you suggest are probably effectively conducted by 
> some variation on "Ho, ha ha, guard, turn, parry, dodge, spin, ha, thrust." 
> (With apologies to, and sympathy for, those who don't understand this classic 
> American cultural reference.)
>
> John Baumgart
>
> ----- Original Message -----
> From: "Hans Pizka"<[email protected]>
> To: "The Horn List"<[email protected]>
> Sent: Friday, May 27, 2011 12:44:12 PM
> Subject: Re: [Hornlist] La Traviata: the performance
>
> Wrong, we would all be happy if they would follow that pattern (Henri Kling: 
> Dirigentenschule),
> but how about these living composers works ? 17/19, 7/15, 11/6 ????
>
> Or all these conductors, who conduct all with "up, up, up, up", like catching 
> spaghetti ???
>
> ########################################################################
> Am 27.05.2011 um 19:11 schrieb Milton Kicklighter:
>
>> Now Hans,
>>
>> Why should he need to learn all of that "theory" stuff. You don't need that 
>> to
>> be a conductor. All you need to know is:
>>
>> 4/4 time is: down left right up down left right up down left right up
>> 3/4 time is: down right up down right up down right up
>> 2/4 time is: down up down up down up.
>>
>> LOL :)
>>
>> Milton
>>
>> Milton Kicklighter
>> 4th Horn Buffalo Philharmonic
>> Retired
>>
>>
>>
>>
>> ________________________________
>> From: Hans Pizka<[email protected]>
>> To: The Horn List<[email protected]>
>> Sent: Fri, May 27, 2011 9:40:29 AM
>> Subject: Re: [Hornlist] La Traviata: the performance
>>
>> Is your grandson good or very good on piano ? If so, get him much better.
>> He should also get intensive lessons on "classical" composer skill, music
>> theory, eventually later, playing a sight-reading piano reduction from score 
>> and
>> play piano reductions from ready arranged piano scores (good source are the
>> one arranged by Felix Mottl, the great conductor, to be found on used book
>> sales or flea markets).
>>
>> A young conductor must be prepared perfectly well, sonot to corrupt himself.
>> Conducting is a great art, an art to transfer feelings into the orchestra, to
>> enthusiast
>>
>> the orchestra&  transfer all in a very cooperative work between Orchestra&
>> Conductor
>>
>> to the Audience. - And it is great excitement&  fun to conduct an orchestra.
>>
>> #############################################
>> Am 27.05.2011 um 15:11 schrieb Joe Scarpelli:
>>
>>> The best part of this story is that you got to play the performance with
>>> your daughter. I myself am trying to teach my grandson how to conduct (with
>>> an assistance from Lenny).
>>>
>>> http://www.youtube.com/watch?v=PRRhdbxtojo
>>>
>>> http://www.youtube.com/watch?v=Ui6ZWCv-8nw&feature=related
>>>
>>> Someday the world will have a conductor we can trust :)
>>>
>>> Joe
>>>
>>> -----Original Message-----
>>> From: [email protected] [mailto:[email protected]] On Behalf
>>> Of Daniel Canarutto
>>> Sent: Friday, May 27, 2011 7:02 AM
>>> To: The List Horn
>>> Subject: [Hornlist] La Traviata: the performance
>>>
>>> Hi all,
>>> since many of you answered my question about after beats in La
>>> Traviata, I'd like to tell you how it went. I think that, eventually,
>>> that tricky (for me) passage was played acceptably; the mental trick
>>> which helped me most was thinking the after beats as before-beats, as
>>> someone suggested. It was much easier when the choir joined the
>>> rehearsals; a seasoned pro eventually joining us as 3rd was also of
>>> help.
>>>
>>> We played the integral version of the opera, in concert form. It was a
>>> success and we are proud, even more since in Italy amateur classical
>>> performances are nearly non-existent (but the solo singers were
>>> professionals, and the title role soprano was wonderful).
>>>
>>> For me it was a special joy since I was joined, for the first time in
>>> a public performance, by my beloved child on IV horn; and she played
>>> (nearly) all the notes she had to. Even more, she got to know well and
>>> really appreciate a classical opera. Because this is great music,
>>> deeply original and moving, despite what some intellectual snobs may
>>> say.
>>>
>>> Daniel
>>> ______
>>>
>>> The two links below point at pictures of the horn section for this
>>> performance: the first one is taken during the "acoustical rehearsal"
>>> in the afternoon, the second shows us just before the concert together
>>> with conductor Johanna Knauf.
>>>
>>> http://www.dma.unifi.it/~canarutto/Xs/Traviata/DSCN1608r.jpg
>>> http://www.dma.unifi.it/~canarutto/Xs/Traviata/DSCN1634r.jpg
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