On Jun 29, 2011, at 10:00 AM, [email protected] wrote:

> Message: 9
> Date: Tue, 28 Jun 2011 14:42:32 -0400
> From: William Bard <[email protected]>
> Subject: Re: [Hornlist] Articulation and 'airy' sound issues
> To: The Horn List <[email protected]>
> Message-ID: <[email protected]>
> Content-Type: text/plain; CHARSET=US-ASCII
> 
> Also, I do agree about how the note should be stopped "like singers." I just 
> question whether that should be the case for every style of music, or for 
> rapidly tongued sections. Isn't it easiest to start the next note in a fast 
> single-tongued section when the tongue stops each note to prevent the sound 
> from going on for too long and to get ready for the next note? 
> 
> -William


Hi,
Actually, we aren't singers and that whole glottal thing is suspect from my way 
of thinking. Articulations should be just small actions of the tongue and not a 
lot of throat stuff. I think this is confusing for a lot of people. You are 
right to think that stopping each note with the tongue would be a bad thing in 
a fast passage and I don't recommend it. It isn't necessary. But stopping notes 
with the throat is even a worse idea. 
It's very simple really and the more we get caught up in trying to control 
muscles that our sub conscious can do much better, the worse things get for us. 
We should use our mental powers to order up product, not method. My methods 
keep the air going and allow for every sort of expression. That is what we need 
to do, not sit around and try to analyze and control our bodies. The body is 
capable of much higher level activities than we can ever hope to even remotely 
accomplish by conscious thinking.
Watch the great players. Note how little they are actually doing, not how much.
Sincerely,
Wendell Rider
For information about my book, "Real World Horn Playing" and the DVDs, go to my 
website: www.wendellworld.com



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