One of the most amusing editions is the one arranged by Sir Eugene Goosens
and recorded by Sir Thomas Beeecham. It uses a large modern orchestra. I
remember rolling around the floor in laughter when I noticed a cymbal roll
in one of the recitatives!

In spite of the outrageous (by current standards) orchestration, Beecham's
recording IS  a classic, and captures the grand spirit of this much loved
oratorio. This was what TB was after, I am sure.

Cheers,

Graeme Evans
(Principal Horn, Melbourne Symphony Orchestra)
+61 3 9318 0690(H), +61 419 880371(B), +61 3 93180893(Fax)
E-mail: [EMAIL PROTECTED]

----- Original Message ----- 
From: <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Wednesday, July 14, 2004 8:05 AM
Subject: Re: [Hornlist] Messiah


> In a message dated 13/07/2004 22:48:04 GMT Daylight Time,
> [EMAIL PROTECTED] writes:
>
> "There are no horn parts in the original Messiah, but there ARE horn parts
in
> the Mozart edition. I have played it many times."
>
> Thank heavens we don't often have to play the version by Prout any  more.
> The Prout edition had parts for every instrument in the orchestra  and a
few
> that weren't and probably, for all I know, somewhere in the box,  included
parts
> for stylophone and wobble-board with obbligato diggeridoo  in the quiet
bits.
>
> Still, it afforded me beer money in my student days so I suppose  I should
be
> thankful for that.
>
> All the best,
>
> Lawrence
>
> "žaes ofereode - žisses swa  maeg"
>
> http://lawrenceyates.co.uk
>
> _______________________________________________
> post: [EMAIL PROTECTED]
> unsubscribe or set options at
http://music.memphis.edu/mailman/options/horn/graev%40comcen.com.au
>
>
>


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