Actually There are cases where it is a goal to make the blending seam
pass through a particular area.
In my case the it's where the passengess on the boat are gripping the
rails (or the mast stay.) It's the only place that is fairly static.
But I have found your cropping advice very helpful. The other problmem
is" blend smudging" (meaning where enblend tries to blend the hand at
the edge of one mask with the sky at the edge of another. In the end
the easiest thing was to do as much with masks as possible, save
remapped images, and then copy small parts of the remapped images and
place them in layers over the pano. Then use wuick alpha masks to pick
and chose the best parts of the remapped images to overlay the smudged
areas. The key to this for me has been not to bring in the whole
remapped image, but only tiny parts. Enblend does the absolute best
job for 95% of the picture (100% for a static scene) so just let it do
its work. If your bring all the remapped images in things get
needlessly complicated very quickly. With just small parts of the
remapped images, things are far more manageable.

If you want to see, here is a small version of the (almost) final
version of one of the images:
http://www.flickr.com/photos/johnpwatkins/6385684995/in/set-72157628102815363

--John

On Nov 9, 12:07 pm, Bruno Postle <[email protected]> wrote:
> On Tue 08-Nov-2011 at 20:03 -1000, Gnome Nomad wrote:
>
>
>
> >>>snap points of one mask to points of another mask.
>
> >>This is one I've thought would be particularly handy.
>
> >It would sure make it easier to line masks up so you don't end with
> >thin little slivers between them.
>
> Why are you trying to line up masks? you should be able to overlap
> them with the same effect.
>
> In general I don't have much need for mask accuracy - enblend will
> try and place the seam as far as possible from any mask or photo
> edges, so the precise location of the mask isn't very critical.
>
> --
> Bruno

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