How would a gilded rose affect the sound of the instrument?  Though the
gilding would surely be thin, wouldn't that extra mass affect harmonic
responses, the way a wire affects a string in gimped gut?

Leonard



On 6/22/13 7:27 AM, "Martyn Hodgson" <[email protected]> wrote:

>   Dear David,
>   You are probably right - forget the papal rose line. Though perhaps the
>   rose reference is some personal link known to those around G at the
>   time. But perhaps a gilded rose is likely - I'm just cautious about
>   proceeding from speculation to certainty............
>   It does sound, tho', as if the thing had been nicked!
>   regards
>   Martyn
>     __________________________________________________________________
>
>   From: David Van Edwards <[email protected]>
>   To: Martyn Hodgson <[email protected]>
>   Sent: Saturday, 22 June 2013, 10:30
>   Subject: [LUTE] Re: The "golden" rose
>   Dear Martyn,
>   Thank you very much for the reference, it would have taken me ages to
>   find starting from the beginning!!
>   But apropos your ideas of The Golden Rose Lute referring to the Papal
>   golden rose there are these words following the Gaultier piece quoted:
>   "The first part of the lesson representeth the enquiry after the lute,
>   and kind promises for those that shall give any notice of it; the
>   second part representeth first the trouble and hurly-burly of the
>   seeking after the lute; and the conclusion is a complaint of the loss
>   of the lute that can not be found. "
>   Which does sound to me rather specific to an instrument.
>   Of course it could be symbolic in some obscure way but the references
>   to the papal golden rose you sent do not contain any idea of loss,
>   rather the reverse, since the rose itself seems to refer to the
>   resurrection and the blessings that follow. Any loss of those would
>   rather undermine the whole edifice of Christianity!
>   Best wishes,
>   David
>
>      Dear David,
>        The piece appears in Chapter XV (f.69-87) of the MS 'Concerning
>     the art
>        of setting Lessons uppon the Lute'.
>        I'm not sure if you'll find anything to elaborate on what
>     precisely was
>        meant by the 'golden rose' lute (ie an actual gilded rose or
>     possibly
>        some other association), since it says nothing about the 'Golden
>     Rose
>        Lute' itself but merely precedes the relevant piece with the
>        words: 'The loss of the golden rose lute; a lesson of Old
>     Gaultier upon
>        the goat's tuning'
>        Incidentally, you may find Dart's modern transcription (which is
>        accurate as far as I can see) easier to read; it appeared in the
>     1958
>        Galpin Soc journal.
>        regards
>        Martyn
>
>     __________________________________________________________________
>        From: Martyn Hodgson <[email protected]>
>        To: Lute Dmth <[email protected]>
>        Sent: Friday, 21 June 2013, 16:37
>        Subject: [LUTE] Re: The "golden" rose
>          ----- Forwarded Message -----
>          From: Martyn Hodgson <[1][email protected]>
>          To: David Van Edwards <[2][email protected]>
>          Cc: 'LuteNet list' <[3][email protected]>
>          Sent: Friday, 21 June 2013, 8:16
>          Subject: Re: [LUTE] Re: The "golden" rose
>          Dear David,
>          I was under the, perhaps wholly mistaken, impression that 'The
>     loss
>        of
>          the golden rose lute' found in the Burwell MS was some other
>          association rather then the actual gilding of the lute rose.
>     For
>          example it could be linked to the papal rose of the name, see
>          [1][4]http://www.newadvent.org/cathen/06629a.htm
>          or
>          [2][5]http://en.wikipedia.org/wiki/Golden_Rose
>          Or maybe other associations from antiquity. Just a
>          thought...................
>          regards
>          Martyn
>
>     __________________________________________________________________
>          From: David Van Edwards <[6][email protected]>
>          To: Luca Manassero <[7][email protected]>
>          Cc: 'LuteNet list' <[8][email protected]>
>          Sent: Thursday, 20 June 2013, 20:13
>          Subject: [LUTE] Re: The "golden" rose
>          Dear Luca,
>          Yes there are 8 surviving lutes that I know of with gilded
>     roses.
>          1. The 16th century lute by Wolfgang Wolf
>          currently in Fuessen Museum has a gilded rose.
>          Impossible to say if it is original as it has
>          certainly been roughly gilded since then.
>          2.Lute by Jakob Langenwalder [Fuessen 1627] in Kremsmuenster,
>          Benediktinerstift
>          3.Lute by Georg Greiff [Fuessen 1590] in
>          Darmstadt, Hessisches Landesmuseum Kg 67: 103
>          (Orig M.I. 29)
>          4. Miniature lute by Magno Dieffobruchar, Venice,
>          c.1600 in Paris, Musee de Cluny 2092
>          5. Lute by Stefan Pradter, Prague 1675 in Innsbruck, Schloss
>     Ambras,
>          622
>          6. Lute by Basilio Smit, Milan, in Fuessen, Museum
>          der Stadt Fuessen, 4308 has a gilded rim to its
>          triple rose.
>          7. Lute by Magnus Hellmer 1609 Fuessen, in
>          Darmstadt, Hessisches Landesmuseum, Kg 67:104
>
>          8. Anonymous lute in Bologna, Museo Civico Medievale, 1814
>          Best wishes,
>          David
>          At 16:11 +0200 20/6/13, Luca Manassero wrote:
>          >    Dear list,
>          >        a few years ago I saw pictures of a lute built by a
>     well
>        known
>          >    british lutemaker and showing a really beautiful golden
>     rose.
>
>          >    Baroque lutenists certainly know about the Allemande of
>     Ennemond
>          >    Gaultier (Vieux Gaultier) "La roze d'or" also known as
>     "The loss
>          of the
>          >    golden rose lute".
>          >    My question is: have you any news (or iconographc
>     evidence) of
>          >    (original) lutes with a golden rose?
>          >    Thank you in advance,
>          >    Luca
>          >
>          >
>          >To get on or off this list see list information at
>          >[3][9]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
>          --
>          The Smokehouse,
>          6 Whitwell Road,
>          Norwich,  NR1 4HB
>          England.
>          Telephone: + 44 (0)1603 629899
>          Website: [4][10]http://www.vanedwards.co.uk
>          --
>        References
>          1. [11]http://www.newadvent.org/cathen/06629a.htm
>          2. [12]http://en.wikipedia.org/wiki/Golden_Rose
>          3. [13]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
>          4. [14]http://www.vanedwards.co.uk/
>        --
>     References
>        1. mailto:[email protected]
>        2. mailto:[email protected]
>        3. mailto:[email protected]
>        4. http://www.newadvent.org/cathen/06629a.htm
>        5. http://en.wikipedia.org/wiki/Golden_Rose
>        6. mailto:[email protected]
>        7. mailto:[email protected]
>        8. mailto:[email protected]
>        9. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
>       10. http://www.vanedwards.co.uk/
>       11. http://www.newadvent.org/cathen/06629a.htm
>       12. http://en.wikipedia.org/wiki/Golden_Rose
>       13. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
>       14. http://www.vanedwards.co.uk/
>
>--
>
>   The Smokehouse,
>   6 Whitwell Road,
>   Norwich,  NR1 4HB
>   England.
>
>   Telephone: + 44 (0)1603 629899
>   Website: http://www.vanedwards.co.uk
>
>   --
>



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