I have always heard that the Spanish preferred the vihuela because it was
shaped like their native guitar, and that the lute's (oud's) Moorish
association was a widespread prejudice.  I have read this in several
treatises.  That doesn't necessarily make it true though.  Anybody can write
anything they wish.

Best,

Chris 

-----Original Message-----
From: lute-...@cs.dartmouth.edu [mailto:lute-...@cs.dartmouth.edu] On Behalf
Of Monica Hall
Sent: Wednesday, May 06, 2015 2:18 PM
To: Mark Seifert
Cc: Lutelist
Subject: [LUTE] Re: Spain vs. Italy

Briefly - I think the idea that the Spanish didn't like the lute because it
had Moorish associations is a rather silly myth.
Monica


----- Original Message ----- 
From: "Mark Seifert" <seifertm...@att.net>
To: "Ron Andrico" <praelu...@hotmail.com>; "Christopher Wilke" 
<chriswi...@cs.dartmouth.edu>; "Dan Winheld" <dwinh...@lmi.net>; "Rob 
MacKillop" <robmackil...@gmail.com>; "Howard Posner" 
<howardpos...@ca.rr.com>; "David Van Ooijen" <davidvanooi...@gmail.com>
Cc: "'Lutelist'" <lute@cs.dartmouth.edu>
Sent: Wednesday, May 06, 2015 1:51 PM
Subject: [LUTE] Re: Spain vs. Italy


>   Regarding the Spain versus rest-of-Europe issue ( a most fascinating
>   topic--thanks for introducing it, Robert Barto ), English Prof Brittany
>   Hughes said that one reason the Spanish kings/queens so brutally
>   expelled or forced conversion on the "Moors" (1523 was an important
>   date of escalation, and then the worst of the Inquisition was imposed
>   in 1609) was that the Turks liked to raid the coast of Spain from their
>   ships, escalating anti-Muslim hatred throughout this period.  She
>   didn't mention why the Jews were so oppressed, as they seem like
>   innocent bystanders.  I wonder if they also tried to eliminate the
>   lute, because it was seen as a Moorish instrument, or the lute belly
>   reminded them of something really evil, like the belly of a pregnant
>   woman, heaven forbid.
>   In defense of Spain, Dr. Teofilo Ruiz of UCLA in his "Terror of
>   History" course said that the Spanish ended their witch hunting decades
>   before England and Germany (and America).  Maybe the adverse effects of
>   eliminating Jews and Muslims helped them realize that getting rid of
>   all their witches wouldn't improve anything.
>   I had a really spooky/scary experience in 1973 after I got a minimum
>   wage job vacuuming dust off the books in the dark stacks of Widener
>   Library (built after the Titanic went down in honor of a son of a
>   Boston Brahmin family).  Was sitting on the cold concrete floor dusting
>   a row of books when I encountered a black leather clad tome whose
>   binding showed one word, my last name spelled correctly, and the date
>   "1728"  in silver Gothic letters.  Shocked and amazed, I pulled it out,
>   opened it and discovered it was a baroque legal textbook discussing in
>   incredible detail some issues regarding die Hexen.  Though I was
>   studying German at the time, I couldn't quite figure out if it covered
>   how to identify/prosecute or how to defend/absolve the witches!  There
>   were  columns and tables of criteria, and even some numbers.  I suspect
>   the botched Salem trials and executions before the turn of the century
>   caused Germans concern so they wanted to do a better legal job than the
>   crazed Massachusetts clerics.  Talk about having a skeleton in one's
>   family's ancestral closet.  I tried later to access that volume on
>   line, but the book appears to be gone.  Since classes had ended, I
>   didn't take the book to my German teacher Herr Reller, but I also
>   feared what the book might contain.  I believe by 1728 the Spanish had
>   gotten over any obsession about Hexen, but not yet England and Germany.
>   Mark Seifert
>   On Wednesday, May 6, 2015 4:07 AM, Mathias RAP:sel
>   <mathias.roe...@t-online.de> wrote:
>   Read Hillary Mantel on that topic, you'll get another view.
>   Mathias
>   > -----Original Message-----
>   > From: [1]lute-...@cs.dartmouth.edu
>   [mailto:[2]lute-...@cs.dartmouth.edu] On Behalf Of
>   > Chris Barker
>   > Sent: Tuesday, May 05, 2015 6:11 PM
>   > To: 'Monica Hall'; 'Edward Chrysogonus Yong'
>   > Cc: 'Lutelist'
>   > Subject: [LUTE] Re: Spain vs. Italy
>   >
>   > I agree on Thomas Cromwell as well!  Had Henry VIII not been king at
>   that time I'd
>   > call him a thug too!
>   >
>   > Chris
>   >
>   > -----Original Message-----
>   > From: [3]lute-...@cs.dartmouth.edu
>   [mailto:[4]lute-...@cs.dartmouth.edu] On Behalf Of
>   > Monica Hall
>   > Sent: Tuesday, May 05, 2015 9:19 AM
>   > To: Edward Chrysogonus Yong
>   > Cc: Lutelist
>   > Subject: [LUTE] Re: Spain vs. Italy
>   >
>   > Yes - Simon Schama has likened Cromwell and his supporters to the
>   Taliban in
>   > Afghanistan.
>   > They were certainly responsible for destroying some of our cultural
>   heritage.
>   > And Thomas Cromwell a century earlier was just an avaricious thug.
>   > Monica
>   >
>   >
>   > ----- Original Message -----
>   > From: "Edward Chrysogonus Yong" <[5]edward.y...@gmail.com>
>   > To: "Mark Wheeler" <[6]l...@pantagruel.de>
>   > Cc: "Monica Hall" <[7]mjlh...@tiscali.co.uk>; "ml"
>   <[8]man...@manololaguillo.com>;
>   > "Lutelist" <[9]lute@cs.dartmouth.edu>
>   > Sent: Tuesday, May 05, 2015 10:55 AM
>   > Subject: [LUTE] Re: Spain vs. Italy
>   >
>   >
>   > >
>   > > England falling to 16th C Catholic Spain may have been better for
>   > > music and culture than falling to Cromwell and the Puritans, just
>   saying...
>   > >
>   > > ========
>   > >
>   > > II?III? I.I>>IuI-oIII?I 1/2I^1I-oII 1/2 II+-III'II?I 1/4IuI-I?I 1/2
>   IuI-o IuI-I|II 1/2I?I IuI 1/4IuI IuIII 1/4II,I..
>   > > HA| litterA| electronicA| ab iPhono missA| sunt.
>   > > aeCURe>>aaeuae>>P:c, 1/4eae-oe-aaa 3/4iPhonea
>   > > This e-mail was sent from my iPhone.
>   > >
>   > >> On 5 May 2015, at 4:40 pm, Mark Wheeler <[10]l...@pantagruel.de>
>   wrote:
>   > >>
>   > >> Regarding Elizabeth I's racism here is an interesting article
>   > >>
>   > >> [11]https://www.press.jhu.edu/timeline/sel/Bartels_2006.pdf
>   > >>
>   > >> What Monica says about not judging the past by an inappropriate
>   set
>   > >> of criteria is true and is also appropriate to the "racism" of the
>   > >> English Queen.
>   > >>
>   > >> It may not be PC, but I personally am exceedingly happy that
>   England
>   > >> did not fall to 16th century Catholic Spain!
>   > >>
>   > >> All the best
>   > >> Mark
>   > >>
>   > >>
>   > >>
>   > >>
>   > >>> On May 5, 2015, at 9:41 AM, Monica Hall wrote:
>   > >>>
>   > >>> Yes - you are right.  We shouldn't judge the past by an
>   > >>> inappropriate set of criteria.
>   > >>> Spain has got a bad press in the English speaking world because
>   most
>   > >>> of us study history from an English/Northern Europe point of
>   view.
>   > >>> Queen Elizabeth I was a racist - want to expel all coloured
>   people
>   > >>> from England.  So was Shakespeare.  Jews are always villains.
>   > >>>
>   > >>> Monica briefly
>   > >>>
>   > >>>
>   > >>>
>   > >>> ----- Original Message ----- From: "ml"
>   <[12]man...@manololaguillo.com>
>   > >>> To: "LUTELIST List" <[13]lute@cs.dartmouth.edu>
>   > >>> Sent: Monday, May 04, 2015 8:53 PM
>   > >>> Subject: [LUTE] Re: Spain vs. Italy
>   > >>>
>   > >>>
>   > >>>> Spain was not an exception regarding free vs. conservative
>   > >>>> thinking. I mean, Spain was not more conservative than England
>   or
>   > >>>> France, in regard to what is right or wrong in religion,
>   morality
>   > >>>> (for instance
>   > >>>> sexuality.) and so on. Fear was (and is) the explication of
>   nearly
>   > >>>> everything.
>   > >>>>
>   > >>>> Perhaps Jean Delumeau (La peur en Occident, Fayard, 1978) hits
>   the
>   > >>>> nail when he says, concluding his wonderful book, that Satan was
>   > >>>> seen everywhere. He is the enemy, he inspires the turks, the
>   > >>>> witches, the heresies, the plagues, etc. When the attention is
>   > >>>> focused on jews and 'moriscos' (that is what happens in Spain),
>   the
>   > >>>> witches are not so closely monitorized. In other european
>   > >>>> countries, not so much worried with jews, heresies (here the
>   > >>>> protestants, there the catholics) were prosecuted instead. Only
>   two
>   > >>>> countries, Delumeau continues, "escaped from this general fear:
>   > >>>> Poland and Italy. The latter perhaps because of being more pagan
>   > >>>> than his neighbors (that was Erasmus' opinion), or because the
>   > >>>> church was controlling it better than elsewhere. In any case, it
>   > >>>> seems that Italy lost his mind because of these fears in a
>   lesser degree than
>   > other countries."
>   > >>>>
>   > >>>> But. if we read Carlo Ginzburg's Il formaggio e i fermi. Il
>   cosmo
>   > >>>> di un mugnaio del '500 (1976), a seminal work in micro-history,
>   > >>>> Italy suffered under the inquisition as well.
>   > >>>> Galileo's case is of course very well known.
>   > >>>>
>   > >>>> It's all too easy to project from our present time to that past.
>   > >>>>
>   > >>>> Regards from Barcelona, dear lute friends. :-)
>   > >>>>
>   > >>>> Manolo
>   > >>>>
>   > >>>>
>   > >>>>
>   > >>>>> El 04/05/2015, a las 19:27, Sean Smith <[14]lutesm...@mac.com>
>   escribiA^3:
>   > >>>>>
>   > >>>>>
>   > >>>>> That's what I'm thinking, too. The very first piece in Dalza's
>   > >>>>> book is the Caldibi Castigliano and it certainly points to a
>   > >>>>> refined and complex idiom unlike anything else in his Ferrerese
>   or
>   > >>>>> Venetiana dance cycles.
>   > >>>>>
>   > >>>>> Sean
>   > >>>>>
>   > >>>>>
>   > >>>>>
>   > >>>>> On May 4, 2015, at 9:52 AM, Gary Boye wrote:
>   > >>>>>
>   > >>>>> A word of caution here:
>   > >>>>>
>   > >>>>> We are making judgements based primarily on the printed
>   evidence
>   > >>>>> (i.e., the 7 main vihuela tablatures); there was a great deal
>   of
>   > >>>>> music (most of it!) that took place in Spain outside of these
>   > >>>>> formal, published works.
>   > >>>>>
>   > >>>>> Publishing was a big deal in the 16th century. Getting an
>   > >>>>> imprimatur from a conservative and literally Inquisitorial
>   > >>>>> government was unlikely with a large collection of dance music;
>   > >>>>> much easier to play it conservative and stick to sacred
>   > >>>>> intabulations. The vihuela manuscripts hint at a wider
>   repertoire,
>   > >>>>> as does the existence of guitar music from a later period. Who
>   > >>>>> knows what was happening on the streets, but the Inquisition
>   > >>>>> wouldn't have had much to do if everyone in Spain was a
>   straight-laced as
>   > the vihuela tablatures make it seem .
>   > >>>>> . .
>   > >>>>>
>   > >>>>> Gary
>   > >>>>>
>   > >>>>> Dr. Gary R. Boye
>   > >>>>> Professor and Music Librarian
>   > >>>>> Appalachian State University
>   > >>>>>
>   > >>>>>> On 5/4/2015 12:37 PM, Dan Winheld wrote:
>   > >>>>>> In other words, because the only two ethnic/cultural groups
>   that
>   > >>>>>> had any rhythm were invited to leave the premises at once. It
>   was
>   > >>>>>> said that when all the Jewish & Moorish doctors, scholars,
>   > >>>>>> scientists, and artists & academics showed up on his doorstep,
>   > >>>>>> the Sultan of Turkey asked "Has the King of Spain lost his
>   mind?"
>   > >>>>>>
>   > >>>>>> Lacking some rhythm myself, I do enjoy the all the great
>   vihuela
>   > >>>>>> music a lot- but even I have to sometimes "move" over to Italy
>   &
>   > >>>>>> Germany for a little jumping around.
>   > >>>>>>
>   > >>>>>> Dan
>   > >>>>>>
>   > >>>>>>> On 5/4/2015 3:36 AM, Ron Andrico wrote:
>   > >>>>>>> Well, the first answer that springs to mind is because Spain
>   had
>   > >>>>>>> recently kicked out all the dance musicians, who had moved to
>   Italy.
>   > >>>>>>> They were left with a bunch of upwardly mobile courtiers
>   > >>>>>>> (Milan), and serious-minded priests with so much time on
>   their
>   > >>>>>>> hands that they intabulated every piece of vocal polyphony
>   they
>   > >>>>>>> could put their hands on.
>   > >>>>>>> Actually, there is quite a bit of dance music in Fuenllana's
>   > >>>>>>> print, some but much less in the other six published books.
>   > >>>>>>> Also, there was quite a bit of dance music evident in Naples,
>   > >>>>>>> which was Spanish at the time.
>   > >>>>>>> RA
>   > >>>>>>>> Date: Mon, 4 May 2015 09:29:52 +0200
>   > >>>>>>>> To: [15]lute@cs.dartmouth.edu
>   > >>>>>>>> From: [16]r.ba...@gmx.de
>   > >>>>>>>> Subject: [LUTE] Spain vs. Italy
>   > >>>>>>>>
>   > >>>>>>>> Hi all,
>   > >>>>>>>> In the early 1500s, why are dances so common in Italian lute
>   > >>>>>>>> music
>   > >>>>>>> and
>   > >>>>>>>> so rare in the vihuela rep. ?
>   > >>>>>>>> Thanks
>   > >>>>>>>> --
>   > >>>>>>>> Sent from my Android phone with GMX Mail. Please excuse my
>   brevity.
>   > >>>>>>>>
>   > >>>>>>>>
>   > >>>>>>>> To get on or off this list see list information at
>   > >>>>>>>> [17]http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
>   > >>>>>>>
>   > >>>>>>> --
>   > >>>>
>   > >>>>
>   > >>>> --
>   > >>
>   > >>
>   > >>
>   > >
>   > >
>   >
>   >
>
>   --
>
> References
>
>   1. mailto:lute-...@cs.dartmouth.edu
>   2. mailto:lute-...@cs.dartmouth.edu
>   3. mailto:lute-...@cs.dartmouth.edu
>   4. mailto:lute-...@cs.dartmouth.edu
>   5. mailto:edward.y...@gmail.com
>   6. mailto:l...@pantagruel.de
>   7. mailto:mjlh...@tiscali.co.uk
>   8. mailto:man...@manololaguillo.com
>   9. mailto:lute@cs.dartmouth.edu
>  10. mailto:l...@pantagruel.de
>  11. https://www.press.jhu.edu/timeline/sel/Bartels_2006.pdf
>  12. mailto:man...@manololaguillo.com
>  13. mailto:lute@cs.dartmouth.edu
>  14. mailto:lutesm...@mac.com
>  15. mailto:lute@cs.dartmouth.edu
>  16. mailto:r.ba...@gmx.de
>  17. http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
> 



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