That's not the point being made. Which is that, even if some theorbo players employed nails (or didn't), we cannot draw the unequivocal conclusion that the period guitar was therefore also played with nails. And, in particular, that this was the practice that De Visee generally expected and followed himself Richard Sweeney, who uses nails, gives a reasonably even-handed account from some early sources in his blog available by pasting this into your search. https://richardsweeney.com/the-best-way-of-play/ MH
On Wednesday, 8 May 2019, 14:35:21 BST, magnus andersson <maan7...@yahoo.com> wrote: Do we have any evidence of any historical guitar or theorbo player who explicitly played without fingernails? Den onsdag, maj 8, 2019, 3:20 em, skrev Martyn Hodgson <hodgsonmar...@cs.dartmouth.edu>: Hear! hear!. And just because some theorbo players used nails by no means that De Visee did. This is, of course, how modern myths start................ Martyn On Wednesday, 8 May 2019, 11:09:58 BST, Monica Hall <[1]mjlh...@cs.dartmouth.edu> wrote: Corbetta didn't have to pay his musicians out of his own pocket - that's just another myth. The relevant source states that Every foreign musician who performed at court in Turin was given 500 Thlr. and Madame Royale wished to show her generosity by not withholding anything [from Signor Corbetta]. Madame Royale was the mother of Victor Amadeus, the ruler of Savoy at the time when Corbetta visited the town to perform. We don't actually know whether De Visee played with his nails. Monica > On 07 May 2019 at 22:20 magnus andersson <[1][2]maan7...@cs.dartmouth.edu> wrote: > > > Dear collective wisdom, > From what I have understood, it seems like manicure has been around > since at least 3200 BC, so I assume players like Piccinini, Corbetta > (who we know had > to cancel one of his concerts due to a broken nail- and still pay his > fellow musicians from his own pocket!) and perhaps de Visà ©e had found > a way for them to get it to work without shredding and tearing their > strings apart constantly, and - to quote Piccinini: > > "the one, and very important [thing] is to play neatly, and cleanly; In > the manner that all small touches of the string may be schietto, like > pearl[s]" > /Magnus > -- References 1. mailto:mjlh...@cs.dartmouth.edu 2. mailto:maan7...@cs.dartmouth.edu To get on or off this list see list information at http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html