OK, I swore I wasn't going to comment again, but it seems I can't help
myself this once more.  During this whole discussion of scripted programs, I
think we have failed to clarify the differences between scripts and
"transcripts."  And what a difference!  One of the best resources I know is
Talking Drawing Writing where the authors basically "melded" (for lack of a
better term) many teaching and learning times to document for us the Best Of
Lessons, a composite of many wonderful teachers and conversations.  Lucy
Calkins does that for us in Units of Study, as does Regie Routman in a
variety of places.  One of the masters is Marilyn Burns, a fantastic
resource which Jennifer will meet up with many times during her research
into lesson study.  Marilyn simply takes her (and her colleagues) most
successful lessons on place-value or attributes or whatever and consolidates
them into The Lesson Where All's Right with the World.  It's a "transcript"
of an ideal lesson.  Jennifer has written several examples on this listserv
as she co-teaches.  Ellin's one of the masters.

These "transcripts" are not, never have been, and never will be scripts!
And therein lies the difference.  What these examples (Burns, Calkins,
Giacobbe) were written for was to show us across time and place what best
practice could and should be.  They are meant simply to help us see and
hear, wherever we are, whenever we read, and whomever we are--- what
teaching and learning CAN BE.  We, of course, get wonderful examples from
Ellin in all her writing, as we do from many of our favorites.  They just
help us BE THERE, and not be there one day, in one place, with one set of
players.  They illustrate best practice--the epitome of
teaching/learning--the pinnacle of lesson study, if you will.  Those
"transcripts" are the ultimate in professional development because we can
see and hear what did happen, as well as WHAT THE TEACHER WAS THINKING while
it was happening, and the reasoning behind the choices she was making --
and during the best of times.

Contrast that, please, with the "scripts" in direct instruction which are
meant to be precisely followed with fidelity.  Those scripts are not meant
for us to develop ourselves into the consummate professional; they are to
tell us what to say and what to do and when to say it.  It doesn't matter
who we are or where we are or when it is.  AND -- It definitely doesn't
matter who our students are.  They may be second language learners, someone
who has taught themselves how to read as a preschooler, the most gifted
language user, the struggler, the creative, the diverse.  They all get the
script.  We give it to them.  In the same way, at the same time.  We are
ciphers.  And so are our kids!

So...when I talk about scripted programs, I'm very clear.  I'm the
deliverer.  Not the teacher.  And I hope this is the last I ever write on
this off-topic topic!!!!

Bev, who just can't seem to resist

On Tue, Feb 24, 2009 at 5:43 PM, Waingort Jimenez, Elisa <
elwaingor...@cbe.ab.ca> wrote:

> Yes and no, Lori.  I can see giving a teacher a loose script to read
> through when first trying something out.  The Investigations math program
> does something like this and they even have dialogue involving children in
> the classroom.  I've used these supports from time to time.  In fact, to
> prepare for two workshops I recently gave at our local Teacher's Convention,
> I did just that for myself.  It was more a way for me to prepare than
> something I necessarily stuck to throughout my presentation.  The DI
> programs expect you to follow their scripts as they are written.  I also do
> not equate detailed lesson plans with scripts.  Detailed lesson plans guide
> teachers along, as you say.  They help you rehearse for when you need to do
> a lesson in front of a group of children.  They shouldn't dictate everything
> you do in the classroom.  There's a funny thing in all of this, though.
>  Thinking teachers will naturally deviate from the script once they realize
> that it's not working for all children.  This is where the real teaching
> comes in.
>  Elisa
>
> Elisa Waingort
> Grade 2 Spanish Bilingual
> Dalhousie Elementary
> Calgary, Canada
>
> The best and most beautiful things in the world cannot be seen or even
> touched. They must be felt within the heart.
> —Helen Keller
>
> Visit my blog, A Teacher's Ruminations, and post a message.
> http://waingortgrade2spanishbilingual.blogspot.com/
>
>
>
> I think what Debbie may be saying is that a script may somehow apprentice a
> teacher to better practice and techniques.  I see some worth in this belief.
>  Getting non-traditionally certified folks started with guided reading, I
> typically model for one week--sharing very, very detailed lesson plans which
> could be called scripts, I suppose.  Then we write a set of these kinds of
> plans together--sometimes for a few weeks, amidst much talk of the children,
> their needs and the educational possibilities for the books in front of us.
>  I do see this as apprenticeship--a means of getting started. The difference
> is, I go away. Granted I come back from time to time, but my goal is to
> refine practice rather than to define practice, working within the
> guidelines established by our district for balanced literacy instruction.
>  The little books we use offer us many possibilities for focus in
> instruction, according to student need.  The same story could be used
> instructionally to teacher text previewing, fluency, sentence structure and
> could indicate many possibilities for contextualized word study.  Until
> these scripted programs come with a 'choose your own ending' option, I am
> just not sure it is fair to say that they will ensure the best literacy
> education possible for every student.  The person most responsible for that
> has to be the classroom teacher.
>
> Lori Jackson
>
>
> ----- Original message -----
> From: Waingort Jimenez, Elisa <elwaingor...@cbe.ab.ca>
> To: Mosaic: A Reading Comprehension Strategies Email Group <
> mosaic@literacyworkshop.org>
> Date: Tuesday, February 24, 2009  6:46 AM
> Subject: Re: [MOSAIC] scripts and thinking
>
> > Debbie,
> > And, whose idea is this learning "to teach the right way" that these DI
> scripts spouse?  There is no right way to teach.  There are philosophies
> which then guide our teaching practices.  The teaching practices in DI
> programs are clearly scripted so that there is minimal out of the box
> thinking and everyone is on the same step at the same time (philosophy).
> There is no regard for different size thinking, rather there is disregard
> for the messy life of the classroom.
> > Elisa
> >
> > Elisa Waingort
> > Grade 2 Spanish Bilingual
> > Dalhousie Elementary
> > Calgary, Canada
> >
> > The best and most beautiful things in the world cannot be seen or even
> touched. They must be felt within the heart.
> > -Helen Keller
> >
> > Visit my blog, A Teacher's Ruminations, and post a message.
> > http://waingortgrade2spanishbilingual.blogspot.com/
> >
> >
> > Scripts make sure we "learn to teach the right way" so that we can then
> incorporate those techniques and make them our own.
> >
> >
> >
> > _______________________________________________
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> >
> > Search the MOSAIC archives at http://snipurl.com/MosaicArchive.
> >
> >
> >
>
>
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