That's the deal-breaker for me. I know of chromogenic negs shot in the
*80's* that have turned to crap.

It's like the film equivalent of inkjet paper.

tv


#1, what chromogenic films were available in the '80's, I don't remember any.
 Maybe the very early Ilford?

#2, do we  know that the current crop of chromogenic films suffer from the
same problems, or just erring on the side of caution.

I use both chromogenic and traditional b/w and don't think I have a dog in
this fight, but these questions came to mind.

Jerry in Houston

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