gfen, If ultra vivid is what you want, then Velvia or Kodak 100VS is your game. In the print film realm, the king was Agfa Ultra 50 - alas is has been discontinued for some time and you probably won't be able to find any. My experience with print films is that if they are real vivid, then they either work well in high contrast of low contrast lighting but not both well. For low contrast situations - Agfa Optima II 100 is quite nice. For higher contrast situations - Konica Impressa 50 and Fuji Reala 100 are both very nice. If you would like samples, I can email you some.
Bruce Tuesday, August 13, 2002, 1:07:30 PM, you wrote: g> On Tue, 13 Aug 2002, Brad Dobo wrote: >> Provia 100 F, Provia 400, and I like Velvia 50 for landscape shots, >> especially with a polarizer and enhancing filter. Not that cartoonist. :) g> I'm actually looking for something with the ultra vivid colours. I g> recently picked up a roll of Velvia, but haven't bothered to try it yet. I g> was hoping a polarizer would enhance this, am I wrong? Can someone make g> some suggestions for additional film that would help bring out those sort g> of saturated colours? Print film would be even more preferable.. - This message is from the Pentax-Discuss Mail List. To unsubscribe, go to http://www.pdml.net and follow the directions. Don't forget to visit the Pentax Users' Gallery at http://pug.komkon.org .
