Dear Tony, Jon AS, List,

I sent a note (copy below) to
Peirce-L, in which I recommended some
of your work for ongoing
discussions of phaneroscopy.  But Jon
objected to my saying that your
subject matter is phaneroscopy:

JAS> Jappy's paper further
clarifies that phenomenology/phaneroscopy
provides the framework for
classifying signs in the 1903 taxonomy, but
that task itself clearly
falls within speculative grammar.  It is
important not to conflate
the two by treating the latter as if it were
a branch of the former,
since it also depends on esthetics and ethics
as Peirce clearly
maintained.

Much of the confusion is caused by Peirce's
unfortunate use of the
term 'logic proper' (which occurs just 7 times
in CP).  Many readers
forget that the very first branch of his 1903
classification is
'formal logic' (a term that occurs 119 times in
CP).  Speculative
grammar depends on normative principles, which are
derived after
formal logic is used in conjunction with phaneroscopy
to derive the
categories and hypoicons.

See the diagram
cspsci2.png, which is attached below.  I added the
node labeled
'formal semeiotic' (a term that Peirce used a couple
of times in his
MSS) to represent the result of applying formal
logic to experiences
in the phaneron.

I was wondering how you would classify the
various topics that
you cover in your book and articles.

John

____________________________________

As
background reading material about phaneroscopy, I recommend some
important papers by Tony Jappy.  Unlike many publications that talk
only about abstract issues, Tony J illustrates the abstract analysis
with specific examples of paintings and other images.

"Two Peircean approaches to the image:  hypoiconicity and
semiosis" by
Tony Jappy:  https://www.academia.edu/40389448

For a book by Jappy with many more examples, see Peirce's 28
classes
of signs and the philosophy of representation,
https://library.oapen.org/bitstream/handle/20.500.12657/45654/625766.pdf

Jappy has published more articles on phaneroscopy and related
issues,
but these two references are a good place to start.

_________________________________

Some quotations by Peirce,
which Jappy discusses:

Now the Icon may undoubtedly be divided
according to the categories;
but the mere completeness of the notion
of the icon does not
imperatively call for any such division”(EP2
163, April 1903).

But a sign may be iconic, that is, may
represent its object mainly by
its similarity, no matter what its
mode of being.  If a substantive
be wanted, an iconic [sign] may be
termed a hypoicon.  Any material
image, as a painting, is largely
conventional in its mode of
representation; but in itself, without
legend or label it may be
called a hypoicon.  (1903, CP 2.276)

Hypoicons may roughly [be] divided according to the mode of
Firstness
which they partake.  Those which partake the simple
qualities, or
First Firstnesses, are images; those which represent
the relations,
mainly dyadic, or so regarded, of the parts of one
thing by analogous
relations in their own parts, are diagrams; those
which represent the
representative character of a representamen by
representing a
parallelism in something else, are metaphors.  (R478
62; EP2:274, 1903)

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