My experience is also with printmaking and photography.  The editioning process 
in printmaking is generally perfectly sensible and straight forward.  The darn 
plate wears out, or something like that.

To me, one of the wonderful side effects of photography is that it is a 
'democratic medium' and theoretically one can make an almost unlimited number 
of prints from a negative.

In photography, I have found, editioning does not mean that there will be only 
x number of prints.  It means there will only be x number of prints in this 
particular size, or on this particular paper, or prints made during a full 
moon, etc.

It is totally artificial, arbitrary and seems to be designed only to appease 
collectors and or galleries.  As far as I know, there is not one standard, and 
the introduction of digital printing has only complicated matters.

My take on it is to do it only as a business decision, and not an artistic one.

chris
---
http://ChristianHarkness.tripod.com



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