I'll do my best tomorrow - Its a bit lively this end too, but I'm on it - had the first studio booking today iiiiiiiiiiiiiiiii

speak laters

cx


----- Original Message ----- From: "Ellie Kennard" <[EMAIL PROTECTED]>
To: <[EMAIL PROTECTED]>
Sent: Monday, October 25, 2004 8:18 PM
Subject: Re: [PRODIG] Offset print run changed - printer's reply



Further to this topic, I have spoken to the printer who denied that
it was my fault in the least! (weren't expecting that, were you?)

Nonetheless, from what I have learned from Stephen and reading a bit
of Dan Margulis' chapeter on GCR etc., I see that I have made his job
a great deal more difficult.

He offered to reprint, as he felt that the variation was unacceptable
over the run. I suggested to him that for the experience for us both,
he take the new file (that was prepared using the action that Stephen
kindly sent me). He was happy to do that. He also wants to send me a
proof which I will see if I like and then he will ensure the run
prints to that colour.

Interesting that he took all the blame. I spent some time explaining
what Stephen had observed about the file and the GCR etc, but he was
not (I suspect) on the same wavelength. I find it hard enough to
follow myself, as I feel a bit out of my depth. I feel that I am
beginning to understand it, though.

Anyway this is where we stand now. I will prepare this file and we
will end up with 5000 postcards of the same image! (already it seemed
that 2500 was more than necessary). But this has been an interesting
learning experience.

All for now,

Ellie

On 25 Oct 2004 Ellie Kennard wrote about: Re: [PRODIG] Offset print run chang (snipped for brevity)

This is an update to a problem where a digital RGB file was converted
to the (printer's suggested) US Web Coated (SWOP) V2 CMYK profile for
printing as a postcard. Over the print run the neutral background
colour did not stay neutral but varied unacceptably to three different
shades from geenish through neutral to magenta-ish. In an effort to
understand why, I put the question to the list before contacting the
print company. Stephen Marsh has worked with me in the most helpful
and instructive manner, to find out what the problem was and see what
could (have) been done to avoid this end result.
--
Ellie Kennard, Innovative Imaging Studio : http://www.iiStudio.com
Contributor to "Photoshop Restoration and Retouching, 2nd edition"
by Katrin Eismann


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