Arto, USA, and Michelagnolo (was:VERY OFF TOPIC: POLITICS - don't read if you are Bush challenged...)

2005-05-06 Thread G.R. Crona
Hi Arto,

you are one of the (if not the) oldest contributors to this list, and
have been with it from the beginning. I'm sure that many of your
contributions have been insightful and worthwile for many lutenetters.
Perhaps it even gives you some kind of special rights, to do what
you do every once in a while, but IMO you are either very naìve or
rather cunning.

Take for instance this need to drop an anti-american bomb on the net
twice a year or so,  stopping all the other interesting threads going
on at the moment, (which are such delicate, ephemeral and soon
forgotten things). It is quite an arrogant and also destructive thing
to do, if you really think about it! Although I can very well
understand your frustration about the policy of the USA, especially
under Bush. It's a frustration that is supposedly shared with a
substantial part of today's world. (At least in Europe and the Middle
East).

What you are not taking into consideration is that this list is read
by and contributed to, mainly by americans. How could you expect to
influence them in any other way, than to make them defend their
homeland and values? The handful of foreign contributors here don't
have a chance in the world to achieve that. What did you achieve with
your previous 3 or 4 incitements? Did you learn anything?

IMO, many americans are not very interested in finding out or caring
about what happens in the rest of the world. And why should they? They
live in a soap-bubble world of their own. The USA is a *huge*
continent. You can easily devote a whole lifetime trying to learn
about it's history, geography, internal politics, etc. without having
to care getting informed about the rest of the world, which is perhaps
both a blessing and a curse.

Sure, many say that the US today takes a much too huge space in the
world, (just like a few of the people on this list), that it behaves
imperialistically, that it's previous and present help to other
nations was, (and is) conducted as a strategy for self-agrandisation
or self-help, that it inundates the rest of the world with crap
action movies, sex-fixation and values of a life-style that is
detrimental to the planet, as doubtlessly is their over consumption of
fossil fuels and other raw-materials. That it is a navel-gazing
society, where 50% or more of the population don't even know where
Finland is, and if they knew, wouldn't even care. That their
arms-industry is bringing the planet to the brink of extinction, that
their fundamentalist interpretation of christianity is just as bad as
that of other religions, and the dollar is God. But IMV you are
definitely adressing the wrong forum. The only thing you will achieve,
(but perhaps that is your intention), is to raise the temperature a
few degrees, bring out the usual hot-headed combattants, and sit back,
while you see this thread degenerate into a muck-throwing contest that
leads to nowhere.

Perhaps that is also a form of catharsis, but I doubt it. It has been
proved again and again, that the majority of lutenetters on this list
are intensely tired with this sort of thing.

For all I know, you have turned into an agent who tries to flush out
those on the lutenet with anti-american sentiments, those for us, or
against us to use a recent saying. At least this becomes the result
of your behaviour, in which case I'm in deep s**t here! ;)

No society is a homogenous society. Nowadays there seems to be a
tendency to be either for or against, with the population divided
roughly in the middle, as most polls show. A third  informed view is
usually either disregarded or ignored. See it as a sign of our times.

A great majority of the americans on this list, seem to be friendly,
peaceful, well-informed folks, sharing a love for the lute, (I hope)
just like you and me. Some will be for Bush and american policy, some
will be against. But (probably) most of them are still supporters of
the american way and all what that stands for, and to change their
views, you'd perhaps do better donning some messiah's garb or other
and go out and preach them the right gospel (what in fact you are
actually doing in a sort of fruitless modern internet way). Or join
the militant fringes that are also fruitlessly trying to combat the
(al)mighty USA through terrorist mosquito-bites, that always only
strike the innocent third-parties.

Useless Arto, it won't work. People make up their own decisions and
views, either letting themselves be brain-washed by media or through
massive self-education, and what you or I have to say in this matter
is really not relevant in the least, when it comes to politics or
religion. Let's face it. The mighty, arrogant capitalist US policy
is taking over the world today, whether we like it or not. Normal,
simple, decent, peace loving people throughout the world are taking
the american way to their hearts, even at the cost of loosing their
own national identity, and there isn't a jot either you or I can do
about it other than starting some 

Re: Arto, USA, and Michelagnolo (was:VERY OFF TOPIC: POLITICS - don't read if you are Bush challenged...)

2005-05-06 Thread ariel abramovich

Dear G=F6ran,

I will not get into the discussion myself although, as most of you, have my own 
views and opinions.
In the past, I told Arto and some of the other members what I think about 
posting this sort of messages to the list.
What I personally find to be quite an error, is that you don't follow your own 
advise  (...This is precisely why I have always abstained from trying to 
propagate religious or political views on this list. We've seen where it leads 
to. It can't be said enough times. There are heaps and heaps of lists, where 
people can discuss political or religious matters to their hearts content. 
There are very few lists, where lovers of the lute are able to do the same. Do 
you want to pollute it?...) and you tell Arto that he shouldn't do something 
that you've done yourself extensively, and all in the same email.
Your opinions are also as political (whether we-you like it-them or not) and 
one sided as Arto's, and in strict terms also out of place in this list, 
according to what you think (and I) it is conceived for.
For many years I've been participating in political debates, writing in 
magazines and discussion groups. I'd be happy to provide information about all 
these to any of you, if exists the necessity of expressing and sharing thoughts 
with other individuals about all that sort of items.
Here and now, my humble opinion is that I'm happy writing and reading about 
lutes and lute music here, and uncomfortable with either Arto's of anyone 
else's political messages.
In the past I made the mistake of getting into the arguments taking place on 
the list, and I regret.
Please, excuse my English, and keep in mind that I might not be aware of the 
courtesy formula for this kind of things.
Regards,
a


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Re: VERY OFF TOPIC (POLITICS)

2005-05-06 Thread Craig Allen
Roman wrote:

I know what your intent is, but Bob Heinlein is not exactly a model of
intellectual precision, obviously...

Obvious to you maybe. Are the conclusions wrong?

Craig



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Re: Arto, USA, and Michelagnolo (was:VERY OFF TOPIC: POLITICS - don

2005-05-06 Thread [EMAIL PROTECTED]
Days ago I wrote an e-mail about the Mozart eccet on this list, collecting some 
relevant abstract on the subject; follow-up answers? None.

Arto two days ago wrote an off-topic letter about Bush et al. Follow-up: three 
or more answers so far.

Conclusion: just a little disappointment.

Paolo


 
 Dear G=F6ran,
 
 I will not get into the discussion myself although, as most of you, have my 
 own views and opinions.
 In the past, I told Arto and some of the other members what I think about 
 posting this sort of messages to the list.
 What I personally find to be quite an error, is that you don't follow your 
 own advise  (...This is precisely why I have always abstained from trying to 
 propagate religious or political views on this list. We've seen where it 
 leads to. It can't be said enough times. There are heaps and heaps of lists, 
 where people can discuss political or religious matters to their hearts 
 content. There are very few lists, where lovers of the lute are able to do 
 the same. Do you want to pollute it?...) and you tell Arto that he shouldn't 
 do something that you've done yourself extensively, and all in the same email.
 Your opinions are also as political (whether we-you like it-them or not) and 
 one sided as Arto's, and in strict terms also out of place in this list, 
 according to what you think (and I) it is conceived for.
 For many years I've been participating in political debates, writing in 
 magazines and discussion groups. I'd be happy to provide information about 
 all these to any of you, if exists the necessity of expressing and sharing 
 thoughts with other individuals about all that sort of items.
 Here and now, my humble opinion is that I'm happy writing and reading about 
 lutes and lute music here, and uncomfortable with either Arto's of anyone 
 else's political messages.
 In the past I made the mistake of getting into the arguments taking place on 
 the list, and I regret.
 Please, excuse my English, and keep in mind that I might not be aware of the 
 courtesy formula for this kind of things.
 Regards,
 a
 
 
 --
 
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 http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
 




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Sorry!

2005-05-06 Thread Arto Wikla

Sorry! 
No more politics or/and ethics by me in the List.
Definitely.

Arto



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Re: Sorry!

2005-05-06 Thread Craig Allen
Arto wrote:

Sorry! 
No more politics or/and ethics by me in the List.
Definitely.

I wish I had a nickle for every time you've said that.

Craig



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Re: VERY OFF TOPIC (POLITICS)

2005-05-06 Thread lute9
Craig Allen scripsit:
 Roman wrote:
 I know what your intent is, but Bob Heinlein is not exactly a model of
 intellectual precision, obviously...
 Obvious to you maybe. Are the conclusions wrong?
 Craig
You might be helped by the original context, but the way the aphorism was
presented makes is sound like advocacy of a police state.
RT
__
Roman M. Turovsky
http://polyhymnion.org/swv





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Re: VERY OFF TOPIC (POLITICS)

2005-05-06 Thread The Other
 I know what your intent is, but Bob Heinlein is not exactly a model of
 intellectual precision, obviously...
 RT

Robert Heinlein.

What do you think about his premise in Starship Troopers?
(I'll need to reread the book again to be certain.)

That the right to vote is only given to those who have served in the  
military.

The Other



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Re: VERY OFF TOPIC (POLITICS)

2005-05-06 Thread lute9
The Other scripsit:

 I know what your intent is, but Bob Heinlein is not exactly a model of
 intellectual precision, obviously...
 RT
 
 Robert Heinlein.
 
 What do you think about his premise in Starship Troopers?
 (I'll need to reread the book again to be certain.)
 
 That the right to vote is only given to those who have served in the
 military.
How telling..
RT



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Re: VERY OFF TOPIC (POLITICS)

2005-05-06 Thread lute9
Craig Allen scripsit:
 Roman wrote:
 I know what your intent is, but Bob Heinlein is not exactly a model of
 intellectual precision, obviously...
 Obvious to you maybe. Are the conclusions wrong?
 Craig
Unlike you, I had an 18 years experience of living in a police state. Beware
of what you are asking for.
RT
__
Roman M. Turovsky
http://turovsky.org






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Re: VERY OFF TOPIC (POLITICS)

2005-05-06 Thread Craig Allen
Roman wrote:

You might be helped by the original context, but the way the aphorism was
presented makes is sound like advocacy of a police state.

Actually you may be helped by the original context. I know what it is. For 
context read Starship Troopers. Try to pay attention to the messages being 
given by the teacher rather than all the blowing up of alien bugs (something 
the film version missed completely, but then Hollywood would rather blow things 
up than tell a story)

As Steven T.O. Stubbs pointed out that is the book the quote is taken from 
and it does have to do with the right to vote being granted to those who have 
served their nation, presumeabley through military service. People often forget 
the service part that goes along with military and government service in 
general. The average citizen doesn't (in any country) in the main serve the 
nation in any way. Communism in the old Soviet regime and the current versions 
in China, Korea, and elsewhere tried that by demanding that everything belongs 
to the State. That to me is a true police state, where it's a crime against the 
state to possess anything. This is not the premise in Heinleins book. Instead 
it shows the average person what the nation means and why it is important to 
want to fight for it, and that only those willing to lay down their lives earn 
(notice that word) the right to participate in the governing of the nation. 
People in general, but Americans in particular take Fre!
 edom for granted. That's the point I (and Heinlein) was making.

Craig


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Re: Arto, USA, and Michelagnolo (was:VERY OFF TOPIC: POLITICS - don't read if you are Bush challenged...)

2005-05-06 Thread bill kilpatrick
in celebration of ve day here in europe the bbc world
service broadcast an interview with an extraordinary,
104 year old pianist who survived internment by the
nazis.  in the interview she said she believed all
musicians are beautiful - regardless of their
political views - because they all have music in their
minds. 

if we were to meet and i were to say to you that i
come from the united states, would you automatically
start to evaluate me according to your list of
american ills (as listed in your previous contribution
below) as we speak or would you even see me at all?  

- bill

G.R. Crona [EMAIL PROTECTED] wrote:

 Hi Arto,
 
 you are one of the (if not the) oldest contributors
 to this list, and
 have been with it from the beginning. I'm sure that
 many of your
 contributions have been insightful and worthwile for
 many lutenetters.
 Perhaps it even gives you some kind of special
 rights, to do what
 you do every once in a while, but IMO you are either
 very naìve or
 rather cunning.
 
 Take for instance this need to drop an anti-american
 bomb on the net
 twice a year or so,  stopping all the other
 interesting threads going
 on at the moment, (which are such delicate,
 ephemeral and soon
 forgotten things). It is quite an arrogant and also
 destructive thing
 to do, if you really think about it! Although I can
 very well
 understand your frustration about the policy of the
 USA, especially
 under Bush. It's a frustration that is supposedly
 shared with a
 substantial part of today's world. (At least in
 Europe and the Middle
 East).
 
 What you are not taking into consideration is that
 this list is read
 by and contributed to, mainly by americans. How
 could you expect to
 influence them in any other way, than to make them
 defend their
 homeland and values? The handful of foreign
 contributors here don't
 have a chance in the world to achieve that. What did
 you achieve with
 your previous 3 or 4 incitements? Did you learn
 anything?
 
 IMO, many americans are not very interested in
 finding out or caring
 about what happens in the rest of the world. And why
 should they? They
 live in a soap-bubble world of their own. The USA is
 a *huge*
 continent. You can easily devote a whole lifetime
 trying to learn
 about it's history, geography, internal politics,
 etc. without having
 to care getting informed about the rest of the
 world, which is perhaps
 both a blessing and a curse.
 
 Sure, many say that the US today takes a much too
 huge space in the
 world, (just like a few of the people on this list),
 that it behaves
 imperialistically, that it's previous and present
 help to other
 nations was, (and is) conducted as a strategy for
 self-agrandisation
 or self-help, that it inundates the rest of the
 world with crap
 action movies, sex-fixation and values of a
 life-style that is
 detrimental to the planet, as doubtlessly is their
 over consumption of
 fossil fuels and other raw-materials. That it is a
 navel-gazing
 society, where 50% or more of the population don't
 even know where
 Finland is, and if they knew, wouldn't even care.
 That their
 arms-industry is bringing the planet to the brink of
 extinction, that
 their fundamentalist interpretation of christianity
 is just as bad as
 that of other religions, and the dollar is God. But
 IMV you are
 definitely adressing the wrong forum. The only thing
 you will achieve,
 (but perhaps that is your intention), is to raise
 the temperature a
 few degrees, bring out the usual hot-headed
 combattants, and sit back,
 while you see this thread degenerate into a
 muck-throwing contest that
 leads to nowhere.
 
 Perhaps that is also a form of catharsis, but I
 doubt it. It has been
 proved again and again, that the majority of
 lutenetters on this list
 are intensely tired with this sort of thing.
 
 For all I know, you have turned into an agent who
 tries to flush out
 those on the lutenet with anti-american sentiments,
 those for us, or
 against us to use a recent saying. At least this
 becomes the result
 of your behaviour, in which case I'm in deep s**t
 here! ;)
 
 No society is a homogenous society. Nowadays there
 seems to be a
 tendency to be either for or against, with the
 population divided
 roughly in the middle, as most polls show. A third 
 informed view is
 usually either disregarded or ignored. See it as a
 sign of our times.
 
 A great majority of the americans on this list, seem
 to be friendly,
 peaceful, well-informed folks, sharing a love for
 the lute, (I hope)
 just like you and me. Some will be for Bush and
 american policy, some
 will be against. But (probably) most of them are
 still supporters of
 the american way and all what that stands for, and
 to change their
 views, you'd perhaps do better donning some
 messiah's garb or other
 and go out and preach them the right gospel (what in
 fact you are
 actually doing in a sort of fruitless modern
 internet way). Or join
 the militant fringes that are also fruitlessly
 trying 

Re: VERY OFF TOPIC (POLITICS)

2005-05-06 Thread lute9
Craig Allen scripsit:

 Roman wrote:
 
 You might be helped by the original context, but the way the aphorism was
 presented makes is sound like advocacy of a police state.
 
 Actually you may be helped by the original context. I know what it is. For
 context read Starship Troopers. Try to pay attention to the messages being
 given by the teacher rather than all the blowing up of alien bugs (something
 the film version missed completely, but then Hollywood would rather blow
 things up than tell a story)
 
 As Steven T.O. Stubbs pointed out that is the book the quote is taken from
 and it does have to do with the right to vote being granted to those who have
 served their nation, presumeabley through military service. People often
Does producing a nation's Culture qualify as a Service?
Who is more qualified to vote, Hoppy Smith or Lynndie England


 forget the service part that goes along with military and government service
 in general. The average citizen doesn't (in any country) in the main serve the
 nation in any way.
Horsefeathers. In many countries they do, and they are remunerated for it in
a variety of social ways. The USA doesn't give a fecal pellet about average
citizens, why should it expect large civic spirit from them?


 Communism in the old Soviet regime and the current versions
 in China, Korea, and elsewhere tried that by demanding that everything belongs
 to the State. That to me is a true police state, where it's a crime against
 the state to possess anything.
Craig, if I were you I'd avoid talking about something about which you have
no idea.


 This is not the premise in Heinleins book.
 Instead it shows the average person what the nation means and why it is
 important to want to fight for it, and that only those willing to lay down
 their lives earn (notice that word) the right to participate in the governing
 of the nation. People in general, but Americans in particular take Fre!
 edom for granted. That's the point I (and Heinlein) was making.
Craig,
We are all grown up people here, and we all know that Heilein's fascist
fairytales  for adults fail to reflect nasty qualities of real human
beings, especially corrupted by power (or firepower).
This is why in intelligent circles RH doesn't qualify as literature.
RT

http://polyhymnion.org

  



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Posts which are off-topic.

2005-05-06 Thread Herbert Ward

I think being rigidly on-topic is bad.

I think that art which is isolated from the real world is not viable.  



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Re: VERY OFF TOPIC (POLITICS)

2005-05-06 Thread Eugene C. Braig IV
At 08:59 AM 5/6/2005, The Other wrote:
Robert Heinlein.

What do you think about his premise in Starship Troopers?
(I'll need to reread the book again to be certain.)

That the right to vote is only given to those who have served in the
military.


I don't think anything at all about it...in the context of this list. 



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Re: Arto, USA, and Michelagnolo (was:VERY OFF TOPIC: POLITICS - don't read if you are Bush challenged...)

2005-05-06 Thread lute9
 in celebration of ve day here in europe the bbc world
 service broadcast an interview with an extraordinary,
 104 year old pianist who survived internment by the
 nazis.  in the interview she said she believed all
 musicians are beautiful - regardless of their
 political views - because they all have music in their
 minds. 
I disagree, music does have its edifying limits. Think of a lutenist with
initials NN.
I much prefer a dictum by someone from the old country who said that a
talent is like a pimple, as it could easily appear on an arse.
RT






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BWV 1025, part I

2005-05-06 Thread Ralf Bachmann
Hola amigos,

During the last few months I have (also) been working
on BWV 1025 / SWL 47 
 I would like to share with you some of the things I
have been 
doing  so far. First, to catch the mood, here some
interesting previous 
appreciations from our collective memory (Baroque Lute
Archives):

From: [EMAIL PROTECTED] 
Subject: Weiss and BWV 1025

Sterling Price wrote:

 It has been a few weeks since I have read my e-mail,
but I noticed a 
 recent query about the BWV 1025. I have been long
interested in this 
 sonata, but could never find a recording until the
Vancouver seminar(the 
 music library had a great record collection). I
don't remember who did 
 the recording (I think it was Trevor Pinnock on the
harpsichord) The 
 recording was done before it was known that it is
actually by Weiss. Now 
 no one will record it, which is a shame since it is
a typical wonderful 
 late Weiss sonata(Dresden #22). The arrangement has
the harpsichord play 
 an octave higher than the original, but occasionally
the bass is in the 
 correct octave. The violin part is very elaborate
and a bit confusing. It 
 somehow dosen't seem to fit right. There is also a
fantasia for the first 
 movement that is not in the original.

I am not aware of a recording by Trevor Pinnock (with
Simon Standage 
playing the violin, I assume?) but there *is* one by
Musica Antiqua 
Koeln, with Reinhardt Goebel playing the violin part.
It was done as part 
of a boxed set of all Bach's chamber music at least 15
years ago. This 
was the recording that the Finnish pupil (I forget his
name) of Hoppy 
Smith heard that led to the recognition of Weiss's
part in the work.

For the academically-minded German reader there are
two relevant articles 
in recent issues of 'Bach-Jahrbuch' (I *think* these
are 1993 and 1994). 
The first, by Christoph Wolff (Harvard), reports the
discovery and goes 
into a lot of detail about the sources and the
arrangement; the second, 
by Karl-Ernst Schroeder (Basel) responds with a few
further observations 
and minor corrections, including the fact that some
extended sections 
from the 'Fantasia' (which Wolff took to be Bach's
homage to Weiss's 
improvisational style) appear in an anonymous prelude
(probably also 
based on one by Weiss) which appears in some Warsaw
MSS.

(RB: that would be Breslau W2002)

I think we'll hear this sonata again. There is a
problem with the Dresden
tablature, in that the copyist of this piece (and
several others, luckily 
few of which are unique) is *very* careless. The Bach
version seems to 
correspond better to the other source of the Rondeaux
(Munich MS 5362) 
than to Dresden.

Does anyone agree that this lovely Rondeau could be
Weiss's homage to 
Count Losy? Not only do the actual motifs in the
melody and the episodes 
contain unusual intervals like those Losy uses in the
same context in his 
Rondeaux, but there is to my ear a 'cuckoo' reference
in the them, which 
may refer to the 'Gigue qui imite le Cucu' (which is
anon but assumed to 
be by Losy).
Comments, anyone?

T.Crawford, Oct 1996


 Is there a lute solo by Weiss that was based on BWV
1025? Many thanks!
 David Nadal

I think it is quite the other way around: it was Bach
who arranged a 
Weiss lute sonata or 'suite' for violin and
harpsichord.

In the most recent edition of the BWV (see e.g. Die
Musik in Geschichte 
und Gegenwart, second edition, Personenteil vol. I,
col. 1468-1469), no. 
1025 is called Trio A-Dur f(r) V(ioline) u(nd)
Cemb(alo); an added note 
states:
Satz 2-7 nach einem Lautenwerk von S.L. Weiss.
Therefore the
Fantasia is regarded as a work of Bach himself. It
should also be noted
that BWV 1025 no longer bears the label 'doubtful'.

I have not been able to find recording of BWV 1025,
and therefore cannot 
be sure which sonata of Weiss Bach transcribed. On the
basis of the 
movement names it would appear to be Dresden no. 22.

Peter Van Dessel, Feb. 2000


Further to Markus, there is now a second recording of
BWV 1025 with lute,
this time accompanying the violin: it's on a new CD of
Lutz Kirchhof, 
Sony Vivarte SK 51351. The violinist is Giuliano
Carmignola.

Peter Van Dessel, Sep. 2001


OK, so much for that. The version played by Lutz
Kirchhof was especially motivating for me
for a simple reason: as far as I have analyzed the
music, L.Kirchhof is very faithful to the lute part
from the Dresden Ms (SWL 47). So, after learning to
play the 
solo Sonata from my Dresden facsimile copy, it was not
so difficult to manage BWV 1025.
It should be noted that there ARE some differences
between BWV 1025  SLW47:
Notably, the Sarabande in BWV 1025 is a sort of Double
from the one in SLW47, but that´s just great, using
that for playing the repeat parts in a solo recital
(later I will send my tablature 
transcription of that 

Re: Posts which are off-topic.

2005-05-06 Thread Eugene C. Braig IV
At 09:45 AM 5/6/2005, Herbert Ward wrote:

I think being rigidly on-topic is bad.

I think that art which is isolated from the real world is not viable.


Of course, but topics that are thoroughly isolated from lute on this list 
should not be viable.  It's too bad they seem to be the most viable. 



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Re: VERY OFF TOPIC (POLITICS)

2005-05-06 Thread Roman Turovsky
Eugene C. Braig IV scripsit:

 At 08:59 AM 5/6/2005, The Other wrote:
 Robert Heinlein.
 
 What do you think about his premise in Starship Troopers?
 (I'll need to reread the book again to be certain.)
 
 That the right to vote is only given to those who have served in the
 military.
 
 
 I don't think anything at all about it...in the context of this list.
Is the Right to bear Lutes inalienable?
RT



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Mozart effect

2005-05-06 Thread Eugene C. Braig IV
I am intensely skeptical of the Mozart effect.  Not so formal as peer 
reviewed article abstracts, but this little online entry sums things up nicely:
http://skepdic.com/mozart.html

Eugene



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Re: VERY OFF TOPIC (POLITICS)

2005-05-06 Thread Eugene C. Braig IV
At 10:21 AM 5/6/2005, Roman Turovsky wrote:
Is the Right to bear Lutes inalienable?


Without doubt!




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Re: Mozart effect

2005-05-06 Thread lute9
 I am intensely skeptical of the Mozart effect.  Not so formal as peer
 reviewed article abstracts, but this little online entry sums things up
 nicely:
 http://skepdic.com/mozart.html
 
 Eugene
So am I. Therefore my twins were (from day 1) subjected to hefty daily doses
of JSB, CPEB, SLW, LvB, Haydn, Brahms, Bruckner and many others, but not
WAM.
RT 



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Re: VERY OFF TOPIC (POLITICS)

2005-05-06 Thread lute9
Eugene C. Braig IV scripsit:
 At 10:21 AM 5/6/2005, Roman Turovsky wrote:
 Is the Right to bear Lutes inalienable?
 Without doubt!
Make it audible in Washington.
RT
-- 
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Melii theorbo tuning (ON TOPIC)

2005-05-06 Thread chriswilke
Dear lute-listers,


If I may intrude, and if we can bear to tear
ourselves away from the deeply-held,
sincerely-believed, and of course correct, voicings of
personal opinions on politics, religion, and
nationlism, perhaps someone may be able to help me
with a lute related issue.

Does anyone know what the theorbo tuning is for
Pietro Paolo Melii's handful of works per la Tiorba?
 It certainly seems that the second course at least is
not re-entrant.  Perhaps he's written for a
double-strung instrument with only one string of the
course tuned down the octave?  Or is it for a
different tuning altogether?  Maybe its not for
theorbo at all.  I'm woking with the SPES edition, but
can't make much from the Italian preface.  (Per la
tiorba is about it.)


Thanks,


CW

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Re: VERY OFF TOPIC (POLITICS)

2005-05-06 Thread Eugene C. Braig IV
At 10:34 AM 5/6/2005, [EMAIL PROTECTED] wrote:
Eugene C. Braig IV scripsit:
  At 10:21 AM 5/6/2005, Roman Turovsky wrote:
  Is the Right to bear Lutes inalienable?
  Without doubt!
Make it audible in Washington.


Oddly enough, part of my day job is to pound the pavement and be audible on 
the Hill in DC on occasion.  Unfortunately, it doesn't involve making the 
pitch with lute kin in hand.  Ah well...

Eugene 



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Re: Mozart effect

2005-05-06 Thread Thomas Schall
Oh n! 
I doubt any effect of any of those composers. Maybe the music of a certain 
composer or a certain piece tend to affect our senses in a certain way but 
surely this is nothing lasting. 
The good thing is believing in the myst of the whoever-effect brings 
children in contact with good music in early days instead of the ususal 
pop-radio programs

Thomas

Am Freitag, 6. Mai 2005 16:33 schrieben Sie:
 Therefore my twins were (from day 1) subjected to hefty daily doses
 of JSB, CPEB, SLW, LvB, Haydn, Brahms, Bruckner and many others, but not
 WAM.

-- 
Thomas Schall
Niederhofheimer Weg 3
D-65843 Sulzbach
06196/74519
[EMAIL PROTECTED]

Three switched witches watch three swatch watch switches.
Which switched witch watches which swatch watch switch?



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Re: Mozart effect

2005-05-06 Thread lute9
 Oh n!
 I doubt any effect of any of those composers. Maybe the music of a certain
 composer or a certain piece tend to affect our senses in a certain way but
 surely this is nothing lasting.
 The good thing is believing in the myst of the whoever-effect brings
 children in contact with good music in early days instead of the ususal
 pop-radio programs
 Thomas
Actually this had nothing to do with Effect, but rather both my wife and I
much prefer Haydn to Mozart.
RT


 
 Am Freitag, 6. Mai 2005 16:33 schrieben Sie:
 Therefore my twins were (from day 1) subjected to hefty daily doses
 of JSB, CPEB, SLW, LvB, Haydn, Brahms, Bruckner and many others, but not
 WAM.




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Re: VERY OFF TOPIC (POLITICS)

2005-05-06 Thread lute9
 At 10:21 AM 5/6/2005, Roman Turovsky wrote:
 Is the Right to bear Lutes inalienable?
 Without doubt!
Given that a theorbo could take a few lives in one sideways sweep: could it
be considered a Lute of Mass Destruction?
RT



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Re: Arto, USA, and Michelagnolo (was:VERY OFF TOPIC: POLITICS - don't read if you are Bush challenged...)

2005-05-06 Thread G.R. Crona
Dear Ariel,

if you read my mail carefully, you will notice, that I nowhere in it
say that these are my own views about the USA.

I specifically abstained from having any personal views. Thought
that this came across...

On 5/6/05, ariel abramovich [EMAIL PROTECTED] wrote:
 
 Dear G=F6ran,
 
 I will not get into the discussion myself although, as most of you, have my 
 own views and opinions.
 In the past, I told Arto and some of the other members what I think about 
 posting this sort of messages to the list.
 What I personally find to be quite an error, is that you don't follow your 
 own advise  (...This is precisely why I have always abstained from trying to 
 propagate religious or political views on this list. We've seen where it 
 leads to. It can't be said enough times. There are heaps and heaps of lists, 
 where people can discuss political or religious matters to their hearts 
 content. There are very few lists, where lovers of the lute are able to do 
 the same. Do you want to pollute it?...) and you tell Arto that he shouldn't 
 do something that you've done yourself extensively, and all in the same email.
 Your opinions are also as political (whether we-you like it-them or not) and 
 one sided as Arto's, and in strict terms also out of place in this list, 
 according to what you think (and I) it is conceived for.
 For many years I've been participating in political debates, writing in 
 magazines and discussion groups. I'd be happy to provide information about 
 all these to any of you, if exists the necessity of expressing and sharing 
 thoughts with other individuals about all that sort of items.
 Here and now, my humble opinion is that I'm happy writing and reading about 
 lutes and lute music here, and uncomfortable with either Arto's of anyone 
 else's political messages.
 In the past I made the mistake of getting into the arguments taking place on 
 the list, and I regret.
 Please, excuse my English, and keep in mind that I might not be aware of the 
 courtesy formula for this kind of things.
 Regards,
 a
 
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Re: Arto, USA, and Michelagnolo (was:VERY OFF TOPIC: POLITICS - don't read if you are Bush challenged...)

2005-05-06 Thread G.R. Crona
Bill,

you, as I suppose many others will miss my point.

I have nothing against americans. I was quoting. That is what brackets are for.

G.

On 5/6/05, bill kilpatrick [EMAIL PROTECTED] wrote:
 in celebration of ve day here in europe the bbc world
 service broadcast an interview with an extraordinary,
 104 year old pianist who survived internment by the
 nazis.  in the interview she said she believed all
 musicians are beautiful - regardless of their
 political views - because they all have music in their
 minds.
 
 if we were to meet and i were to say to you that i
 come from the united states, would you automatically
 start to evaluate me according to your list of
 american ills (as listed in your previous contribution
 below) as we speak or would you even see me at all?
 
 - bill
 
 G.R. Crona [EMAIL PROTECTED] wrote:
 
  Hi Arto,
 
  you are one of the (if not the) oldest contributors
  to this list, and
  have been with it from the beginning. I'm sure that
  many of your
  contributions have been insightful and worthwile for
  many lutenetters.
  Perhaps it even gives you some kind of special
  rights, to do what
  you do every once in a while, but IMO you are either
  very naìve or
  rather cunning.
 
  Take for instance this need to drop an anti-american
  bomb on the net
  twice a year or so,  stopping all the other
  interesting threads going
  on at the moment, (which are such delicate,
  ephemeral and soon
  forgotten things). It is quite an arrogant and also
  destructive thing
  to do, if you really think about it! Although I can
  very well
  understand your frustration about the policy of the
  USA, especially
  under Bush. It's a frustration that is supposedly
  shared with a
  substantial part of today's world. (At least in
  Europe and the Middle
  East).
 
  What you are not taking into consideration is that
  this list is read
  by and contributed to, mainly by americans. How
  could you expect to
  influence them in any other way, than to make them
  defend their
  homeland and values? The handful of foreign
  contributors here don't
  have a chance in the world to achieve that. What did
  you achieve with
  your previous 3 or 4 incitements? Did you learn
  anything?
 
  IMO, many americans are not very interested in
  finding out or caring
  about what happens in the rest of the world. And why
  should they? They
  live in a soap-bubble world of their own. The USA is
  a *huge*
  continent. You can easily devote a whole lifetime
  trying to learn
  about it's history, geography, internal politics,
  etc. without having
  to care getting informed about the rest of the
  world, which is perhaps
  both a blessing and a curse.
 
  Sure, many say that the US today takes a much too
  huge space in the
  world, (just like a few of the people on this list),
  that it behaves
  imperialistically, that it's previous and present
  help to other
  nations was, (and is) conducted as a strategy for
  self-agrandisation
  or self-help, that it inundates the rest of the
  world with crap
  action movies, sex-fixation and values of a
  life-style that is
  detrimental to the planet, as doubtlessly is their
  over consumption of
  fossil fuels and other raw-materials. That it is a
  navel-gazing
  society, where 50% or more of the population don't
  even know where
  Finland is, and if they knew, wouldn't even care.
  That their
  arms-industry is bringing the planet to the brink of
  extinction, that
  their fundamentalist interpretation of christianity
  is just as bad as
  that of other religions, and the dollar is God. But
  IMV you are
  definitely adressing the wrong forum. The only thing
  you will achieve,
  (but perhaps that is your intention), is to raise
  the temperature a
  few degrees, bring out the usual hot-headed
  combattants, and sit back,
  while you see this thread degenerate into a
  muck-throwing contest that
  leads to nowhere.
 
  Perhaps that is also a form of catharsis, but I
  doubt it. It has been
  proved again and again, that the majority of
  lutenetters on this list
  are intensely tired with this sort of thing.
 
  For all I know, you have turned into an agent who
  tries to flush out
  those on the lutenet with anti-american sentiments,
  those for us, or
  against us to use a recent saying. At least this
  becomes the result
  of your behaviour, in which case I'm in deep s**t
  here! ;)
 
  No society is a homogenous society. Nowadays there
  seems to be a
  tendency to be either for or against, with the
  population divided
  roughly in the middle, as most polls show. A third
  informed view is
  usually either disregarded or ignored. See it as a
  sign of our times.
 
  A great majority of the americans on this list, seem
  to be friendly,
  peaceful, well-informed folks, sharing a love for
  the lute, (I hope)
  just like you and me. Some will be for Bush and
  american policy, some
  will be against. But (probably) most of them are
  still supporters of
  the 

medieval lutes?

2005-05-06 Thread Mathias Rösel
saw Kindom of Heaven in the movies, yesterday. Knights, fluently
speaking Arabic with their attendants, Arabs speaking with an accent.
Music by and large tolerable (hardly any medieval pieces).

Made me wonder what became of the medieval song project, and of medieval
lute players in general.

Best,

Mathias
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Re: Arto, USA, and Michelagnolo (was:VERY OFF TOPIC: POLITICS - don't read if you are Bush challenged...)

2005-05-06 Thread ariel abramovich

Dear Goeran,

Did read carefully your email.

These, are for instances are political thoughts that you wrote (they were 
not my invention):

The mighty, arrogant capitalist US policy
is taking over the world today, whether we like it or not. Normal,
simple, decent, peace loving people throughout the world are taking
the american way to their hearts, even at the cost of loosing their
own national identity, and there isn't a jot either you or I can do
about it other than starting some doomsday-sect, joining Greenpeace or
Amnesty or hiding in the Amazon jungle

Very far from abstention, as anyone can see; and if what you've said aren't 
personal views:
Is there a source of universal and neutral values and truth that I don't yet 
know?
I didn't necessary said that you were giving your own views about the USA, 
and to me doesn't matter if it is about the US, Vietnam, Argentina or 
Belize.
You were definitively giving your personal appreciation about political 
aspects, which is fine, as long as this list becomes something different 
from what it is and we all-or at least most of us- agree.
My opinion is that either we let each other say whatever he/she wants, or we 
avoid completely certain subjects.
Personally, I don't think we should allow ourselves to have the best of both 
worlds: complaining about what the other (not The Other) does, but acting at 
the same time in the way you condemn.
That is, of course my own opinion.





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Re: medieval lutes?

2005-05-06 Thread Caroline Usher
At 10:57 AM 5/6/2005, Mathias Rösel wrote:
saw Kindom of Heaven in the movies, yesterday. Knights, fluently
speaking Arabic with their attendants, Arabs speaking with an accent.
Music by and large tolerable (hardly any medieval pieces).

Did you have to bore holes in the floor to let all the blood run out?
;-)

Made me wonder what became of the medieval song project, and of medieval
lute players in general.

Good question.
Caroline 
Caroline Usher
DCMB Administrative Coordinator
613-8155, Box 91000
B343 LSRC




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Re: medieval lutes?

2005-05-06 Thread Benjamin Narvey
Yes, I saw it too.  I was dragged along against my will to what I was sure was 
to be typical Hollywood rubbish - but a medievalist friend of mine assures me 
the battle scenes were actually quite well researched (they were genuinely 
stunning) and I quite enjoyed Jacob Heringman's lute playing.

I particularly enjoyed the inevitable Hollywood moment of truth speech of 
the main protagonist who, of course, plays the role of a politically correct 
Crusader who defeats the muslims for the good of all races, creeds, 
etch. (What else!)

Best,

Benjamin  

In message [EMAIL PROTECTED] =?ISO-8859-1?b?
Ik1hdGhpYXMgUvZzZWwi?= [EMAIL PROTECTED] writes:
 saw Kindom of Heaven in the movies, yesterday. Knights, fluently
 speaking Arabic with their attendants, Arabs speaking with an accent.
 Music by and large tolerable (hardly any medieval pieces).
 
 Made me wonder what became of the medieval song project, and of medieval
 lute players in general.
 
 Best,
 
 Mathias


In message [EMAIL PROTECTED] =?ISO-8859-1?b?
Ik1hdGhpYXMgUvZzZWwi?= [EMAIL PROTECTED] writes:
 saw Kindom of Heaven in the movies, yesterday. Knights, fluently
 speaking Arabic with their attendants, Arabs speaking with an accent.
 Music by and large tolerable (hardly any medieval pieces).
 
 Made me wonder what became of the medieval song project, and of medieval
 lute players in general.
 
 Best,
 
 Mathias
 --
 
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Re: medieval lutes?

2005-05-06 Thread Alain Veylit
Hi all,
I am trying to set up a WEB page on the Varietie of lute lessons. My 
goal is to gather resources, and open the page to everyone's positive 
input - including corrections, additions, comments, etc. A detailed 
discussion of every piece would be fabulous, though I doubt we'll get 
that far. As I started work on this project, I realized that the number 
of questions and points to be raised is really quite vast: one of the 
first problems is the chronology of the pieces. When was the gaillard 
dedicated to the Earl of Essex, for instance? Was it after Essex's 
triumph in Cadiz, after his first disgrace, after his failed attempt to 
storm London, or after his execution? Poulton may have some answers, but 
I dont have the book, and generally speaking, you have a wealth of 
knowledge that can really make that page an important and valuable 
resource for everyone.
Another interesting point of chronology, I had not realized that the 
Varietie and the Musical Banquet, also published by Robert Dowland in 
1610, had to be understood as companion pieces in a way: both have a 
very strongly european flavor, which is not insignificant.
The interesting part is that by adding resources together, new questions 
seem to pop up - for instance, a simple HTML link to another version of 
the same piece really puts that piece in a different perspective. Even 
figuring out the intricate social or family connections between the 
various dedicatees of the pieces - lady Rich and Essex, for instance - 
can give us some new insights into the music. Obviously, technical 
aspects of the music and the prefaces are also a rich source of topics 
for discussion adn exploration.
So, I really hope I can entice you to contribute to this on-going, 
in-progress project.
See 
http://cbsr26.ucr.edu/wlkfiles/Publications/Varietie/VarietieOfLuteLessons.html

best wishes,
Alain



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Re: Arto, USA, and Michelagnolo (was:VERY OFF TOPIC: POLITICS - don

2005-05-06 Thread Dr. Marion Ceruti

Dear Paolo,

Sorry for the delay in my reply. Your email came at a very busy time
and I did not get a chance to read all of it.

I do appreciate the posting of your research on the Mozart effect.
It shows that you have spent considerable time to come up with the
information on studies. It was interesting to me because I had heard
that baroque music in general had a positive effect on learning but
then I had not seen any scientific studies to test this and Mozart
was not a composer of the baroque era. Have you heard anything
about this?

Grazie ancora,
Marion

-Original Message-
From: [EMAIL PROTECTED] [EMAIL PROTECTED]
Sent: May 6, 2005 3:43 AM
To: arielabra [EMAIL PROTECTED]
Cc: kaleido1 [EMAIL PROTECTED], lute lute@cs.dartmouth.edu
Subject: Re: Arto, USA, and Michelagnolo (was:VERY OFF TOPIC: POLITICS - don

Days ago I wrote an e-mail about the Mozart eccet on this list, collecting some 
relevant abstract on the subject; follow-up answers? None.

Arto two days ago wrote an off-topic letter about Bush et al. Follow-up: three 
or more answers so far.

Conclusion: just a little disappointment.

Paolo


 
 Dear G=F6ran,
 
 I will not get into the discussion myself although, as most of you, have my 
 own views and opinions.
 In the past, I told Arto and some of the other members what I think about 
 posting this sort of messages to the list.
 What I personally find to be quite an error, is that you don't follow your 
 own advise  (...This is precisely why I have always abstained from trying to 
 propagate religious or political views on this list. We've seen where it 
 leads to. It can't be said enough times. There are heaps and heaps of lists, 
 where people can discuss political or religious matters to their hearts 
 content. There are very few lists, where lovers of the lute are able to do 
 the same. Do you want to pollute it?...) and you tell Arto that he shouldn't 
 do something that you've done yourself extensively, and all in the same email.
 Your opinions are also as political (whether we-you like it-them or not) and 
 one sided as Arto's, and in strict terms also out of place in this list, 
 according to what you think (and I) it is conceived for.
 For many years I've been participating in political debates, writing in 
 magazines and discussion groups. I'd be happy to provide information about 
 all these to any of you, if exists the necessity of expressing and sharing 
 thoughts with other individuals about all that sort of items.
 Here and now, my humble opinion is that I'm happy writing and reading about 
 lutes and lute music here, and uncomfortable with either Arto's of anyone 
 else's political messages.
 In the past I made the mistake of getting into the arguments taking place on 
 the list, and I regret.
 Please, excuse my English, and keep in mind that I might not be aware of the 
 courtesy formula for this kind of things.
 Regards,
 a
 
 
 --
 
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 http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
 




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Re: VERY OFF TOPIC: God speaks on murder

2005-05-06 Thread Caroline Usher

Copyright 2001 Onion, Inc., All rights reserved. http://www.theonion.com/  26 
September 2001   
NEW YORK  ”Responding to recent events on Earth, God, the omniscient 
creator-deity worshipped by billions of followers of various faiths for more 
than 6,000 years, angrily clarified His longtime stance against humans killing 
each other Monday.

Look, I don't know, maybe I haven't made myself completely clear, so for the 
record, here it is again, said the Lord, His divine face betraying visible 
emotion during a press conference near the site of the fallen Twin Towers. 
Somehow, people keep coming up with the idea that I want them to kill their 
neighbor. Well, I don't. And to be honest, I'm really getting sick and tired of 
it. Get it straight. Not only do I not want anybody to kill anyone, but I 
specifically commanded  you not to, in really simple terms that anybody ought 
to be able to understand.   

Worshipped by Christians, Jews, and Muslims alike, God said His name has been 
invoked countless times over the centuries as a reason to kill in what He 
called an unending cycle of violence.  
 
I don't care how holy somebody claims to be, God said. If a person tells you 
it's My will that they kill someone, they're wrong. Got it? I don't care what 
religion you are, or who you think your enemy is, here it is one more time: No 
killing, in My name or anyone else's, ever again.   

The press conference came as a surprise to humankind, as God rarely intervenes 
in earthly affairs. As a matter of longstanding policy, He has traditionally 
left the task of interpreting His message and divine will to clerics, rabbis, 
priests, imams, and Biblical scholars. Theologians and laymen alike have been 
given the task of pondering His ineffable mysteries, deciding for themselves 
what to do as a matter of faith. His decision to manifest on the material plane 
was motivated by the deep sense of shock, outrage, and sorrow He felt over the 
Sept. 11 violence carried out in His name, and over its dire potential 
ramifications around the globe.   
I tried to put it in the simplest possible terms for you people, so you'd get 
it straight, because I thought it was pretty important, said God, called 
Yahweh and Allah respectively in the Judaic and Muslim traditions. I guess I 
figured I'd left no real room for confusion after putting it in a four-word 
sentence with one-syllable words, on the tablets I gave to Moses. How much more 
clear can I get?  
 
But somehow, it all gets twisted around and, next thing you know, somebody's 
spouting off some nonsense about, 'God says I have to kill this guy, God wants 
me to kill that guy, it's God's will,' God continued. It's not  God's will, 
all right? News flash: 'God's will' equals 'Don't murder people.'  
 
Worse yet, many of the worst violators claim that their actions are justified 
by passages in the Bible, Torah, and Qur'an.   

To be honest, there's some contradictory stuff in there, okay? God said. So 
I can see how it could be pretty misleading. I admit it--My bad. I did My best 
to inspire them, but a lot of imperfect human agents have misinterpreted My 
message over the millennia. Frankly, much of the material that got in there is 
dogmatic, doctrinal bullshit. I turn My head for a second and, suddenly, all 
this stuff about homosexuality gets into Leviticus, and everybody thinks it's 
God's will to kill gays. It absolutely drives Me up the wall.   

God praised the overwhelming majority of His Muslim followers as wonderful, 
pious people, calling the perpetrators of the Sept. 11 attacks rare 
exceptions.   

This whole medieval concept of the jihad, or holy war, had all but vanished 
from the Muslim world in, like, the 10th century, and with good reason, God 
said. There's no such thing as a holy war, only unholy ones. The vast majority 
of Muslims in this world reject the murderous actions of these radical 
extremists, just like the vast majority of Christians in America are pissed off 
over those two bigots on The 700 Club.   

Continued God, Read the book: 'Allah is kind, Allah is beautiful, Allah is 
merciful.' It goes on and on that way, page after page. But, no, some a$$holes 
have to come along and revive this stupid holy-war crap just to further their 
own hateful agenda. So now, everybody thinks Muslims are all murderous 
barbarians. Thanks, Taliban: 1,000 years of pan-Islamic cultural progress down 
the drain.   

God stressed that His remarks were not directed exclusively at Islamic 
extremists, but rather at anyone whose ideological zealotry overrides his or 
her ability to comprehend the core message of all world religions. 

I don't care what faith you are, everybody's been making this same mistake 
since the dawn of time, God said. The Muslims massacre the Hindus, the Hindus 
massacre the Muslims. The Buddhists, everybody massacres the Buddhists. The 
Jews, don't even get me started on the hardline, 

Something about Freedom

2005-05-06 Thread Craig Allen

http://www.nationalreview.com/comment/herman200505060807.asp


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medieval lutes? and Maalouf

2005-05-06 Thread Manolo Laguillo
Hi,

I don't want neither go off topic, nor open another can of worms, but 
nevertheless would like to bring to your attention a beautiful book, 
very useful in our actual context:

CRUSADES THROUGH ARAB EYES -- by Amin Maalouf.

It is originally written in french (the subtitle in that language reads: 
'La barbarie chretienne en Terre sainte') by this fine libanese writer, 
who also wrote, among other books, SAMARCAND and LEO AFRICANUS. As a 
libanese he is at home and fluent in both european and non-european 
frames of mind.

After reading CRUSADES... it is perhaps lesser difficult to understand 
what is happening today in the islamic world...

Saludos,

Manolo Laguillo

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Re: Something about Freedom

2005-05-06 Thread lute9
Craig Allen scripsit:
 
 http://www.nationalreview.com/comment/herman200505060807.asp
Craig Allen, spare us, please.
This article is rather idiotic, and it contains some half-truths and lies.
RT



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Re: Something about Freedom

2005-05-06 Thread lute9
[EMAIL PROTECTED] scripsit:

 Craig Allen scripsit:
 
 http://www.nationalreview.com/comment/herman200505060807.asp
 Craig Allen, spare us, please.
 This article is rather idiotic, and it contains some half-truths and lies.
 RT
And BTW, it has no lute content.
RT



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Re: medieval lutes? and Maalouf

2005-05-06 Thread lute9
 I don't want neither go off topic, nor open another can of worms, but
 nevertheless would like to bring to your attention a beautiful book,
 very useful in our actual context:
 
 CRUSADES THROUGH ARAB EYES -- by Amin Maalouf.
 
 It is originally written in french (the subtitle in that language reads:
 'La barbarie chretienne en Terre sainte') by this fine libanese writer,
 who also wrote, among other books, SAMARCAND and LEO AFRICANUS. As a
 libanese he is at home and fluent in both european and non-european
 frames of mind.
 
 After reading CRUSADES... it is perhaps lesser difficult to understand
 what is happening today in the islamic world...
I doubt it. Medieval accounts of atrocities are often faulty in their
statistics (few are not). One particular example is the sack of Florianow
ca. 1650 by the joint force of Cossaks and Tartars. The contemporary
chronicle reports casualties at 60,000 and 2 survivors. The latter is true
indeed. But at hte time Cracow, the capital of Poland had a population of
20,000, and Florianow couldn't have more than 6,000.
In general Arab historians are no more immune to tendentiousness than
Europeans,
but in recent years they've really been losing self-control..
RT

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Re: medieval lutes?

2005-05-06 Thread Mathias Rösel
Benjamin Narvey [EMAIL PROTECTED] schrieb:
 stunning) and I quite enjoyed Jacob Heringman's lute playing.

so, it was him! Do you happen to know, of which recording it was taken?

Best wishes,

Mathias
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Galilei

2005-05-06 Thread Mathias Rösel
G.R. Crona [EMAIL PROTECTED] schrieb:
 Listening to Paul Beier's recording of the Michelagnolo Galilei 1620
 publication, the second track, Sonata in C-major consists of a
 toccata and two voltae. The first volta has a very beautiful division
 not found in the facsimile. Did Beier make the division himself? Is it
 found in the Werl addenda published in the supplement of Lute News
 april 2002? Is it otherwise available somewhere? (I could pick it note
 by note from the recording, but would prefer not to, if it can be 
 found somewhere in an easier way). Michelagnolo's music strikes a
 deep-felt chord these days...

still somebody?

Mathias
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Re: medieval lutes? and Maalouf

2005-05-06 Thread Mathias Rösel
 I don't want neither go off topic, nor open another can of worms, but
nevertheless would like to bring to your attention a beautiful book,
very useful in our actual context: CRUSADES THROUGH ARAB EYES -- by Amin
Maalouf. It is originally written in french (the subtitle in that
language reads: 'La barbarie chretienne en Terre sainte') by this fine
libanese writer,who also wrote, among other books, SAMARCAND and LEO
AFRICANUS. As a libanese he is at home and fluent in both european and
non-european frames of mind. After reading CRUSADES... it is perhaps
lesser difficult to understand what is happening today in the islamic
world...

you mean that memories of most ancient humiliations by Europeans
(several crusades, Napoleon) are being refreshed and are being used as
arguments and accusations by certain muslim authors? Yes, that has
already been going on for decades in parts of Arabic countries. It's
part of muslim-pan-arabic and Iranian rhetorics.

As for atrocities during the crusades, you might add the killing of
thousands of Jews in the Rhine area (1st crusade), the bloody conquest
of orthodox-christian Byzantine, the selling of several thousands of
volunteering children into slavery by Christian dealers, and so on.

Those for who the crusades were a booming success were cities like
Venice where ships were supplied and economic ties with Arabic partners
were intensified. One of the ways ouds and lutes were brought to
Europe.

Regards,

Mathias
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Tremaine was right.

2005-05-06 Thread Arne Keller

In her novel, Music and Silence, Rose Tremaine used a myth about
Christian IV having sound channels in his castle, so he could hear in his
state room what the band was playing in the basement.
Now 3 such channels have actually been found.
Go to:

http://www.rosenborgslot.dk/pdf/Musikanal-%20Vinterstuen.jpg

for a fascinating pic of a hole in the floor.

Arne.





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Re: Galilei

2005-05-06 Thread Sal Salvaggio
Mathias

I have not heard the recording but the division or
double might possibly have been improvised by Mr.
Beier, as was the practice by lewters ond others from
that time period.There is a good article in an old LSA
newsletter (80's or early 90's I think) where someone
uses Galelei's works to demonstrate how to do this. I
love this manuscript because it heavily leans in the
direction of the broken style of variation.

Sal Salvaggio




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Re: Galilei

2005-05-06 Thread Alain Veylit
Sal,
I too really like Galilei's book. It is not however a manuscript, but an 
engraved work...
Alain

Sal Salvaggio wrote:

Mathias

I have not heard the recording but the division or
double might possibly have been improvised by Mr.
Beier, as was the practice by lewters ond others from
that time period.There is a good article in an old LSA
newsletter (80's or early 90's I think) where someone
uses Galelei's works to demonstrate how to do this. I
love this manuscript because it heavily leans in the
direction of the broken style of variation.

Sal Salvaggio



   
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RE: medieval lutes?

2005-05-06 Thread Stuart LeBlanc

It should be noted for those who don't know, that this film was directed and
co-produced by Ridley Scott, who is not of Hollywood.  He is one of the great
storytellers of cinema.  Less importantly, his work is noted for meticulous
production design.  The current offering is one of a few military epics, of
which I am very fond of The Duellists.

-Original Message-
From: Benjamin Narvey [mailto:[EMAIL PROTECTED]
Sent: Friday, May 06, 2005 10:30 AM
To: Mathias Rösel
Cc: Lutelist
Subject: Re: medieval lutes?


Yes, I saw it too.  I was dragged along against my will to what I was sure was
to be typical Hollywood rubbish - but a medievalist friend of mine assures me
the battle scenes were actually quite well researched (they were genuinely
stunning) and I quite enjoyed Jacob Heringman's lute playing.

I particularly enjoyed the inevitable Hollywood moment of truth speech of
the main protagonist who, of course, plays the role of a politically correct
Crusader who defeats the muslims for the good of all races, creeds,
etch. (What else!)

Best,

Benjamin

In message [EMAIL PROTECTED] =?ISO-8859-1?b?
Ik1hdGhpYXMgUvZzZWwi?= [EMAIL PROTECTED] writes:
 saw Kindom of Heaven in the movies, yesterday. Knights, fluently
 speaking Arabic with their attendants, Arabs speaking with an accent.
 Music by and large tolerable (hardly any medieval pieces).

 Made me wonder what became of the medieval song project, and of medieval
 lute players in general.

 Best,

 Mathias


In message [EMAIL PROTECTED] =?ISO-8859-1?b?
Ik1hdGhpYXMgUvZzZWwi?= [EMAIL PROTECTED] writes:
 saw Kindom of Heaven in the movies, yesterday. Knights, fluently
 speaking Arabic with their attendants, Arabs speaking with an accent.
 Music by and large tolerable (hardly any medieval pieces).

 Made me wonder what became of the medieval song project, and of medieval
 lute players in general.

 Best,

 Mathias
 --

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 http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html





RE: medieval lutes?

2005-05-06 Thread bill kilpatrick
me too.  i thought the negative criticism it received
because keith carradine didn't spic wiz a frenge
accsont was silly.
  
--- Stuart LeBlanc [EMAIL PROTECTED] wrote:
 
 It should be noted for those who don't know, that
 this film was directed and
 co-produced by Ridley Scott, who is not of
 Hollywood.  He is one of the great
 storytellers of cinema.  Less importantly, his work
 is noted for meticulous
 production design.  The current offering is one of a
 few military epics, of
 which I am very fond of The Duellists.
 
 -Original Message-
 From: Benjamin Narvey
 [mailto:[EMAIL PROTECTED]
 Sent: Friday, May 06, 2005 10:30 AM
 To: Mathias Rösel
 Cc: Lutelist
 Subject: Re: medieval lutes?
 
 
 Yes, I saw it too.  I was dragged along against my
 will to what I was sure was
 to be typical Hollywood rubbish - but a medievalist
 friend of mine assures me
 the battle scenes were actually quite well
 researched (they were genuinely
 stunning) and I quite enjoyed Jacob Heringman's lute
 playing.
 
 I particularly enjoyed the inevitable Hollywood
 moment of truth speech of
 the main protagonist who, of course, plays the role
 of a politically correct
 Crusader who defeats the muslims for the good of all
 races, creeds,
 etch. (What else!)
 
 Best,
 
 Benjamin
 
 In message [EMAIL PROTECTED]
 =?ISO-8859-1?b?
 Ik1hdGhpYXMgUvZzZWwi?= [EMAIL PROTECTED]
 writes:
  saw Kindom of Heaven in the movies, yesterday.
 Knights, fluently
  speaking Arabic with their attendants, Arabs
 speaking with an accent.
  Music by and large tolerable (hardly any medieval
 pieces).
 
  Made me wonder what became of the medieval song
 project, and of medieval
  lute players in general.
 
  Best,
 
  Mathias
 
 
 In message [EMAIL PROTECTED]
 =?ISO-8859-1?b?
 Ik1hdGhpYXMgUvZzZWwi?= [EMAIL PROTECTED]
 writes:
  saw Kindom of Heaven in the movies, yesterday.
 Knights, fluently
  speaking Arabic with their attendants, Arabs
 speaking with an accent.
  Music by and large tolerable (hardly any medieval
 pieces).
 
  Made me wonder what became of the medieval song
 project, and of medieval
  lute players in general.
 
  Best,
 
  Mathias
  --
 
  To get on or off this list see list information at
 

http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
 
 
 
 





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RE: medieval lutes?

2005-05-06 Thread Stuart LeBlanc

Yeah, what a joke.  We are supposed to think that it's ok to present Napoleonic
officers speaking English, but only if with an accent.  Whatever -- the film won
best debut at Cannes.

-Original Message-
From: bill kilpatrick [mailto:[EMAIL PROTECTED]
Sent: Friday, May 06, 2005 4:00 PM
To: Stuart LeBlanc; Lutelist
Subject: RE: medieval lutes?


me too.  i thought the negative criticism it received
because keith carradine didn't spic wiz a frenge
accsont was silly.

--- Stuart LeBlanc [EMAIL PROTECTED] wrote:

 It should be noted for those who don't know, that
 this film was directed and
 co-produced by Ridley Scott, who is not of
 Hollywood.  He is one of the great
 storytellers of cinema.  Less importantly, his work
 is noted for meticulous
 production design.  The current offering is one of a
 few military epics, of
 which I am very fond of The Duellists.

 -Original Message-
 From: Benjamin Narvey
 [mailto:[EMAIL PROTECTED]
 Sent: Friday, May 06, 2005 10:30 AM
 To: Mathias Rösel
 Cc: Lutelist
 Subject: Re: medieval lutes?


 Yes, I saw it too.  I was dragged along against my
 will to what I was sure was
 to be typical Hollywood rubbish - but a medievalist
 friend of mine assures me
 the battle scenes were actually quite well
 researched (they were genuinely
 stunning) and I quite enjoyed Jacob Heringman's lute
 playing.

 I particularly enjoyed the inevitable Hollywood
 moment of truth speech of
 the main protagonist who, of course, plays the role
 of a politically correct
 Crusader who defeats the muslims for the good of all
 races, creeds,
 etch. (What else!)

 Best,

 Benjamin

 In message [EMAIL PROTECTED]
 =?ISO-8859-1?b?
 Ik1hdGhpYXMgUvZzZWwi?= [EMAIL PROTECTED]
 writes:
  saw Kindom of Heaven in the movies, yesterday.
 Knights, fluently
  speaking Arabic with their attendants, Arabs
 speaking with an accent.
  Music by and large tolerable (hardly any medieval
 pieces).
 
  Made me wonder what became of the medieval song
 project, and of medieval
  lute players in general.
 
  Best,
 
  Mathias


 In message [EMAIL PROTECTED]
 =?ISO-8859-1?b?
 Ik1hdGhpYXMgUvZzZWwi?= [EMAIL PROTECTED]
 writes:
  saw Kindom of Heaven in the movies, yesterday.
 Knights, fluently
  speaking Arabic with their attendants, Arabs
 speaking with an accent.
  Music by and large tolerable (hardly any medieval
 pieces).
 
  Made me wonder what became of the medieval song
 project, and of medieval
  lute players in general.
 
  Best,
 
  Mathias
  --
 
  To get on or off this list see list information at
 

http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
 








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Re: Galilei

2005-05-06 Thread Arto Wikla

Dear all,

  Listening to Paul Beier's recording of the Michelagnolo Galilei 1620
  publication, the second track, Sonata in C-major consists of a
  toccata and two voltae. The first volta has a very beautiful division
  not found in the facsimile. Did Beier make the division himself? Is it
  found in the Werl addenda published in the supplement of Lute News
  april 2002? Is it otherwise available somewhere? (I could pick it note
  by note from the recording, but would prefer not to, if it can be 
  found somewhere in an easier way). Michelagnolo's music strikes a
  deep-felt chord these days...

In the facsimile edition published by Tree Edition, the handwritten added 
Werl-variations are easily readable in the C-major pieces. Very good 
music. As  all the book! To my taste M. Galilei is one of the most clever 
composers of all the lute period.

All the best

Arto



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Re: medieval lutes?

2005-05-06 Thread Benjamin Narvey
If I'm not mistaken, I think it was all written originally for the film.

All best,

Benjamin


In message [EMAIL PROTECTED] =?ISO-8859-1?b?
Ik1hdGhpYXMgUvZzZWwi?= [EMAIL PROTECTED] writes:
 Benjamin Narvey [EMAIL PROTECTED] schrieb:
  stunning) and I quite enjoyed Jacob Heringman's lute playing.
 
 so, it was him! Do you happen to know, of which recording it was taken?
 
 Best wishes,
 
 Mathias
 --
 
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 http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html
 




Re: Posts which are off-topic.

2005-05-06 Thread Vance Wood
Herbert:  Does that mean that we should delve into the subject of having sex
with animals on the Lute Net, just to keep things from becoming to rigidly
on-topic?  Just asking.

Vance Wood.
- Original Message - 
From: Herbert Ward [EMAIL PROTECTED]
To: lute@cs.dartmouth.edu
Sent: Friday, May 06, 2005 9:45 AM
Subject: Posts which are off-topic.



 I think being rigidly on-topic is bad.

 I think that art which is isolated from the real world is not viable.



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Re: medieval lutes?

2005-05-06 Thread lute9
Mathias Rösel scripsit:
 saw Kindom of Heaven in the movies, yesterday. Knights, fluently
 speaking Arabic with their attendants, Arabs speaking with an accent.
 Music by and large tolerable (hardly any medieval pieces).
 
 Made me wonder what became of the medieval song project, and of medieval
 lute players in general.
 Best,
Eric Redlinger has recorded an excellent set of these with a soprano,
available  on Magnatune.com.
RT



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Re: Posts which are off-topic.

2005-05-06 Thread Dr. Marion Ceruti
Dear Friends,

Actually, you could make any topic relate to lutes. All you have to
do is write a lute song (even a lewd song) about it. There are some
examples of carnival songs from the renaissance period on rather
off-color topics. You can find them on various CDs. However, I for
one won't be singing any lute songs about lewd topics regardless
of when they were written.

Speaking of lutes, is anyone aware of an intabulation of D. Scarlatti's
Sonata in E, Longo listing No. 23?

Cheers,
Marion
Mezzosoprano

-Original Message-
From: Vance Wood [EMAIL PROTECTED]
Sent: May 6, 2005 4:38 PM
To: lute list lute@cs.dartmouth.edu, Herbert Ward [EMAIL PROTECTED]
Subject: Re: Posts which are off-topic.

Herbert:  Does that mean that we should delve into the subject of having sex
with animals on the Lute Net, just to keep things from becoming to rigidly
on-topic?  Just asking.

Vance Wood.
- Original Message - 
From: Herbert Ward [EMAIL PROTECTED]
To: lute@cs.dartmouth.edu
Sent: Friday, May 06, 2005 9:45 AM
Subject: Posts which are off-topic.



 I think being rigidly on-topic is bad.

 I think that art which is isolated from the real world is not viable.



 To get on or off this list see list information at
 http://www.cs.dartmouth.edu/~wbc/lute-admin/index.html