RE: Question: Multiband Compression versus Dynamic Equalizer

[Chris Smart]

cool. thanks. :)

At 09:43 PM 12/5/2014, you wrote:
The Dynamic has a few extra features outside of attack, release 
thresh and so on, features like upward compression, upward and 
downward expansion, selectable peaks, filters on each band where the 
multiband compressor is based more on a crossover compression. along 
with -Original Message-
From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] 
On Behalf Of Chris Smart

Sent: Friday, December 05, 2014 5:06 PM
To: ptaccess@googlegroups.com
Subject: Question: Multiband Compression versus Dynamic Equalizer

Hi folks.
I should know this but don't. What's the difference between a 
dynamic EQ whose bands only swing into action when a certain 
threshold is crossed, and a multiband compressor? To my brain at 
least, they seem to be the same thing.


Chris

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RE: Question: Multiband Compression versus Dynamic Equalizer

[Poppa Bear]

That's why I don't like the version I have because I don't like going through 
all of the module controls just to get to a few parameters.

-Original Message-
From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On Behalf Of 
Chris Smart
Sent: Friday, December 05, 2014 5:33 PM
To: ptaccess@googlegroups.com
Subject: Re: Question: Multiband Compression versus Dynamic Equalizer

i haven't actually gotten it yet. Hopefully it's like Ozone 5 
Advanced, where the individual modules can be used separately. 
Otherwise, we'll have a list of hundreds of parameters.

At 09:27 PM 12/5/2014, you wrote:
>It could , but do any? I don't think I've seen that man...
>
>How are you finding Ozone 6 accessibility wise btw? Anything new?
>
>On 12/6/14, Chris Smart  wrote:
> > hahaha fun isn't it?
> > There must be a difference, since iZotope Ozone 6 contains both. hmm
> > a multiband comp could contain a width adjustment for the bands,
> > which would be the same thing as Q.
> >
> >
> > At 09:12 PM 12/5/2014, you wrote:
> >>One difference I can think of is that every band on an EQ generally
> >>has a q control, which I can't remember seeing much if ever on a
> >>multiband comp...
> >>
> >>I want to say there's a difference between scooping a la EQ and gain
> >>reduction a la compressor, but apparently I'm too stupid to put it
> >>into words. Argh! Maybe there isn't?
> >>
> >>Thanks for the headache :)
> >>
> >>Scott
> >>
> >>On 12/6/14, Chris Smart  wrote:
> >> > Hi folks.
> >> > I should know this but don't. What's the difference between a dynamic
> >> > EQ whose bands only swing into action when a certain threshold is
> >> > crossed, and a multiband compressor? To my brain at least, they seem
> >> > to be the same thing.
> >> >
> >> > Chris
> >> >
> >> > --
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> >> >
> >>
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RE: Question: Multiband Compression versus Dynamic Equalizer

[Poppa Bear]

The Dynamic has a few extra features outside of attack, release thresh and so 
on, features like upward compression, upward and downward expansion, selectable 
peaks, filters on each band where the multiband compressor is based more on a 
crossover compression. along with -Original Message-
From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On Behalf Of 
Chris Smart
Sent: Friday, December 05, 2014 5:06 PM
To: ptaccess@googlegroups.com
Subject: Question: Multiband Compression versus Dynamic Equalizer

Hi folks.
I should know this but don't. What's the difference between a dynamic EQ whose 
bands only swing into action when a certain threshold is crossed, and a 
multiband compressor? To my brain at least, they seem to be the same thing.

Chris

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Re: Question: Multiband Compression versus Dynamic Equalizer

[Chris Smart]

i haven't actually gotten it yet. Hopefully it's like Ozone 5 
Advanced, where the individual modules can be used separately. 
Otherwise, we'll have a list of hundreds of parameters.


At 09:27 PM 12/5/2014, you wrote:

It could , but do any? I don't think I've seen that man...

How are you finding Ozone 6 accessibility wise btw? Anything new?

On 12/6/14, Chris Smart  wrote:
> hahaha fun isn't it?
> There must be a difference, since iZotope Ozone 6 contains both. hmm
> a multiband comp could contain a width adjustment for the bands,
> which would be the same thing as Q.
>
>
> At 09:12 PM 12/5/2014, you wrote:
>>One difference I can think of is that every band on an EQ generally
>>has a q control, which I can't remember seeing much if ever on a
>>multiband comp...
>>
>>I want to say there's a difference between scooping a la EQ and gain
>>reduction a la compressor, but apparently I'm too stupid to put it
>>into words. Argh! Maybe there isn't?
>>
>>Thanks for the headache :)
>>
>>Scott
>>
>>On 12/6/14, Chris Smart  wrote:
>> > Hi folks.
>> > I should know this but don't. What's the difference between a dynamic
>> > EQ whose bands only swing into action when a certain threshold is
>> > crossed, and a multiband compressor? To my brain at least, they seem
>> > to be the same thing.
>> >
>> > Chris
>> >
>> > --
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>> >
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Re: Question: Multiband Compression versus Dynamic Equalizer

[Scott Chesworth]

It could , but do any? I don't think I've seen that man...

How are you finding Ozone 6 accessibility wise btw? Anything new?

On 12/6/14, Chris Smart  wrote:
> hahaha fun isn't it?
> There must be a difference, since iZotope Ozone 6 contains both. hmm
> a multiband comp could contain a width adjustment for the bands,
> which would be the same thing as Q.
>
>
> At 09:12 PM 12/5/2014, you wrote:
>>One difference I can think of is that every band on an EQ generally
>>has a q control, which I can't remember seeing much if ever on a
>>multiband comp...
>>
>>I want to say there's a difference between scooping a la EQ and gain
>>reduction a la compressor, but apparently I'm too stupid to put it
>>into words. Argh! Maybe there isn't?
>>
>>Thanks for the headache :)
>>
>>Scott
>>
>>On 12/6/14, Chris Smart  wrote:
>> > Hi folks.
>> > I should know this but don't. What's the difference between a dynamic
>> > EQ whose bands only swing into action when a certain threshold is
>> > crossed, and a multiband compressor? To my brain at least, they seem
>> > to be the same thing.
>> >
>> > Chris
>> >
>> > --
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>> > Groups
>> > "Pro Tools Accessibility" group.
>> > To unsubscribe from this group and stop receiving emails from it, send
>> > an
>> > email to ptaccess+unsubscr...@googlegroups.com.
>> > For more options, visit https://groups.google.com/d/optout.
>> >
>>
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Re: Question: Multiband Compression versus Dynamic Equalizer

[Chris Smart]

hahaha fun isn't it?
There must be a difference, since iZotope Ozone 6 contains both. hmm 
a multiband comp could contain a width adjustment for the bands, 
which would be the same thing as Q.



At 09:12 PM 12/5/2014, you wrote:

One difference I can think of is that every band on an EQ generally
has a q control, which I can't remember seeing much if ever on a
multiband comp...

I want to say there's a difference between scooping a la EQ and gain
reduction a la compressor, but apparently I'm too stupid to put it
into words. Argh! Maybe there isn't?

Thanks for the headache :)

Scott

On 12/6/14, Chris Smart  wrote:
> Hi folks.
> I should know this but don't. What's the difference between a dynamic
> EQ whose bands only swing into action when a certain threshold is
> crossed, and a multiband compressor? To my brain at least, they seem
> to be the same thing.
>
> Chris
>
> --
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Re: Question: Multiband Compression versus Dynamic Equalizer

[Scott Chesworth]

One difference I can think of is that every band on an EQ generally
has a q control, which I can't remember seeing much if ever on a
multiband comp...

I want to say there's a difference between scooping a la EQ and gain
reduction a la compressor, but apparently I'm too stupid to put it
into words. Argh! Maybe there isn't?

Thanks for the headache :)

Scott

On 12/6/14, Chris Smart  wrote:
> Hi folks.
> I should know this but don't. What's the difference between a dynamic
> EQ whose bands only swing into action when a certain threshold is
> crossed, and a multiband compressor? To my brain at least, they seem
> to be the same thing.
>
> Chris
>
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Question: Multiband Compression versus Dynamic Equalizer

[Chris Smart]

Hi folks.
I should know this but don't. What's the difference between a dynamic 
EQ whose bands only swing into action when a certain threshold is 
crossed, and a multiband compressor? To my brain at least, they seem 
to be the same thing.


Chris

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Re: Can keyboard Maestro help me with this?

[David Eagle]

Just wondering, did you get anywhere with this Slau.

Sent from my iPhone

> On 23 Sep 2014, at 14:03, Krister Ekstrom  wrote:
> 
> Ah, looking forward to what you find. Got a couple of plugs i want to do 
> presets for. One is XLN Audios "electric grand" from the addictive keys 
> series, one of the best Yamaha CP70-s out there and the other one is Izotopes 
> Nectar Production suite. Going to be interesting to see what you find.
> /Krister
> 
>> 23 sep 2014 kl. 14:58 skrev Slau Halatyn :
>> 
>> Hi Krister,
>> 
>> KM is certainly capable of performing the click but you'd have to know where 
>> to perform it, at least for the time you're creating the macro. More 
>> important, however, is that the browser that pops up isn't accessible. Most 
>> of those proprietary browsers don't use the Apple framework. It might be 
>> possible to use first letter navigation in cases like that but I'm not sure. 
>> I'll be looking into this in a couple of days and I'll let people know what 
>> I find.
>> 
>> Slau
>> 
>>> On Sep 23, 2014, at 8:35 AM, Krister Ekstrom  
>>> wrote:
>>> 
>>> Hi there,
>>> I've just done as Slau suggested and bought the Keyboard maestro app. It 
>>> seems very complex and very powerful and that's good. Now i wonder about 
>>> one thing: Since i don't have any sighted assistance around i wonder if KM 
>>> could be triggered to open the menu or dialog or whatever it is that you 
>>> open if you want to load a preset that's not in the librarian so i can save 
>>> them into .tfx format and if that even is possible because of accessibility 
>>> reasons, i mean it could be that the plugs have non-standard open dialogs 
>>> like Arturias plugs have? What say those who are used to KM, am i asking 
>>> for too much again?
>>> /Krister
>>> 
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Re: another question concerning clip list (re: deleting fades)

[Slau Halatyn]

Hi Michael,

Chuck still doesn't understand what you're talking about so don't chase him 
down his rabbit hole.

What you want to do is narrow down what's displayed in the clip list. Are you 
working with only one track or several tracks? If the name of the track you're 
working with is unique, you can narrow down the clip list with the first few 
letters of the region name. Press Command-Shift-f while focused on the clip 
list and type the first few letters of the region name. The list will display 
only regions with the letters you typed. bTW, you can scroll down the list with 
a mouse so your wife can find regions further down the list.

The other option is to eliminate unused regions. This will dramatically reduce 
the number of clips within the list. all of these options are within the 
submenu under "Regions list".

Finally, to be clear, I didn't say to duplicate the tracks but duplicate the 
playlist. There still remains the original track but the timeline is duplicated 
like having a sheet of copy paper underneath. You're always just working on the 
topmost sheet of paper. Hope that helps,

Man, it would be really beneficial to you if you sat down and read through the 
Pro Tools documentation while trying stuff in Pro Tools. Anyone who's serious 
about learning it and using it efficiently should endeavor to do this. 
Otherwise, it's a lot of shooting in the dark and fumbling around. Just a 
suggestion. Cheers,

Slau

On Dec 5, 2014, at 10:58 AM, Michael Kuhlmann  wrote:

> Hi Slau,
> 
> thank you very much first. In my next session I will try your idea 
> duplicating tracks and working with different playlists. Unfortunately for 
> this session, the problem starts quite at the beginning: Of course I could 
> have asked my wife to do it for me. But I will have a lot of work with pro 
> tools in the future and wanted to find an accessible workaround first. My 
> clip list is very long and contains about 90 or even 100 clips. Interacting 
> with it lets me audition the first clips by moving the mouse and selecting it 
> without problems. But my original clip is anywhere near the end of the clip 
> list in an invisible area of the screen. Moving the mouse to the clip lets VO 
> speak the correct clip name, but when pressing alt left key for auditioning, 
> Pro Tools loses focus and my VO-Cursor is located on the desktop, the 
> menu-bar or anywhere else. Obviously I can’t move the mouse outside the 
> visible area and so auditioning my original clip either. Do you have any idea 
> in this case?
> 
> Thanks again and best.
> 
> Michael
> 
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Re: another question concerning clip list (re: deleting fades)

[Michael Kuhlmann]

Hi Chuck,

I didn’t know this app yet. Thanks for that. I will try  this app and see, if 
it is possible to move the mouse-pointer from outside Pro Tools to the clip 
list, because the VO-command doesn’t seem to work.

Best 

Michael

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Re: another question concerning clip list (re: deleting fades)

[Michael Kuhlmann]

Hi Chuck,

just that’s the problem. Moving the mouse VO-CMD-f5 works at the top and till 
the middle of the clip list. But at the bottom  of the clip list, VO-CMD-f5 
doesn’t perform the wanted action and moves the mouse anywhere instead, to the 
menu-bar or to the desktop. Alt- left click doesn’t play the selected clip, but 
locates the cursor outside pro Tools.

Best 

Michael

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Re: Heads-up with plugins

[David Eagle]

Matt, the only ones that aren’t in that list that I’ve done are the Trueverb 
and audio track, so feel free to add those to the list. There in the folder I 
sent yesterday. 

> On 5 Dec 2014, at 16:18, Poppa Bear  wrote:
> 
> Hello Chuck, I want to say some of 8 and 9. I received several from you about 
> two years ago. I hope that it is not a problem. I talked to Matt this morning 
> and he was concerned about putting them up on the Pro Tools with speech Site 
> after I told him that many came from you. I think that he is on hold with 
> posting them. What are your thoughts?
>  
> From: ptaccess@googlegroups.com  
> [mailto:ptaccess@googlegroups.com ] On 
> Behalf Of CHUCK REICHEL
> Sent: Friday, December 05, 2014 3:45 AM
> To: ptaccess@googlegroups.com 
> Subject: Re: Heads-up with plugins
>  
> Wow thats a big waves collection!
> What bundle is that?
> Chuck
> YMMV
>  
> On Dec 4, 2014, at 6:56 PM, David Eagle wrote:
> 
> 
> Ah, great news Poppa. onlineea...@gmail.com 
>  
> Thanks.
>  
>  
>> On 4 Dec 2014, at 23:20, Poppa Bear > > wrote:
>>  
>> Dave What is your email so I can add to the collection. I have the presets 
>> for about 50 or so waves plugins. I hope I can get them to you and beef up 
>> the repository.
>>  
>> From: ptaccess@googlegroups.com  
>> [mailto:ptaccess@googlegroups.com ] On 
>> Behalf Of David Eagle
>> Sent: Tuesday, December 02, 2014 11:54 AM
>> To: ptaccess@googlegroups.com 
>> Subject: Re: Heads-up with plugins
>>  
>> OK, try giving these a spin, Christopher and anyone else. In this folder are 
>> presets for three waves Plugins: L1 Ultramaximizer, AudioTrack and TrueVerb. 
>> I assume that you import them by launching the plugin, then in the plugin 
>> window VO Space where it says FXPISettings Command Popup. Then activate the 
>> import settings option and select the relevant plugin subfolder, found in 
>> the folder I’m attaching to this email. 
>>  
>> HOPe it works. Let me know.
>>  
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> 
>  
>  
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RE: Heads-up with plugins

[Poppa Bear]

Hello Chuck, I want to say some of 8 and 9. I received several from you about 
two years ago. I hope that it is not a problem. I talked to Matt this morning 
and he was concerned about putting them up on the Pro Tools with speech Site 
after I told him that many came from you. I think that he is on hold with 
posting them. What are your thoughts?

 

From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On Behalf Of 
CHUCK REICHEL
Sent: Friday, December 05, 2014 3:45 AM
To: ptaccess@googlegroups.com
Subject: Re: Heads-up with plugins

 

Wow thats a big waves collection!

What bundle is that?

Chuck

YMMV

 

On Dec 4, 2014, at 6:56 PM, David Eagle wrote:





Ah, great news Poppa. onlineea...@gmail.com

 

Thanks.

 

 

On 4 Dec 2014, at 23:20, Poppa Bear  wrote:

 

Dave What is your email so I can add to the collection. I have the presets for 
about 50 or so waves plugins. I hope I can get them to you and beef up the 
repository.

 

From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On Behalf Of 
David Eagle
Sent: Tuesday, December 02, 2014 11:54 AM
To: ptaccess@googlegroups.com
Subject: Re: Heads-up with plugins

 

OK, try giving these a spin, Christopher and anyone else. In this folder are 
presets for three waves Plugins: L1 Ultramaximizer, AudioTrack and TrueVerb. I 
assume that you import them by launching the plugin, then in the plugin window 
VO Space where it says FXPISettings Command Popup. Then activate the import 
settings option and select the relevant plugin subfolder, found in the folder 
I’m attaching to this email. 

 

HOPe it works. Let me know.

 

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Re: another question concerning clip list (re: deleting fades)

[CHUCK REICHEL]

Hi Michael,
Have you tried Move Mouse yet?
YMMV
Chuck


On Dec 5, 2014, at 10:58 AM, Michael Kuhlmann wrote:

> Hi Slau,
> 
> thank you very much first. In my next session I will try your idea 
> duplicating tracks and working with different playlists. Unfortunately for 
> this session, the problem starts quite at the beginning: Of course I could 
> have asked my wife to do it for me. But I will have a lot of work with pro 
> tools in the future and wanted to find an accessible workaround first. My 
> clip list is very long and contains about 90 or even 100 clips. Interacting 
> with it lets me audition the first clips by moving the mouse and selecting it 
> without problems. But my original clip is anywhere near the end of the clip 
> list in an invisible area of the screen. Moving the mouse to the clip lets VO 
> speak the correct clip name, but when pressing alt left key for auditioning, 
> Pro Tools loses focus and my VO-Cursor is located on the desktop, the 
> menu-bar or anywhere else. Obviously I can’t move the mouse outside the 
> visible area and so auditioning my original clip either. Do you have any idea 
> in this case?
> 
> Thanks again and best.
> 
> Michael
> 
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Re: another question concerning clip list (re: deleting fades)

[Michael Kuhlmann]

Hi Slau,

thank you very much first. In my next session I will try your idea duplicating 
tracks and working with different playlists. Unfortunately for this session, 
the problem starts quite at the beginning: Of course I could have asked my wife 
to do it for me. But I will have a lot of work with pro tools in the future and 
wanted to find an accessible workaround first. My clip list is very long and 
contains about 90 or even 100 clips. Interacting with it lets me audition the 
first clips by moving the mouse and selecting it without problems. But my 
original clip is anywhere near the end of the clip list in an invisible area of 
the screen. Moving the mouse to the clip lets VO speak the correct clip name, 
but when pressing alt left key for auditioning, Pro Tools loses focus and my 
VO-Cursor is located on the desktop, the menu-bar or anywhere else. Obviously I 
can’t move the mouse outside the visible area and so auditioning my original 
clip either. Do you have any idea in this case?

Thanks again and best.

Michael

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Re: Pitch Correction

[Chris Smart]

awesome.

At 06:58 AM 12/5/2014, you wrote:

I Googled instead of being lazy, and nope, turns out it's
accessibility for the standalone editor. Boom!

On 12/5/14, Chris Smart  wrote:
> i assume so.
>
> At 06:04 PM 12/4/2014, you wrote:
>>Ooh la la, is that hotspot set specific to Sonar Chris?
>>
>>On 12/4/14, Poppa Bear  wrote:
>> > Waves Tune and Auto Tune, I do not believe that Melodyne is
>> accessible as of
>> > yet, but I could be wrong.
>> >
>> > -Original Message-
>> > From: ptaccess@googlegroups.com
>> [mailto:ptaccess@googlegroups.com] On Behalf
>> > Of Chris Smart
>> > Sent: Thursday, December 04, 2014 10:41 AM
>> > To: ptaccess@googlegroups.com
>> > Subject: Pitch Correction
>> >
>> > Hi folks.
>> >
>> > What are people using for pitch correction under ProTools?
>> >
>> > I'm still a Sonar guy and am about to move from an old version of
>> > Autotune to Melodyne Assistant, now that someone has come up with a
>> > hotspot set for it.  I'm just curious if you have access to a version
>> > of Melodyne on the Mac side.
>> >
>> > Chris
>> >
>> > --
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Re: another question concerning clip list (re: deleting fades)

[Slau Halatyn]

Hi Michael,

Yep, once you consolidate, you've created a new file which replaces the old one 
in the timeline but it still exists in the session. well, you're in a pickle 
now and this will be a lesson for the future. First, I'll explain the lesson 
and offer a possible solution.

Whenever you're preparing to edit a track, create a duplicate of the track with 
the playlist pop-up menu. You can edit either the original or the duplicate, 
it's up to you but definitely work on a playlist that has a copy of it beneath. 
If you ever find yourself in a situation as you have now, all you need to do is 
to go to the other playlist and copy what you need and paste it into the 
playlist you're editing.

A sighted user can drag the original clip from the playlist into the time line. 
I'm not sure why your wife can't seem to accomplish the task but here's an 
alternative:
Hide your tracks and go to the Clips list. Select the original clip and export 
it as a new file and name it something unique so there's no question what it is.
Use "Import Audio to Track" from the file menu or Command-Shift-i. Navigate to 
the exported region and press Return then hit the Done button. In the 
subsequent dialog, press command-t or make sure the first radio button is 
selected and press return. A new track will come up with the clip at the 
beginning of the track. Your additional options, should you choose to be so 
brave, are to import to the original time stamp so the clip will appear in the 
correct place in the time line. You'll see a pop-up menu in the previously 
mentioned dialog where you can select "Spot" which will open a new dialog with 
various options for where to import the region within the timeline.

Hope that helps,

Slau

On Dec 5, 2014, at 9:44 AM, Michael Kuhlmann  wrote:

> Hi again,
> 
> first of all thank you for your helpful hints concerning my fades-question. 
> Fortunately, I’m a little further with my problem and found out, that I can’t 
> delete a fade in of a clip after having consolidated clips (alt-shift-3). I 
> also found out that the original clip without the fade still remains in the 
> clip list. To recover it I would like to move this clip into the edit-window, 
> but I don’t know, how to do that. I tried to move the mouse to several clips, 
> but my sighted wife told me that it is only possible in pro tools to move the 
> mouse around the clip list, as long as the whole clip list is in the visible 
> area of the screen. My clip list of the session contains many clips, because 
> I did some editing. The VO-Commands for moving the mouse obviously only 
> effect the visible area and I didn’t find a way of scrolling. So how can I 
> navigate the whole clip list and move clips to the edit-window located 
> outside the visible area. 
> I would be glad about any help and sorry for the long explanation.
> 
> Michael
> 
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RE: Blending clips when I paste

[Poppa Bear]

I do like that Chuck, funny though. 

-Original Message-
From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On Behalf Of 
CHUCK REICHEL
Sent: Friday, December 05, 2014 3:50 AM
To: ptaccess@googlegroups.com
Subject: Re: Blending clips when I paste

Hi David,
What I do for back round noise is to keep a track of just background noise and 
use it be hind the narration. :)
HTH
Chuck
YMMV

On Dec 4, 2014, at 8:35 PM, David Eagle wrote:

> OK, that is very simple. It’s a very different way of working, but it seems 
> to work and I suppose once I get used to it then it should work just as good. 
> Thanks again Slau. I’ll give you the weekend off.
> 
> 
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Re: Pitch Correction

[Scott Chesworth]

Yep, I know. Chris is a Windows user for now, and I switch back and
forth between Reaper and Pro Tools depending on the project at hand.
Sorry folks, probably should've taken this one off-list as it's
irrelevant to most of you.

On 12/5/14, David  Eagle  wrote:
> Hotspot clicker is only a Windows thing. It works with JAWS screen reader.
>
> Sent from my iPhone
>
>> On 4 Dec 2014, at 23:04, Scott Chesworth 
>> wrote:
>>
>> Ooh la la, is that hotspot set specific to Sonar Chris?
>>
>>> On 12/4/14, Poppa Bear  wrote:
>>> Waves Tune and Auto Tune, I do not believe that Melodyne is accessible as
>>> of
>>> yet, but I could be wrong.
>>>
>>> -Original Message-
>>> From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On
>>> Behalf
>>> Of Chris Smart
>>> Sent: Thursday, December 04, 2014 10:41 AM
>>> To: ptaccess@googlegroups.com
>>> Subject: Pitch Correction
>>>
>>> Hi folks.
>>>
>>> What are people using for pitch correction under ProTools?
>>>
>>> I'm still a Sonar guy and am about to move from an old version of
>>> Autotune to Melodyne Assistant, now that someone has come up with a
>>> hotspot set for it.  I'm just curious if you have access to a version
>>> of Melodyne on the Mac side.
>>>
>>> Chris
>>>
>>> --
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>>
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Re: Pitch Correction

[David Eagle]

Hotspot clicker is only a Windows thing. It works with JAWS screen reader.

Sent from my iPhone

> On 4 Dec 2014, at 23:04, Scott Chesworth  wrote:
> 
> Ooh la la, is that hotspot set specific to Sonar Chris?
> 
>> On 12/4/14, Poppa Bear  wrote:
>> Waves Tune and Auto Tune, I do not believe that Melodyne is accessible as of
>> yet, but I could be wrong.
>> 
>> -Original Message-
>> From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On Behalf
>> Of Chris Smart
>> Sent: Thursday, December 04, 2014 10:41 AM
>> To: ptaccess@googlegroups.com
>> Subject: Pitch Correction
>> 
>> Hi folks.
>> 
>> What are people using for pitch correction under ProTools?
>> 
>> I'm still a Sonar guy and am about to move from an old version of
>> Autotune to Melodyne Assistant, now that someone has come up with a
>> hotspot set for it.  I'm just curious if you have access to a version
>> of Melodyne on the Mac side.
>> 
>> Chris
>> 
>> --
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Re: Blending clips when I paste

[David Eagle]

Thanks slau. I understand that all perfectly. Yes, I am using shuffle mode 
poppa. Thanks for your help.

Sent from my iPhone

> On 5 Dec 2014, at 04:06, "Poppa Bear"  wrote:
> 
> Hello Dave, this isn't a perfect solution, but have you tried to use shuffle 
> mode \rather than grid mode? Shuffle mode allows the deleted portion of audio 
> to be filled by sliding the remaining audio together. I have went through an 
> hour long voice over session rather quickly using this, taking out a lot of 
> Hmms, uhs, and other useless gibber.
> 
> -Original Message-
> From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On Behalf 
> Of David Eagle
> Sent: Thursday, December 04, 2014 1:08 PM
> To: ptaccess@googlegroups.com
> Subject: Blending clips when I paste
> 
> Hi, I’ve searched the Internet for this but to no avail. When I paste a clip 
> over another clip, the original clip is replaced by the new one. But I’d like 
> to have the old and new clip play together. I’d basically like to have the 
> two clips on the same track playing together rather than one replacing the 
> other. I assumed that paste special might allow me to do this, but it is 
> dimmed.
> 
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another question concerning clip list (re: deleting fades)

[Michael Kuhlmann]

Hi again,

first of all thank you for your helpful hints concerning my fades-question. 
Fortunately, I’m a little further with my problem and found out, that I can’t 
delete a fade in of a clip after having consolidated clips (alt-shift-3). I 
also found out that the original clip without the fade still remains in the 
clip list. To recover it I would like to move this clip into the edit-window, 
but I don’t know, how to do that. I tried to move the mouse to several clips, 
but my sighted wife told me that it is only possible in pro tools to move the 
mouse around the clip list, as long as the whole clip list is in the visible 
area of the screen. My clip list of the session contains many clips, because I 
did some editing. The VO-Commands for moving the mouse obviously only effect 
the visible area and I didn’t find a way of scrolling. So how can I navigate 
the whole clip list and move clips to the edit-window located outside the 
visible area. 
I would be glad about any help and sorry for the long explanation.

Michael

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Re: Blending clips when I paste

[CHUCK REICHEL]

Hi David,
What I do for back round noise is to keep a track of just background noise and 
use it be hind the narration. :)
HTH
Chuck
YMMV

On Dec 4, 2014, at 8:35 PM, David Eagle wrote:

> OK, that is very simple. It’s a very different way of working, but it seems 
> to work and I suppose once I get used to it then it should work just as good. 
> Thanks again Slau. I’ll give you the weekend off.
> 
> 
> -- 
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Re: Heads-up with plugins

[CHUCK REICHEL]

Wow thats a big waves collection!
What bundle is that?
Chuck
YMMV

On Dec 4, 2014, at 6:56 PM, David Eagle wrote:

> Ah, great news Poppa. onlineea...@gmail.com
> 
> Thanks.
> 
> 
>> On 4 Dec 2014, at 23:20, Poppa Bear  wrote:
>> 
>> Dave What is your email so I can add to the collection. I have the presets 
>> for about 50 or so waves plugins. I hope I can get them to you and beef up 
>> the repository.
>>  
>> From: ptaccess@googlegroups.com [mailto:ptaccess@googlegroups.com] On Behalf 
>> Of David Eagle
>> Sent: Tuesday, December 02, 2014 11:54 AM
>> To: ptaccess@googlegroups.com
>> Subject: Re: Heads-up with plugins
>>  
>> OK, try giving these a spin, Christopher and anyone else. In this folder are 
>> presets for three waves Plugins: L1 Ultramaximizer, AudioTrack and TrueVerb. 
>> I assume that you import them by launching the plugin, then in the plugin 
>> window VO Space where it says FXPISettings Command Popup. Then activate the 
>> import settings option and select the relevant plugin subfolder, found in 
>> the folder I’m attaching to this email. 
>>  
>> HOPe it works. Let me know.
>>  
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Re: Pitch Correction

[Scott Chesworth]

I Googled instead of being lazy, and nope, turns out it's
accessibility for the standalone editor. Boom!

On 12/5/14, Chris Smart  wrote:
> i assume so.
>
> At 06:04 PM 12/4/2014, you wrote:
>>Ooh la la, is that hotspot set specific to Sonar Chris?
>>
>>On 12/4/14, Poppa Bear  wrote:
>> > Waves Tune and Auto Tune, I do not believe that Melodyne is
>> accessible as of
>> > yet, but I could be wrong.
>> >
>> > -Original Message-
>> > From: ptaccess@googlegroups.com
>> [mailto:ptaccess@googlegroups.com] On Behalf
>> > Of Chris Smart
>> > Sent: Thursday, December 04, 2014 10:41 AM
>> > To: ptaccess@googlegroups.com
>> > Subject: Pitch Correction
>> >
>> > Hi folks.
>> >
>> > What are people using for pitch correction under ProTools?
>> >
>> > I'm still a Sonar guy and am about to move from an old version of
>> > Autotune to Melodyne Assistant, now that someone has come up with a
>> > hotspot set for it.  I'm just curious if you have access to a version
>> > of Melodyne on the Mac side.
>> >
>> > Chris
>> >
>> > --
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