habetur quomodo habenda est.
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d).
Jon
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Quoting Didi Kanjahn <[EMAIL PROTECTED]>:
\version "2.6.5"
Do you really use such an old version of LilyPond. My first
recommendation is to upgrade to the latest 2.10 or 2.11 (development
but soon to be the next stable) version.
/Mats
___
bu
The dot in ".Mondulkiri A" looks a bit strange. Also, you have to check
if this is a font that LilyPond finds on your system. See
http://kainhofer.com/~lilypond/Documentation/user/lilypond/Single-entry-fonts.html#Single-entry-fonts
for information on how to list all available fonts.
Mats
Quoti
s about it.
Wilhelm
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Phone: (+46) 8 790 8463
Fax: (+46) 8 790 7260
Email: [EMAIL PROT
CTED]>
Subject: Re: Joining Stems
To: [EMAIL PROTECTED]
Mats Bengtsson-4 wrote:
You can find similar solutions in the mailing list archives, for
example in
http://lists.gnu.org/archive/html/lilypond-user/2007-05/msg00250.html
I am not sure about where to place this report...
The
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SE-10
Mark Polesky wrote:
Hey all, not sure if this is really a bug.
The 2.11 documentation (Notation Reference 4.1.2 Page formatting) says:
paper-width
The width of the page. The default is taken from the current paper size.
line-width
The length of the systems. Default is paper-width
Quoting Victor Eijkhout <[EMAIL PROTECTED]>:
On Sep 2, 2008, at 10:47 PM, Graham Percival wrote:
a( | b)
is not the same as
a | (b)
Ok, the notion of putting a barline inside the tie hadn't occurred to
me. Thanks, it works.
First of all, it's a slur not a tie (please make sure that yo
Valentin Villenave wrote:
2008/8/30 Renaud Flavigny <[EMAIL PROTECTED]>:
I'm not an expert on Windows but on my workstation I need to add the
lilypond executable directort in the PATH variable in order to run lilypond
or lilypond-book from the prompt of the command line.
Theoretically
[EMAIL PROTECTED] wrote:
Issue 663: breakable glissando is not printed after a line break
http://code.google.com/p/lilypond/issues/detail?id=663
Comment #1 by n.puttock:
This is invalid; glissandi and voice followers aren't shown following
a line break.
??? They certainly are, at least in the
Please first try the instructions on how to get started at
http://lilypond.org/doc/v2.11/Documentation/user/lilypond-learning/Compiling-a-file#Compiling-a-file
(follow the Windows specific instructions) just to make sure that your
installation is correct.
You mentioned that you had downloaded a
Congratulations, you have successfully installed LilyPond.
Please note that this program is very different from most
other programs you have experienced in Windows. What you see on your
screen is a simple text editor. Your next step now is to follow these
instructions and to start reading the Tu
#x27; d' e' f'}
\new Staff \new Voice {c'2 d'4 e'8 f'8}
\new Lyrics \lyricsto v \mylyrics
\new Lyrics \mylyrics
>>
/Mats
Mats Bengtsson wrote:
Trevor Daniels wrote:
The warnings are not exactly errors. Another thread with the words
"durations
Trevor Daniels wrote:
The warnings are not exactly errors. Another thread with the words
"durations needed" in which Mats explained very well some related
issues, can be of help.
I've now been able to check back to 2.10.34, and the
warnings were issued there too. Seems like they might
have b
Francisco Vila wrote:
Then, you are saying that in my example
\lyrics { \set associatedVoice = v \textDurations } % correct
\lyrics { \set associatedVoice = v \textNodurations } % wrong:
durations needed, issues warning
the wrong case is rather wrong implicit durations assumed, and warni
Francisco Vila wrote:
Now my own abstract:
--- \new Lyrics \lyricsto v { \textNodurations } is the only
secure way to align lyrics to a voice, and durations are superfluous
Yes, \lyricsto (and \addlyrics for simple cases) are the main methods
described in the
manual and the main met
ilypond@gnu.org
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Pho
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27; >8 < des' ees' >4 -> < c' e' > < b f' > r8 r4
r2 < e c' >4 < f des' >8 < des' ees' >8~ -> < des' ees' >8 < c'
e' >
} %staff ende
}
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(make-rhythmic-location 2 0 1)))
}
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888613/test-2.11.55-2.jpg
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8 c c c
c8 c c c c c c c
c8 c c c c c c c
c8 c c c c c c c
}
}
\score {
\new StaffGroup
<<
\new Staff = "violin1" { << \global \ViolinI >> }
\new Staff = "violin2" { << \global \ViolinII >> }
>>
\layout { }
}
----
new Lyrics \lyricsto "alttwo" { \wordstwo }
My questions are,
what is \lyrics used for?
does it create a new context, or not?
is \lyrics deprecated?
is the comment #2 still valid, ie does "the original "\new Lyrics"
remains empty"?
anyway, the issue is either fixed
org/mailman/listinfo/bug-lilypond
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Mats Bengtsson
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Royal Institute of Technology
SE-100 44 STOCKHOLM
Sweden
Phone: (+46)
Quoting Reinhold Kainhofer <[EMAIL PROTECTED]>:
One thing I noticed is that the regression test
input/regression/metronome-marking.ly says:
"The marking is left aligned with the time signature, if there is one."
Unfortunately, this is not true, the metronome marking is now always aligned
with
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-Jay
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Claus Tirel wrote:
> Please note that there is a waste of time to send bug reports
> on such an old version of LilyPond. In fact, even bug reports
> related to the latest stable version, 2.10, are mostly ignored
Not to mention this limited interest on the lilypond bug page
(http://lilypond.or
the individual \scores.
Paul Scott
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song_with_stanzas_at_bottom.ly =
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7;m really not
sure
how/when/if it can be implemented, though.
Issue attribute updates:
Status: Accepted
Labels: -Priority-Medium Priority-Postponed
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Han-Wen Nienhuys wrote:
2008/5/30 Mats Bengtsson <[EMAIL PROTECTED]>:
It cannot be that simple, since there are no font related settings on
TimeSignature in
scm/define-grobs.scm and the font related settings are done within
ly:time-signature::print
which ins't used here.
Valentin Villenave wrote:
2008/6/4 Mats Bengtsson <[EMAIL PROTECTED]>:
<< { \grace b8 c c c c } \\ { \grace s8 g g g g } >>
It doesn't work fine here! As far as I can see, it gives \voiceTwo settings
in the first voice and
\voiceOne settings in the s
arline engraver to the dynamics context.
But in fact, it didn't work great so far. Please try it and tell us if
you're luckier than me :-)
Cheers,
Valentin
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Signal Processing
School of Electrical
Valentin Villenave wrote:
2008/5/29 Steven McDougall <[EMAIL PROTECTED]>:
%% grace note makes voiceOne go stems down
Thanks Steven,
I've added it as
http://code.google.com/p/lilypond/issues/detail?id=630
I hope you realize, however, that strictly speaking your example is not corre
e1.old.png 3.5 KB
example2.new.png 3.7 KB
example2.old.png 3.8 KB
Issue attribute updates:
Status: Started
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Mats Bengtsson
Signal Processing
School of Electrical Engineering
Royal Institute of Techn
Quoting David Bobroff <[EMAIL PROTECTED]>:
> I'm not top posting.
I tried a search to see if this has been reported and did not find a
report about this.
The following example shows the problem. When the clef is given in
the score block as simultaneous with the predefined music the
appogg
[EMAIL PROTECTED] wrote:
Issue 628: Regression: markup \note doesn't work as a TimeSignature
stencil
http://code.google.com/p/lilypond/issues/detail?id=628
Comment #1 by hanwenn:
without looking, I think the time sig does not work, because it uses
the music font
by default (to get the C symb
Valentin Villenave wrote:
2008/5/18 Neil Puttock <[EMAIL PROTECTED]>:
I just install and uninstall (the tedious bit.)
Then you're either you're a hero either you're just insane :-)
It's not that bad, at least if you know about the principle
called binary search in computer scienc
first staff appear below the second,
Thanks, added as http://code.google.com/p/lilypond/issues/detail?id=623
Cheers,
Valentin
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tter only seems to work for simple examples; I've
tried using it
on music with extensive polyphonic sections, and it doesn't work
properly, so for the
time being I think it's a case of festooning the music with dynamics.
--
=
lumn (which includes
accidentals and
arpeggios). The more canonical way to put dynamics in parallel with
the music is to
include them in the same voice (ie. without the \\).
Issue attribute updates:
Status: Started
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Mats Bengt
We have to document it as a @knownissue somewhere; let's just find
where the most
convenient place would be.
For the IR, my suggestion is to add a note in the documentation of
self-alignment-X that the
value is only taken into account if the X-offset of the object is
calculated using ly:s
nt Priority-Low
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Phone: (+46) 8 790 8463
By overriding the RehearsalMark's default X-offset, it no longer gets
the result of
the alignment callback, thus ignoring break-align-symbols.
Regards,
Neil
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Interval (1.0, 1.0));
edge_height[LEFT] = 0.0; //this resets the edge height!
edge_height[RIGHT] *= -get_grob_direction (me);
if (broken[RIGHT])
edge_height[RIGHT] = 0.0;
Issue attributes:
Status: New
Owner:
Labels: Type-Defect Priority-Medium
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==
, X-centered upon the note to which it corresponds, which often makes it
protrude beyond the bar.
%}
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k you all for this
incredible software.
Regards, Frank
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{g2.|} >>}
}
\new Staff
%\set Staff.instrumentName = "3. 4." %comment inserted
\relative c''
{
\clef treble
\time 6/8
{<< {e2.|}\\ {c,2.|} >>}
}>>}
_______
bug-lilyp
A semi-advanced guess is that the staff-padding property only applies
to objects that are created within a Staff context (or within a Voice
context
within a Staff context). Since rehearsal marks are created at the score
level, they don't really relate to any specific Staff context, so
staff-pad
s if it were two tuplets of sixteenth notes instead of one tuplet of
eighth notes.
\version "2.11.43"
\relative c' {
\time 1/4
\times 2/3 { c16 c c8 c}
\times 2/3 { c8 c16 c c8}
\times 2/3 { c8 c c16 c}
}
Cheers,
Valentin
--
=====
[EMAIL PROTECTED] wrote:
New issue report by v.villenave:
% Bug: Whole notes shouldn't get stems when stemlets are enabled.
...
% (...or should they? -vv)
See http://lists.gnu.org/archive/html/bug-lilypond/2007-01/msg00445.html
(which never got an answer). Anyway, the documentation only mentio
ats
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r32 r8 r16 r16 b8 r32 r16. r8]
{ r4 } >> } % originally: r4 r r r
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times, carefully un-installing previous version every time.
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Please send separate bug reports for separate bugs to reduce the risk
that some are lost along the way.
Lars Grote wrote:
Hey,
analogue to the comments
"\slurDotted" and "\tieDotted"
there should be a similar comment for dotted phrasingSlurs,
maybe "\phrasingSlurDotted"
I guess you mean "ma
volta 2 { R1 }
\alternative {
\cueDuring #"cues" #UP { c1 }
\cueDuring #"cues" #UP { c1 }
}
}
\score {
\unfoldRepeats { <<
\new Staff = cues \cues
\new Staff = part \part
>> }
}
Are we supposed to support slurs and alternative endings in cues?
M
in chord not ok
}
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Kevin Donnelly wrote:
Yes - mea culpa. I will order the sackcloth today ...
You are absolutely right that using the correct docs for my Lilypond version
(2.8) works, namely:
mkdir outputs
lilypond-book --psfonts --output=outputs/ myarticle.lytex
cd outputs
latex myarticle.tex
dvips -o -h mya
rd, I am using:
openSUSE 10.2
lilypond 2.8.7-15
te_latex 3.0-58
Kevin Donnelly
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Valentin Villenave wrote:
2008/3/10, Trevor Daniels <[EMAIL PROTECTED]>:
Under 2.11.42 the fonts are cached in C:\Documents and
Settings\[username]\.lilypond-fonts.cache-2. This also
contains 2 small and one large (682 KB) files, but when
LilyPond compiles it changes just the large fi
ed on both Linux and Windows XP. (0xc005 exception)
\new Staff {
\relative c'' {
\times 2/3 { \acciaccatura d8 c8 b c }
}
}
Issue attributes:
Status: Accepted
Owner: v.villenave
Labels: Type-Defect Priority-High
--
==
Internet MIME message format.
If you are using Pegasus Mail, or any another MIME-compliant system,
you should be able to save it or view it from within your mailer.
If you cannot, please ask your system administrator for assistance.
Datei Information/File information ---
Datei/File: glyph.png
Datum/Date: 7 Mar 2008, 9:21
Größe/Size: 9888 bytes.
Typ/Type
~} f4 ) r | \noBreak
d4 a f d ||
}
>>
\layout{ ragged-right = ##t }
Issue attributes:
Status: Accepted
Owner: v.villenave
Labels: Type-Collision Priority-Medium
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a16] d,[ f a \times 4/5 {d16] f[ a d32. f64 ~ f16] ~} f4 ) r | \noBreak
d4 a f d ||
}
>>
\layout{ ragged-right = ##t }
/Mats
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\alternative { { e } { e' } }
}
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ss
f16. g32 f16. g32 f16. g32 f16. g32 f8. es16 d8 es
}
where the final figure shows a similar collision.
Both these examples work well with version 2.10.
/Mats
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Valentin Villenave wrote:
It's a pity, however, that the number of args has to be hardcoded.
Would it be possible to write some "universal" compound-meter
function, where the numbers would be automatically taken into account
except the last number, which would be taken as denominator?
Of c
e should
be an extra "2" between the two last "3"s to get the 25/8 Sedi Donka
rhythm used there. (One way to remember it, is as a compound of 7 = 3
+2+2+ and 11=2+2+3+2+2.)
Oh yes! Thanks for teaching me how to count :)
So on p. 21, it should be:
\override Staff
e-height = #'(-0.7 . -0.7)
\times 8/7 { g es bes g \change Staff = lower es bes g}
}
>>
\layout{ragged-right = ##t }
/Mats
Oscar van Eijk wrote:
Hi Again,
In the meantine, I tested with 2.10.33; same result as 2.10.25.
Now I've got 2.11.39 installed; a sample of that outp
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[EMAIL PROTECTED] wrote:
Issue 504: lilypond broken on osx 10.5 x86
http://code.google.com/p/lilypond/issues/detail?id=504
Comment #44 by hanwenn:
Since the x86 binary is only useful for 10.4, would it make sense to
simply remove
the x86 binary, and be done with all the questions?
This won'
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[EMAIL PROTECTED] wrote:
Issue 579: ReheasalMarks are shifted to the right depending on the
number of staves
http://code.google.com/p/lilypond/issues/detail?id=579
Comment #2 by v.villenave:
Indeed. I had no idea that the anchor might change between the first
and second staff
(I'm not sure w
http://www.jung-wien.at/
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Converting to `Bach Solfeggietto.pdf'...
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ondwiki.tuxfamily.org
WM
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I used the --verbose command to generate a log, and the log reads as follows:
Just to clarify; is this the output of calling
lilypond --verbose > C:\lilypond.log 2>&1
GNU LilyPond 2.10.33
...
Initializing FontConfig...
adding font directory: C:/Program Files/LilyPond/usr/bin/../share/lily
[EMAIL PROTECTED] wrote:
Issue 569: Consistency in property names: beam-thickness
http://code.google.com/p/lilypond/issues/detail?id=569
Comment #1 by hanwenn:
I prefer to go for beam-thickness ; I think doc strings with
exceptions and
properties with different 'types' are messy
Fine with m
ks for your great product!
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and a default
value of 0.48.
See also
http://lists.gnu.org/archive/html/lilypond-devel/2008-02/msg0.html
Issue attributes:
Status: Accepted
Owner: v.villenave
Labels: Type-Enhancement Priority-Low
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Mats Bengtsson
Valentin Villenave wrote:
On 05/02/2008, Mats Bengtsson <[EMAIL PROTECTED]> wrote:
Well, the root of the problem is the fact that you have to specify the voice
change one note ahead, which is inconvenient in itself.
Indeed.
Since a bug fix isn't likely to happen v
Valentin Villenave wrote:
On 28/01/2008, Mats Bengtsson <[EMAIL PROTECTED]> wrote:
This seems like exactly the same situation as in
http://lists.gnu.org/archive/html/lilypond-user/2007-11/msg00468.html
OK; so, shall we report it as a bug or not?
Well, the root of the prob
Trevor Daniels wrote:
...
http://kainhofer.com/~lilypond/Documentation/user/lilypond-learning/index.html
which shows a bug! The ottava bracket isn't moved no matter what value you
specify, at least when I try with the latest 2.11.38 code from GIT.
Unfortunately,
this means that the exampl
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Sweden
Phone: (+46) 8 790 8463
Graham Percival wrote:
You hear that, Valentin? Be ambitious. :)
This is probably related to Trevor's recent email to -devel about
adding Dynamics to performer-init.ly.
No! You will see exactly the same problem if you include a Lyrics or a
FiguredBass or a ChordNames or whatever context in
uot;Piano_pedal_performer"
}
\context {
\PianoStaff
\accepts Dynamics
}
}
}
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yricmode
{
one \set associatedVoice = alternate two
\set associatedVoice = melody
OK NOT five
}
%%% END %%%
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ten
}
\new Lyrics \lyricsto "melody" \lyricmode
{
one two three four five
\set associatedVoice = alternateII six seven
\set associatedVoice = melody eight nine ten
}
%%% END %%%
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Quoting [EMAIL PROTECTED]:
Issue 565: The system start brace is too large
http://code.google.com/p/lilypond/issues/detail?id=565
Comment #1 by gpermus:
Joe, I think this is yours (since nobody else touched the code in the
past few weeks :).
I'd rather suspect the new font generation using mf2
ypond mailing list
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Mats Bengtsson
Signal Processing
Signals, Sensors and Systems
Royal Institute of Technology
SE-100 44 STOCKHOLM
Swed
Dateien: "D:\\Musik\\test.ly"
what to do?
regards
Rolf
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Mats Bengtsson
Signal Processing
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