I was answering the top half of your post.. after that we seem to agree!
Maybe I'm misreading(?) but the rest of your post would make sense still if
you'd started with 'I agree'.
Or maybe we mean different things with
'register doesn't matter'?
Steve P.
On 19 Feb 2012, at 01:52, Raymond Horto
Read my post, Steve. I read yours!
Raymond Horton
On Sat, Feb 18, 2012 at 8:50 PM, Steve Parker wrote:
> I'm not for one second suggesting writing choral music without regard to
> register. I'm suggesting that the conductor who is reading the score is
> unlikely to stop the audience singalong
I'm not for one second suggesting writing choral music without regard to
register. I'm suggesting that the conductor who is reading the score is
unlikely to stop the audience singalong and demand that they sing in the flute
register.
It's a singalong for goodness' sake!
Everyone will sing along
At 8:35 PM -0500 2/18/12, Raymond Horton wrote:
>
>The song is in a very singable register from middle C up to D in the treble
>clef. Write a separate staff in treble, sopranos and altos sing as
>written, tenors and basses sing 8ba, very simple.
Exactly what I meant, of course, and yes, they'll
I disagree wholeheartedly with:
'the register doesn't matter'
"each person will decide on their register according to their own voice."
The song is in a very singable register from middle C up to D in the treble
clef. Write a separate staff in treble, sopranos and altos sing as
written, tenor
At 4:29 PM +0100 2/18/12, SN jef chippewa wrote:
>i am doing a short orchestral score and in the final section the
>whole orchestra (and i assume audience) are invited to sing along on
>the tune "Bonnie Banks of Loch Lomond".
>
>where would you mark the lyrics in the score?
Jef: The first questi
At 20:18 + 2/18/12, Steve Parker wrote:
>I'm anal about snipping on mac.. But from phone by the time I've
>removed the whole message three times, twice copied it to four times
>its original length and forgotten what I was writing in the first
>place I give up..
but if the people who po
>And it's much easier for you to change your behavior than it is to
>expect everyone else to change theirs.
true enough, but i also support this request, and it is also fairly
common "netiquette" to remove unneeded text from one's replies. for
some this is also an accessibility issue: people
I'm anal about snipping on mac.. But from phone by the time I've removed
the whole message three times, twice copied it to four times its original
length and forgotten what I was writing in the first place I give up..
Steve P.
On 18 Feb 2012, at 20:04, Darcy James Argue wrote:
> Geoff,
>
It's likely he won't see that message until the next digest
On Sat, Feb 18, 2012 at 12:04 PM, Darcy James Argue
wrote:
> Geoff,
>
> Have you considered that this would not be an issue if you did not
> subscribe to the digest, and instead used rules to direct individual
> Finale-list posts to
Geoff,
Have you considered that this would not be an issue if you did not subscribe to
the digest, and instead used rules to direct individual Finale-list posts to a
folder? This makes it much easier to focus on the content that is relevant to
you. And it's much easier for you to change your be
Hi Folks,
When you are responding to discussions, please remember to delete
un-necessary previous responses. Scrolling through and trying to keep
track of 10 or 11 sets of ">"s is not a nice experience, and it becomes
un-necessarily difficult to find the gems within people's comments.
Wednesday's d
SN jef chippewa wrote:
> i am doing a short orchestral score and in the final section the
> whole orchestra (and i assume audience) are invited to sing along on
> the tune "Bonnie Banks of Loch Lomond".
>
> where would you mark the lyrics in the score?
You don't have to do it this way, but I'd ad
Finale 2012a.r3, Mac OS 10.6.8, MacBook Pro
In Finale 2012, when I select "Export to Audio File", I get this message - "An
error occurred while saving the audio file (Error -2)" if Finale is set to
"Play
Finale Through MIDI". If I set to "Play Finale Through Audio Units", I can
save
as an AI
I would treat it in the same way as I would a soprano soloist and put the
stave wherever you would normally put that line. In effect, those singing
are your choir.
Cheers,
Lawrence
On 18 February 2012 15:53, SN jef chippewa wrote:
>
> ok thanks, and place it between pc and vln1?
>
> >I would d
If the orchestra don't play when he begin to sing, it could be a
separate score (?),
(same for everyone).
but if the orchestra play and sing , I would mark the lyrics for all
instrumentists that can play AND sing at the same time (example : not
for bassonist !)
Probably with a second voice for
On 2/18/2012 11:12 AM, Christopher Smith wrote:
> The topmost expression's position is the one that gets passed on to linked
> parts by default.
Oh, right -- I was forgetting about all the other parts that aren't
showing tempo marks in the score.
> I know you might want to have the expression o
Yes, above flutes.
'phrase' should have been 'stave'...
Steve P.
On 18 Feb 2012, at 16:02, SN jef chippewa wrote:
>
>> Just actually looked at the score.. Definitely would be clear to put
>> them above the top phrase.
>
> above the flutes?
>
>> I wouldn't care about register at all.
>
>
It's been a few years since I sussed this out, but that sounds right to me. The
topmost expression's position is the one that gets passed on to linked parts by
default. If you change a LOWER expression in the score list, then of course it
does not reflect the way it is going to look in the parts
>Just actually looked at the score.. Definitely would be clear to put
>them above the top phrase.
above the flutes?
>I wouldn't care about register at all.
true, i suppose each person will decide on their register according
to their own voice...
>Are you definitely using the anglicised lyric
Just actually looked at the score.. Definitely would be clear to put them above
the top phrase.
Are you definitely using the anglicised lyrics?
Steve P.
On 18 Feb 2012, at 15:29, SN jef chippewa wrote:
>
> i am doing a short orchestral score and in the final section the
> whole orchestra (an
ok thanks, and place it between pc and vln1?
>I would definitely use a separate stave for the voices.
___
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I would put them in whichever part looks best - usually near the top of the
score - above is even better if the top instrument plays the tune.
I wouldn't switch staves more than once.
If there is an resting staff at the top they can be cued there.
Where the rhythm or melisma are different to th
I would definitely use a separate stave for the voices.
Cheers,
Lawrence
On 18 February 2012 15:29, SN jef chippewa wrote:
>
> i am doing a short orchestral score and in the final section the
> whole orchestra (and i assume audience) are invited to sing along on
> the tune "Bonnie Banks of Loch
i am doing a short orchestral score and in the final section the
whole orchestra (and i assume audience) are invited to sing along on
the tune "Bonnie Banks of Loch Lomond".
where would you mark the lyrics in the score?
i thought of placing them in an instrument that plays the melody, but
the
Hi all,
FinWin11. When an expression is assigned to a score list, like a tempo
mark, moving the topmost expression in the score moves the whole bunch
of them. In order to move /only/ the top expression, you have to hold
down the tilde key while you drag it.
When I do this, however, the express
On 2/17/2012 7:23 PM, Christopher Smith wrote:
>
> On Fri Feb 17, at FridayFeb 17 7:03 PM, Ryan wrote:
>
>> Can't wait until Finale 2013 when I can pay to have this feature restored
>> again.
>
>
> That's the ticket! Stay optimistic that it will be fixed!
>
If we didn't do that, MakeMusic would go
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