Re: FLUXLIST: Re: France

another great site: www.artandfluxushackermeeting.tk -- SaB* On Tue, 4 Jun 2002, alan bowman wrote: > bertrand! > > great site!! > > ben's really pushing that wine isn't he! did you know that the hotel in genova >threw out one of my bottles! it was empty i suppose.. > > DEAR F

FLUXLIST: Re: France

bertrand!   great site!!   ben's really pushing that wine isn't he!  did you know that the hotel in genova threw out one of my bottles! it was empty i suppose..   DEAR FLUXLISTERS   i strongly recommend the following link especially, somewhe

Re: FLUXLIST: Re: France

Well, you, know, basically french is not quite necessary to understand fluxus concert events... By the way, there are 4 more dates in France: 18,19,20,21 of june in Paris at the Menagerie de Verre and for those ones, 4T Fluxus has something to see in it. Bests Bertrand http://4t.fluxus.net I'd lo

FLUXLIST: re: Update 6/2/02 - after cupcakes

Quoting [EMAIL PROTECTED]: > The door opens onto a hallway. When I was six years old, I started having health problems. I would get so feverish that I would go into convulsions and have to be placed into the hospital. My hearing started to disappear, and I had constant throat and head aches.

Re: FLUXLIST: Re: An Art Service - Getting Dressed

Quoting [EMAIL PROTECTED]: > young with old truths about to happen. new forms without borders. > bypasing old audiences, national highways, oceans of information, acid > clouds parked on the museums, freezzen bullets ten hands of my brain, inner > censorships stoping myself for years , I hit m

Re: FLUXLIST: Re: An Art Service - Getting Dressed

Joseph Franklyn McElroy Cor[porat]e [Per]form[ance] Art[ist] > The depth of human experience is human, not machine led. We get only > facsimile, > yet, like art before, it will have to do, to communicate the experience of one > to the other. Or the other to the one. Indeed, a most elemental need

Re: FLUXLIST: Re: An Art Service - Getting Dressed

Quoting [EMAIL PROTECTED]: > > the longings of net-artist comes out from the urge for elemental > expression. > via interactiva/net-art plunged into depth of human experience: > images & explorations, words, icons & music, graffitti & cartoons > concentrated, heightened, justapoxed (methamorfosis

Re: FLUXLIST: Re: An Art Service - Getting Dressed

[EMAIL PROTECTED] > An expression, a process of conversation, a long talk with another, time and > place, displaced. Why the impetus to create such, a non-mutable volume control > of non-sound? Or sound that can be seen. Is it a ego, living, breathing, fire > walking thing? I cannot decipher my

Re: FLUXLIST: Re: sketches

Quoting Carol Starr <[EMAIL PROTECTED]>: > > thank you for sending your sketches, very nice indeed. may i ask what > the material is that seems to be > glitter? enjoyed the starbucks as well. we don't have one here but do > have a reasonable facsimile called > 'the bean'. you are inspiring me t

FLUXLIST: Re: sketches

thank you for sending your sketches, very nice indeed. may i ask what the material is that seems to be glitter? enjoyed the starbucks as well. we don't have one here but do have a reasonable facsimile called 'the bean'. you are inspiring me to work harder at learning to build web sites. bests,

Re: FLUXLIST: Re: An Art Service - Getting Dressed

Quoting [EMAIL PROTECTED]: > > art is always a process started/made by men/by sense > net-art is not a matter of machines: man is always involved behind > > machines have no sense > > electric hands not move alone > > there are always a living hand extended upon the screen > controling the pr

Re: FLUXLIST: Re: An Art Service - Getting Dressed

[EMAIL PROTECTED] > However, it seems to me that a "finished virtual object" is always a process > of > regeneration on the screen. So I guess this makes net.art the Living Dead Art. art is always a process started/made by men/by sense net-art is not a matter of machines: man is always involved

FLUXLIST: Re: An Art Service - Getting Dressed

Quoting [EMAIL PROTECTED]: > Joseph Franklyn McElroy Cor[porat]e [Per]form[ance] Art[ist] > > > In Allan Kaprow's book of essays "The Blurring of Art and Life", he is > > interested in an intersection between art and life...mainly, does a line > have > > to exist at all ... maybe it is possible

FLUXLIST: Re: France

I'd love to see a Fluxshow... but French is definitely not my domain. I've been around a lot of foreign tourists lately, and have resolved not to even visit another country without a good working knowledge of its official language(s). I abandoned my studies of French in high school, so I don't thin

Re: FLUXLIST: Re: untitled

Ah, the Robert Williams gambit! M (Frankly, I prefer my titles to my work about 40% of the time, but I'm decadent.) -- >From: Crispin Webb <[EMAIL PROTECTED]> >To: [EMAIL PROTECTED] >Subject: Re: FLUXLIST: Re: untitled >Date: Wed, May 22, 2002, 11:54 AM > >

Re: FLUXLIST: Re: untitled

I think the title has becom a generic ploy to involve the viewer. I recently had a show with no titles or labels to identify myself as the artist. If i were to title my works I believe i would write full paragraph, not to guide the viewer but to show how absurd titles have become. crispin __

Re: FLUXLIST: Re: untitled

hi don, first of all let me tell you i have breathed a great big sigh of relief that you received your address book. the post office is not all bad. as to 'untitled' i use a numbering system to keep track of the work and sometimes i use untitled as the name. however recently i have been using t

Re: FLUXLIST: Re: untitled

Carol, what was your answer? Mine would be to number my works. Most people are looking for an "explanation" in verbal terms of a visual work. Most musicians and the other examples given have no problem titling something to aid the viewer in their quest (for verbal meaning) Myself, I don't wa

Re: FLUXLIST: Re: untitled

I think that being as people have been doing painting and sculpture since the very beginning of the species and before, and they're still doing these things in increasing numbers, it would be unwise to say "obsolete". In any given buncha makers of anything there's going to be a fair number of bad

Re: FLUXLIST: Re: untitled

Quoting Micheal Ellis <[EMAIL PROTECTED]>: > well you are assuming wrong more like ie. it is not valid Valid for what? You are not making any sense. It's like you are preacher saying believe in God, have faith. Why? What authority has been granted you to define painting as this general "in

FLUXLIST: Re: untitled LONG POST

in answer to the post; FLUXLIST: Re: untitled From:"Micheal Ellis" <[EMAIL PROTECTED]> it seems it is most bad with the "traditional" visual arts like painting and sculpture, which may point to the fact those forms are obsolete in some way. > > A Profusion of P

Re: FLUXLIST: Re: untitled

In a message dated 5/21/02 2:35:51 PM, [EMAIL PROTECTED] writes: << d >> Leaving a piece untitled implies that the "traditional" visual arts are obsolete? That's a leap that I think very few could make. I know a lot of people have pushed forward the idea that painting and sculpture are dead,

FLUXLIST: Re: untitled

>i received this post and sent a simple answer ( it leaves the viewer >free to see and experience unimpeded by a title) which is probably not the >correct reply. thought maybe someone could give me a better one. it might have more to do with a plethora of stupid titles persistent in the visual a

Re: FLUXLIST: Re: untitled

i also feel that some of the titles i come up with when i first begin a painting are embarrassingly personal or downright silly and so i choose untitled which in effect it is a cover up of sorts. i might add that especially the modernists liked to call their work untitled because they wanted the

Re: FLUXLIST: Re: untitled

seems like I'm trying to be ironic. Besides, aren't "Friends" episodes title that same way? Alex >From: [EMAIL PROTECTED] >Reply-To: [EMAIL PROTECTED] >To: [EMAIL PROTECTED] >Subject: Re: FLUXLIST: Re: untitled >Date: Tue, 21 May 2002 10:38:54 EDT > >I w

Re: FLUXLIST: Re: untitled

O but musicians often use names that function like "Untitled," such as Sonata in B, say. There is much less tendency to use "untitled" for works that are texts or function by articulating time like texts, because the titling moment is part of the temporal structure of the text, and the text is (un

Re: FLUXLIST: Re: untitled

Carol Starr wrote:i received this post and sent a simple answer ( it leaves the viewer > free to > see and experience unimpeded by a title) > > So, here a question that I have often gotten an answer for, but the > > answer always seems inadequate: > > > > Why do poets and painters not name the

Re: FLUXLIST: Re: untitled

I was just discussing this with a friend the other day. One, I think that your answer carol is one part. "Untitled" gives the viewer no preconcieved framework from which to view the piece. Also, sometimes the artist is too close to the work emotionally and doesn't want to reveal what they were

FLUXLIST: Re: untitled

hello all, i received this post and sent a simple answer ( it leaves the viewer free to see and experience unimpeded by a title) which is probably not the correct reply. thought maybe someone could give me a better one. bests, carol > So, here a question that I have often gotten an answer fo

FLUXLIST: Re: FLUXLIST

can anyone tell me why i am getting two of every message for the last few days? carol -- carol starr taos, new mexico, usa [EMAIL PROTECTED] web: http://laplaza.org/~datastar/index.html

FLUXLIST: Re: FLUXLIST-digest V3 #185

Sol or anyone else.. Can anyone remember the url of the 'mapping the web' project that was posted on the list a while ago, it would be dead handy if anyone could mail it to me... thanks.. Pete Ps- Sol, did you cast any spells with your rune? np- nobukazu takemura- child's view _

FLUXLIST: Re: www.freeformfreakout.org

RE www.freeformfreakout.org   the FTP server's shut down so you won't see the images - bowman messed up, was informed by mr bowman jr and tried to fix it up this afternoon - access denied etc   god help us, there's two of them now!   yours   ann onnymus FFFO dear!    

Re: FLUXLIST: Re: fluxlist address book

hi ann, don't worry, there are others still on the way. thanks, carol -- carol starr taos, new mexico, usa [EMAIL PROTECTED] web: http://laplaza.org/~datastar/index.html

Re: FLUXLIST: Re: 50/50

sign me up! though i'm not sure what it is i am supposed to do?? bests, carol -- carol starr taos, new mexico, usa [EMAIL PROTECTED] web: http://laplaza.org/~datastar/index.html

FLUXLIST: Re: 50/50

50/50: great idea! Sign me up! Maybe I'll send in 50 pages of !!

Re: FLUXLIST: Re: fluxlist address book

please it is on the way. Wait! AK Carol Starr wrote: > hi everyone, > > lots of mail today and many thanks to those of you who have sent covers > for the project. what a wonderful array of creativity and i am so lucky > to see all of them in real time. there may be someone who has mailed a > c

Re: FLUXLIST: Re: fluxlist address book

If anyone is in the columbus area or if you know where mt vernon is you should take a trip and see my exhibition of sculptures and a good friends paintings. The show will be at the Mount Vernon Nazarene college from april 21st to april 28th. Opening reception will be sunday 2-4 in the Fine arts Ch

Re: FLUXLIST: Re: fluxlist address book

how many covers can one book have? ;) On Fri, 19 Apr 2002, Carol Starr wrote: > i don't know? do you have something to add? > > { brad brace } wrote: > > > *sigh* have we just about covered-it? :0 The 12hr-ISBN-JPEG Project since 1994 + + + serial

Re: FLUXLIST: Re: fluxlist address book

i don't know? do you have something to add? bests, carol ;) { brad brace } wrote: > *sigh* have we just about covered-it? :0 > > /:b -- carol starr taos, new mexico, usa [EMAIL PROTECTED] web: http://laplaza.org/~datastar/index.html

FLUXLIST: Re: fluxlist address book

*sigh* have we just about covered-it? :0 /:b

FLUXLIST: Re: fluxlist address book

hi everyone, lots of mail today and many thanks to those of you who have sent covers for the project. what a wonderful array of creativity and i am so lucky to see all of them in real time. there may be someone who has mailed a cover that i haven't received, if so let me know. here is a list o

FLUXLIST: Re: attn: andy lane

hi andy, i am going through the covers for the address book and you have 6 in your envelope. are they for three books? as extras? please let me know. bests, carol :) -- carol starr taos, new mexico, usa [EMAIL PROTECTED] web: http://laplaza.org/~datastar/index.html

FLUXLIST: Re: Call for entries- Post Postcard 6

http://www.soex.org/ Click on Postcard 6 at bottom of page for details. For those of you who don't know it Southern Exposure is a not-for-profit contemporary gallery in a great (but out of the way) space in San Francisco. -- carol starr taos, new mexico, usa [EMAIL PROTECTED] web: http://lapl

Re: FLUXLIST: Re: FLUXLIST: The Russian Avant-Garde Book 1910-1934 :: MoMA

> here i am last october, carol YEOW!! (...and you got the attachment working::)

Re: FLUXLIST: Re: FLUXLIST: The Russian Avant-Garde Book 1910 -1934 :: MoMA

sorry, didn't mean to send the balloon picture twice. think i'd better shut down. cu, c -- carol starr taos, new mexico, usa [EMAIL PROTECTED] web: http://laplaza.org/~datastar/index.html

Re: FLUXLIST: Re: FLUXLIST: The Russian Avant-Garde Book 1910 -1934 :: MoMA

here i am last october, carol Kathy Forer wrote: > On 4/13/02 10:57 PM, "Jennifer Chiarell" <[EMAIL PROTECTED]> wrote: > > > what's it like to ride in a hot air balloon > > "Ubique Perigrinari € Omniaque Videre" > -- carol starr taos, new mexico, usa [EMAIL PROTEC

Re: FLUXLIST: Re: FLUXLIST: The Russian Avant-Garde Book 1910 -1934 :: MoMA

here i am last october, carol Kathy Forer wrote: > On 4/13/02 10:57 PM, "Jennifer Chiarell" <[EMAIL PROTECTED]> wrote: > > > what's it like to ride in a hot air balloon > > "Ubique Perigrinari € Omniaque Videre" > -- carol starr taos, new mexico, usa [EMAIL PROTEC

Re: FLUXLIST: Re: FLUXLIST: The Russian Avant-Garde Book 1910 -1934 :: MoMA

On 4/13/02 10:57 PM, "Jennifer Chiarell" <[EMAIL PROTECTED]> wrote: > what's it like to ride in a hot air balloon "Ubique Perigrinari € Omniaque Videre"

Re: FLUXLIST: Re: FLUXLIST: The Russian Avant-Garde Book 1910 - 1934 :: MoMA

absolutely wonderful, i go up every october. we arrive before dawn and it is always very cold and then there is all the work of gettting the thing up and ready to go , climb into the gondola and at dawn a mass ascension. up, up and away! closest thing i have found to being inside magic. or like be

Re: FLUXLIST: Re: FLUXLIST: The Russian Avant-Garde Book 1910 - 1934 :: MoMA

what's it like to ride in a hot air balloon - Original Message - From: <[EMAIL PROTECTED]> To: <[EMAIL PROTECTED]> Sent: Saturday, April 13, 2002 9:25 PM Subject: Re: FLUXLIST: Re: FLUXLIST: The Russian Avant-Garde Book 1910 - 1934 :: MoMA > yes, let's do it!

Re: FLUXLIST: Re: FLUXLIST: The Russian Avant-Garde Book 1910 - 1934 :: MoMA

yes, let's do it! i love the moma site -- feels like you're flipping the pages of the books, in hand, almost --- << How about theme or story, then? A day in the life... My first computer... Favorite socks... Biography of another fluxlist member... >>

Re: FLUXLIST: Re: FLUXLIST: The Russian Avant-Garde Book 1910 -1934 :: MoMA

On 4/13/02 6:14 PM, "[EMAIL PROTECTED]" <[EMAIL PROTECTED]> wrote: > we have to remember the diffrence in paper sizes (A4 & us letter) > (in italy i received a press pack to copy with text right to the edges > of the us letter sized sheets - considering that A4 is a bit narrower - > imagine the

FLUXLIST: Re: FLUXLIST: The Russian Avant-Garde Book 1910 - 1934 :: MoMA

kathy, i'll be in! i saw the show just the other day, great stuff. i was so inspired that i came back and made five totally unrelated collages. which was odd - or maybe not. anyway i'd like to do some bookstuff. we have to remember the diffrence in paper sizes (A4 & us letter) (in italy i

Re: FLUXLIST: re: covers/alice klar

hey carol. i'm glad you like them. the covers are digital images printed on transparency film. then i used those good ol' letraset transfers. how i luv those things! let's hear it for doing time in an art supply store - i got ALL the leftover inventory letraset for free along with the little drawe

FLUXLIST: Re: everyone a winner?

>WINE DRINKING PERFORMANCE >(or punch, coffee, pop, whatever) > >1 Select unknowing person to time. >2 Punch stopwatch when they start drinking, sipping, etc. >3 Punch watch when they finish >4 Time at least three people >5. Award prize to slowest and fastest! >- -Don Boyd, April 11, 2002 Wh

FLUXLIST: re: covers/alice klar

hi alice, your covers arrived today and they are really nice. how did you do them? yes i am the person with the new akita though tenshi is now almost 10 months old. your doggie looks like he likes the ocean. aren't dogs great? thanks for your covers. bests, carol :) xxoo -- carol starr taos,

Re: FLUXLIST: Re: Suck Stuck cara

FORdice incomparamble constitiutions of hegemony. Blank and plane in marble tic tacks its found Soggy blank doghnut holes crack and jump into found a heater, wood,framme and baby bottle nipples today --- solipsis <[EMAIL PROTECTED]> wrote: > Three-Titled Episodic Poem > a. Shorn of An

FLUXLIST: Re: Suck Stuck cara

Three-Titled Episodic Poem     a. Shorn of Antidote again     b. The Sparkling Prehensile Beards of Magic Saints     c.  Paleochromatic Proteomic Roulade Song  d.  Quick-Change Artists in the Amber-Trade     Narp's Flaw   Monks' hands to wooden egg placed to orifice of loam (dirt-mout

FLUXLIST: Re: FLUXLIST-digest V3 #153

dan i dont think it's fair if you get a phony fluxus hat, how many do you need? hand over the fluxus hat and the anarchodandyist hat then maybe you'll get a hat. pete ps i want a hat _ Send and receive Hotmail on your mobile dev

Fwd: Re: FLUXLIST: Re: covers

Just dwelling on the past... >X-Authentication-Warning: scribble.com: majordom set sender to >[EMAIL PROTECTED] using -f >Date: Sun, 3 Mar 2002 19:41:46 -0800 (PST) >From: Crispin Webb <[EMAIL PROTECTED]> >Subject: Re: FLUXLIST: Re: covers >To: [EMAIL PROTECTED] &

FLUXLIST: Re: book covers

two new marvelous covers have been sent by: lisa moren and roger stevens thank you! hurry, hurry, hurry, get those covers in the mail bests, carol :) -- carol starr taos, new mexico, usa [EMAIL PROTECTED] web: http://laplaza.org/~datastar/index.html

Re: FLUXLIST: Re: address books

We should send you odd things more often. Did you get both of my address books? I mailed them together... Dan At 06:19 PM 4/2/2002 -0700, you wrote: >hi everyone, > >wow what a great time i had at the post office today! >covers arrived often with other fine things from: > >andy lane >sq

FLUXLIST: Re: address books

hi everyone, wow what a great time i had at the post office today! covers arrived often with other fine things from: andy lane sqot spear nbb julie jeffries reed altemus crispin webb norman sherfield dan holmes thank you one and all. the postman is so intrigued with my mail so you are making so

Re: FLUXLIST: Re: address book

hi ann, here it is from the fool who thought of this. bests, carol :) xoo the size is 3x5 inches of flexible material everyone participating makes a front and back cover. send it to me, be sure to send your address too: (phone number and web site address optional) carol starr p.o. box

Re: FLUXLIST: Re: address book

Ah, illicit cutlery! My favorite kind. M -- >From: Dan Holmes <[EMAIL PROTECTED]> >To: [EMAIL PROTECTED] >Subject: Re: FLUXLIST: Re: address book >Date: Wed, Mar 27, 2002, 10:29 PM > > Don't know; stole it from the university dining hall. > Dan

Re: FLUXLIST: Re: address book

On 3/27/02 8:38 PM, "{ brad brace }" <[EMAIL PROTECTED]> wrote: > I could SuperGlue one > nickel to the facade everyday... (!)(I don't think this has > anything to do with spoons however.)

Re: FLUXLIST: Re: address book

Spoon on the cover... now there's a thought. Dan At 08:51 PM 3/27/2002 -0500, you wrote: ><< On Wed, 27 Mar 2002, Dan Holmes wrote: > > > ... All I've done so > > far is glue a spoon to my desk. >> > >something so essentially CORE fluxus to this; i keep looking at my desk >wondering w

Re: FLUXLIST: Re: address book

Don't know; stole it from the university dining hall. Dan At 08:47 PM 3/27/2002 -0500, you wrote: >No fooling! What kind of spoon? > >M > >-- > >From: Dan Holmes <[EMAIL PROTECTED]> > >To: [EMAIL PROTECTED] > >Subject: Re: FLUXLIST:

Re: FLUXLIST: Re: address book

Dear Carol, I'd like to--for the fools among us, like me, please state dimensions again? and all other necessary-- AK Carol Starr wrote: > hi everyone, > > thought i had best update everyone on our book and it's covers. > > these are the covers i have so far: > > john m. bennett > tom holmes >

Re: FLUXLIST: Re: address book

but maybe it has something to do with covers bests, carol { brad brace } wrote: > On Wed, 27 Mar 2002, Dan Holmes wrote: > > > ... All I've done so > > far is glue a spoon to my desk. > > Which got me thinking... (uhoh) There's this > abandoned/closed US gubbermint Mint Building (Greek t

Re: FLUXLIST: Re: address book

<< On Wed, 27 Mar 2002, Dan Holmes wrote: > ... All I've done so > far is glue a spoon to my desk. >> something so essentially CORE fluxus to this; i keep looking at my desk wondering why there is no spoon glued to it (there might be, hard to know what lurks neath layer after lay

Re: FLUXLIST: Re: address book

No fooling! What kind of spoon? M -- >From: Dan Holmes <[EMAIL PROTECTED]> >To: [EMAIL PROTECTED] >Subject: Re: FLUXLIST: Re: address book >Date: Wed, Mar 27, 2002, 2:14 PM > > Yeah, > I gotta get on that soon. I got overly ambitious, and bought

FLUXLIST: Re: address book

On Wed, 27 Mar 2002, Dan Holmes wrote: > ... All I've done so > far is glue a spoon to my desk. Which got me thinking... (uhoh) There's this abandoned/closed US gubbermint Mint Building (Greek temple edifice with columns, and burrowing, huge rats in the front yard) that I pass by on the way to

Re: FLUXLIST: Re: address book covers

hi crispin, if you want to make more that is just fine. bests, carol :) Crispin Webb wrote: > Hey carol is there a limit on the number of cards i > can send > > Crispin > > __ > Do You Yahoo!? > Yahoo! Movies - coverage of the 74th Academy Awards®

Re: FLUXLIST: Re: address book

oh kathy, will i ever be able to do as well with photoshop?? your site is just great! bests, carol Kathy Forer wrote:I did almost the same thing. > > > > (ain't procrastination grand) -- carol starr taos, new mexico, usa [EMAIL PROTECTED] web: http://laplaza

Re: FLUXLIST: Re: address book

On 3/27/02 2:14 PM, "Dan Holmes" <[EMAIL PROTECTED]> wrote: > Yeah, >I gotta get on that soon. I got overly ambitious, and bought some > tagboard, superglue, exacto knives and a calligraphy pen. All I've done so > far is glue a spoon to my desk. >Dan I did almost the same

Re: FLUXLIST: Re: address book

Yeah, I gotta get on that soon. I got overly ambitious, and bought some tagboard, superglue, exacto knives and a calligraphy pen. All I've done so far is glue a spoon to my desk. Dan At 09:07 AM 3/27/2002 -0700, you wrote: >hi everyone, > >thought i had best update eve

FLUXLIST: Re: address book

oops, i missed one, forgive me ruud. bests, carol, with red face Ruud Janssen wrote: > I'm back on Fluxlist again. Changed E-mail and URL too > > = > Ruud Janssen > Travelling Art Mail / IUOMA > P.O. Box 10388 > 5000 JJ Tilburg - Netherlands > e-mail: [EMAIL PROTECTED] > URL: http://www.

FLUXLIST: Re: address book

hi everyone, thought i had best update everyone on our book and it's covers. these are the covers i have so far: john m. bennett tom holmes benjamin solotaire clemente padin melissa mccarthy rod stasick alex cook sol nte alan bowman going through the posts on the response to the project i find

Re: FLUXLIST: Re: address book covers

Hey carol is there a limit on the number of cards i can send Crispin __ Do You Yahoo!? Yahoo! Movies - coverage of the 74th Academy Awards® http://movies.yahoo.com/

FLUXLIST: Re: chronic reflux

I'd like to have one of these... -Josh Ronsen Willem De Ridder Paper Fluxwork New York, NY: ReFlux Editions. 1990 Synopsis: A series of 14 cards printed with complicated instructions to help you construct impossible paper works. After you've cut here, folded there, and glued here, you eventu

FLUXLIST: Re: address book covers

hi everyone, for all you busy fluxlisters out there making covers please make them out of pliable material as they have to be able to bend a bit from the edge that is bound with cord. hope that makes sense. thanks much, carol -- carol starr taos, new mexico, usa [EMAIL PROTECTED] web: http://la

FLUXLIST: Re: address book

hi everyone, the following have sent their book covers: john bennett tom holmes benjamin solotaire clemente padin melissa mc carthy rod stasick sooo, i hope there are alot more at the post office next week. i had better get busy and make mine.. bests, carol :) oxx -- carol starr taos, ne

FLUXLIST: Re: FLUXLIST-digest V3 #134

hey, i remember reading that nicholas cage actually changed his name as a homage to cage because he dug his philosophy. fairly certain that this was in the new yok times magazine, or rolling stone... = Masquerading as a man, with a reason. Maxwell Fox http://members.tripod.com/renata_ivona/

FLUXLIST: RE: cage

Pete and jason- it sounds like there was a question as to whether Nicholas Cage might be related to John Cage. I am not so sure, but I asume the answer would be no, for Nicholas Cage's last name was really Coppola, as he is indeed Francis Ford's nephew. He was worried about getting parts or rec

RE: FLUXLIST: Re: re yba question

o shares a name with John can't be all bad. Jason -Original Message- From: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED]]On Behalf Of ch 2 Sent: 15 March 2002 10:52 To: [EMAIL PROTECTED] Subject: FLUXLIST: Re: re yba question Jason, Hull! Need I say more? Well obviously, yes. Hull

FLUXLIST: Re: query

i received a lovely package in the mail of a book, .each by  madison morrison with an interview by terry kennedy plus some other wonderful pages by mark sonnenfeld it came from taiwan. if anyone has an address email or smail i would like to write and say thank you. bests, carol   :) oox -- carol

Re: FLUXLIST: Re: re yba question

Jason, sorry I didn't reply straight away. Pete mentioned stuff in Hull, I think there's a lot more in the NorthEast too also nearer home (well my home) is currently Lovebytes digital art festival is going on in Sheffield http://www.lovebytes.org.uk/2002/ also there are the Video Pos

FLUXLIST: Re: re yba question

Jason, Hull! Need I say more? Well obviously, yes. Hull has loads of time based stuff going on, due to huge grants being handed out for the arts... part of some cultural rejuvination of the city, the only problem is no one comes to see it appart from a small in-bred crowd of hull types and stu

Tr: FLUXLIST: Re: by the by...

> > > but i really liked barbara cartland, bertrand > You mean, as an author? ... > There is another nice word in French, maybe with the same origin : > Tintamarre, which describe an astounding noise, but done vith an intention > (like a military orchestra tuning > their instruments, or like Flux

FLUXLIST: Re: by the by...

> but i really liked barbara cartland, bertrand You mean, as an author? ... -- ha ! no, i meant i liked your choice but she did have something compellingly grotesque about her visage nez pas tintamarre - mmm, good word, same root origin the word is prettier than what it describes maybe a mil

Re: FLUXLIST: Re: by the by...

> but i really liked barbara cartland, bertrand You mean, as an author? ... There is another nice word in French, maybe with the same origin : Tintamarre, which describe an astounding noise, but done vith an intention (like a military orchestra tuning their instruments, or like Fluxus artists pla

Re: FLUXLIST: Re: whitney biennial

be a fluxlist theoros! a traveler to witness the products of perception... - Original Message - From: <[EMAIL PROTECTED]> To: <[EMAIL PROTECTED]> Sent: Friday, March 08, 2002 1:12 PM Subject: Re: FLUXLIST: Re: whitney biennial > I plan on going next week so I will

Re: FLUXLIST: Re: whitney biennial

I plan on going next week so I will look around for them. Benjamin

FLUXLIST: Re: whitney biennial

in the article in the ny times that i forwarded there is the following: does anyone know what FLUXUS ingredient they are referring to? (snip) And those ingredients are? In no particular order: technology, the underground, ghosts, self-invented systems, rock 'n' roll, Fluxus, robotics, comics, Ca

FLUXLIST: Re: by the by...

>Isn't "tintinnabulation" from Edgar Allen Poe's "The Bells"? >"...and the tintinnabulation that so musically swells from the bells..." >Noisily, >Melissa great quote, melissa. it comes from the latin tintinnare to tinkle from tinnire to ring think of tinnitus (ringing in the ears) t

FLUXLIST: Re: FLUXLIST-digest V3 #120

I'm back on Fluxlist again. Changed E-mail and URL too = Ruud Janssen Travelling Art Mail / IUOMA P.O. Box 10388 5000 JJ Tilburg - Netherlands e-mail: [EMAIL PROTECTED] URL: http://www.iuoma.org __ Do You Yahoo!? Yahoo! Sports - sign up for

Re: FLUXLIST: Re: covers

I once used math to harvest six traffic cones from the left side of my studio. --- Carol Starr <[EMAIL PROTECTED]> wrote: > oh alan, > > is 7.62x12.7 the correct answer? > > from carol who is s bad at math. > > bests, xxoo > > alan bowman wrote: > > > > > > > FLUXLIST ADDRESS BOOK

Re: FLUXLIST: Re: covers

it is, according to my super-advanced-centimeter-and-inch-ruler... did i already tell you my address?? xomaaike --- On Sun 03/03, Carol Starr <[EMAIL PROTECTED]> wrote: > oh alan, > > is 7.62x12.7 the correct answer? > > from carol who is s bad at math. > > bests, xxo

Re: FLUXLIST: Re: covers

oh alan, is 7.62x12.7 the correct answer? from carol who is s bad at math. bests, xxoo alan bowman wrote: > > > > FLUXLIST ADDRESS BOOK > > > > the size is 3x5 inches and the deadline is > > 01 april. > > what's that in centimetres? > > sheepish grins and best wishes from > > the f

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