At 21:13 on 19 Aug 2016, David Kastrup wrote:
>Mark Knoop writes:
>> Hi Mats,
>>
>> How does the attached look to you? Note I have moved the
>> Keep_alive_together_engraver to the GrandStaff level so that the vln
>> I and vln II groups can work independently.
Keep_alive_together_engraver to the GrandStaff level so that the vln I
and vln II groups can work independently. The problem now is making the
system start braces cooperate.
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\version "2.19.40"
viI = \relative c'' {
\repeat unfold 8 { c4 d e d | }
\tag #'
At 20:18 on 16 Aug 2016, Mark Knoop wrote:
>At 12:13 on 16 Aug 2016, tisimst wrote:
>>A great example (better and more likely to happen than mine)! Maybe
>>you'll be able to check this item off you wish-list soon!
>
>Thanks both for those. I probably won't do
thoughts if you have
them.
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b.ly
as another use of the engraver.
Many thanks for your input.
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ithoutrepeat >> }
\markup "desired \unfoldRepeats in all staves"
\score { \unfoldRepeats << \withrepeat \desired >> }
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custom context to achieve this.
Note this currently doesn't work well in a frenched score as the
MarkLine context can't know if the staves below it are still alive.
However I have just submitted a potential fix for this, see here
https://codereview.app
; needs to be straightened out.
>
>LilyPond. Check the front page of the website.
$ git grep LilyPond Documentation/ | wc -l
11154
$ git grep Lilypond Documentation/ | wc -l
329
$ git grep "Lily Pond" Documentation/ | wc -l
2
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s phenomenon seems to occur for any "book" past the first one.
>
>This phenomenon did not occur in v2.19.38.
>
>Is there a fix? Is this a bug?
Seems to be fixed in git. I think it was issue 4918.
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ride VerticalAxisGroup.remove-layer = 1
%\override VerticalAxisGroup.remove-layer = #'()
%\override VerticalAxisGroup.remove-layer = ##f
} { \bars }
\new Staff = "brass" \with {
\override VerticalAxisGroup.remove-layer = ##f
} { \brass }
\ne
t;should use a tweak except when I try the above in the Tweak syntax, I
>get an error. Thanks!
Well, you don't mention what you tried. This seems to work:
{
r1\fermata
-\tweak TextScript.stencil #(make-stencil-boxer 0.1 0.3
ly:text-interfa
y reset
>ever, or (additionally) to only reset when explicitly instructed)?
\paper {
reset-footnotes-on-new-page = ##f
}
will do the first. I'm afraid I can't help with the other points.
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lilypon
Thanks David,
At 15:01 on 23 Apr 2016, David Kastrup wrote:
>Mark Knoop writes:
>> On upgrading to 2.19.32, one of my regular functions no longer works.
>> It seems that a single number as the first argument is now accepted
>> as a number-list whereas before it was not and t
2,3,4 4 ##t 4/4
% not specifying first argument no longer works
\myFunction 4 4/4
}
I suspect this is related to commit
2a66e23f356503ef916d51efa3f00cae5958dc48
Issue 4811/1: Allow property paths as scalars and in assignments
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from it, so that
>in my example the 'b' would actually be absolute b''. How would one do
>this without creating a new \relative expression?
\resetRelativeOctave
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detailed treatment of piano pedalling
in Chapter 11 (page 333 and onwards) Ped is left aligned as Kieren
states.
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At 15:04 on 24 Mar 2016, Mark Knoop wrote:
>At 09:29 on 24 Mar 2016, Kieren MacMillan wrote:
>>> In all of Gould's examples, it's more the "e" that's centered on the
>>> notehead.
>>
>>We must have different Goulds: not only are all
if this is relevant to your current work on this, but it would
be great to have a global override to create beams over rests WITHOUT
having to manually enter them. The implementation would need quite some
thought as to the kind of parameters needed, e.g. maximum-rest-value,
minimum-beam-
At 17:15 on 12 Jan 2016, Werner LEMBERG wrote:
>> b) have *no* beamlets at all and let the subdivision be calculated
>>as usual (fourth attachment)
>
>This is what I prefer.
>
+1. Gould seems to always use stemlets with beamlets when the beam
count
This could perhaps replace a
substantial part of your OpenLilyLibRepo class.
[1] http://www.pygit2.org/
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\layout {
indent = 0
ragged-right = ##t
}
}
}
#arg
}
#})
{ c' \metroMark 8 " = 56" }
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thtones.ly:58:1: warning: Could not find glyph-name for alteration
>11/8
>
>eisqq
>eighthtones.ly:59:1: warning: Could not find glyph-name for alteration
>3/2
>
>eisis
>eighthtones.ly:56:1: warning: Could not find glyph-name for alteration
>9/8
>
>eisiq
>
>On
lude "microtonal.ily"
{ cesqq' eiq'' geseq' biseq'' }
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microtonal.ily
Description: Binary data
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ar 8
> c'2.
>}
I use the attached which is from this thread from a couple of years
ago. Thanks to Keith OHara.
https://lists.gnu.org/archive/html/lilypond-user/2013-12/msg01296.html
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alignTo.ily
Description: Binary data
_
ustainOff\sustainOn g, c2
\bar "|."
}
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Thanks to Jan-Peter's lalily, I now have a working solution, attached.
At 09:05 on 09 Jul 2015, Mark Knoop wrote:
>Thanks Jan-Peter,
>
>I'll take a look at this and post back if I make any progress.
>
>Cheers,
>
>Mark
>
>At 09:21 on 09 Jul 2015, Jan-Peter Voi
n't expect anybody to extract this from lalily, as this might
>be quite frustrating. But if you like, you can see, if the use of
>lalily conceptually does, what you want. And perhaps there will be
>times, when I am able extract this to openlilylib.
>
>Cheers,
>Jan-Peter
>
>A
ffect
\header { piece = "Movement 2" }
\repeat unfold 400 d'1
}
}
\bookpart {
\score {
% setting piece here has no effect,
% even without a bookpart level header
\header { piece = "Movement 3" }
\repeat unfold 400 e'1
on is, to make this effective globally, where is
>the proper place to put this pair of commands?
I generally put these in a top-level layout block:
\layout {
\context {
\Voice
tupletFullLength = ##t
\override TupletBracket.full-length-to-extent = ##t
}
}
Note that in a l
At 10:15 on 12 Jun 2015, Damian leGassick wrote:
>Dear all
>
>I need to set this tremolo:
>
{
\time 3/4
r4 \scaleDurations #'(2 . 1) \repeat tremolo 4 { e'''!64 c'''! } r4
}
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l
ed the instructions here:
>>http://www.lilypond.org/doc/v2.19/Documentation/usage/configuring-the-system-for-point-and-click#extra-configuration-for-evince.
>>
>>But it didn't help.
>
>Same with me (evince on Debian/Gnome). I've given up on this long time
>ago.
>3) a b c d e f g
This (and more) is possible with http://gillesth.free.fr/Lilypond/extractMusic/
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;
>Any suggestions would be appreciated.
See _Notation Reference 1.2.5 Bar lines_ for the \defineBarLine command.
You should define and use a barline that is false except for the end of
line.
\defineBarLine "" #'("|" #f #f)
\repeat unfold 50 { c'1 \bar "" }
-
ng.
>>Can't say more without compilable code, though.
>>Cheers,
>> Harm
>
>
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At 18:06 on 09 May 2015, Mark Knoop wrote:
>Not sure if this qualifies as a bug, but it's a little unexpected and
>annoying. Using an empty chord to attach markup with full-bar rests
>seems to change the spacing of the bars, the bar with the <> is
>significantly shorter. Usi
ched to R1 }
c'1
\repeat unfold 16 c'16
}
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playing pitches -
Automatic accidentals, and choose your preferred accidental style.
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At 19:58 on 13 Apr 2015, Mark Knoop wrote:
>At 13:59 on 13 Apr 2015, Kieren MacMillan wrote:
>>The “presentation layer” comprises, in part, choices that must be made
>>to physically represent the content on the page, given the page
>>geometry, clarity considerations, etc. In
the context. See
http://lilypond.1069038.n5.nabble.com/How-to-extract-the-current-time-signature-td170857.html
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\version "2.18.2"
\include "openlilylib"
\include "editorial-tools/edition-engraver/definitions.ily"
\editionMod score 5 0/8 score.Staff.A \set
tation-snippets/shaping-bezier-curves
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iner?
Perhaps the merge-rests-engraver in OLL is adaptable?
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values of Beam.damping.
Documentation/internals/beam.html
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efine str 5)
\markup
\pad-markup #.5 \halign #-1.3
\combine
\draw-line #`(,str . 0.5)
\draw-line #`(,str . -0.5)
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rkup { \hcenter-in \foo Violin }
> } { ... }
>
>... or equivalent?
Just write #foo. Or even #(+ foo 3), #(/ foo 2.735),
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is in the same bar for the purpose of
accidentals. It's not a "natural" barline so you need to tell
LilyPond where it is in the bar. Before \bar "|", add the line:
\set Timing.measurePosition = #(ly:make-moment 4/4)
and all will be well without forcing any accidentals.
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At 17:14 on 25 Mar 2015, MarcM wrote:
>thanks that helped: http://lilybin.com/tvja0h/3
Interesting that moving the fingering alters the tie position also. It
doesn't look like the tie would have collided with the fingering in the
tie's default position.
-
strina taken from an edition which tries
>transforming the original in sort of modern notation.
That is an interesting case. It would seem to me that ideally there
should be two properties (perhaps three?) to control this behaviour for
notes, rests and multimeasure rests
At 15:43 on 24 Mar 2015, Kevin Barry wrote:
>On Tue, Mar 24, 2015 at 2:38 PM, Mark Knoop wrote:
>
>> { \time 2/4 c'4 c'1 c'4 } % 3 bars, 2nd of which is empty
>>
>> { \time 2/4 c'4 c'2 c'4 } % 2 bars, neither of which is empty
>>
>
At 12:31 on 24 Mar 2015, Kevin Barry wrote:
>On Tue, Mar 24, 2015 at 9:01 AM, Mark Knoop wrote:
>>>>At 18:16 on 23 Mar 2015, Mark Knoop wrote:
>>>Barlines disappear when skipBars is true and a note duration
>>>continues over the bar. I don't think this
-size "b4" 'portrait)
}
}
\book {
\bookOutputName "part_2"
\score { ... }
\paper {
#(set-paper-size "b4" 'portrait)
}
}
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At 23:42 on 23 Mar 2015, Kevin Barry wrote:
>On Mon, Mar 23, 2015 at 6:16 PM, Mark Knoop wrote:
>> Barlines disappear when skipBars is true and a note duration
>> continues over the bar. I don't think this should happen.
>
>It is consistent with the IR definition of the
At 20:08 on 13 Mar 2015, Marc Hohl wrote:
>Am 13.03.2015 um 19:32 schrieb Mark Knoop:
>> Hi,
>>
>> I'm trying to make a function to add a glissando to the last note of
>> a music expression. I've got to a version which works with simple
>> music
c'
\addGliss \mynotes c'
% doesn't work with more complex music
%\addGliss \relative c' { c d e } c
%\addGliss \transpose c e \relative c' { c d e } c
}
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Articulations are Script objects. Their properties are described
more fully in Script.
Cynthia, perhaps you could suggest a way to make this easier to find?
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.18.0"
#(define-markup-command (smallish layout props text) (markup?)
"Not quite as small..."
(interpret-markup layout props
#{\markup \override #'(font-size . -0.5) { \normal-text #text }#}))
\markup \small "test"
\m
where. They can mostly be guessed from the
similar \markup commands:
\markup \small "text" == #(make-small-markup "text)
etc.
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x27;quoted-music-name what
'quoted-music-clef clef
'quoted-voice-direction dir
'quoted-transposition pitch))
So your usage will be:
\transposedCueDuringWithClef #"flute Mvmnt 1" #1 a "bass" { r2 }
(Do you really want the flute cu
c-name what
'quoted-music-clef clef
'quoted-voice-direction dir
'quoted-transposition (ly:make-pitch 0 0)))
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;upper"
d''
\ottava #1 e' f'\fermata] \ottava #0
<>_\markup "workaround"
\change Staff = "lower"
c8[
\change Staff = "upper"
d''
\once \override Staff.OttavaBrack
>lower = \relative {
> \clef bass
>
> s2
>}
>
>\score {
> \new PianoStaff
> <<
> \new Staff = "upper" \upper
> \new Staff = "lower" \lower
> >>
>}
>
>Is there any way to tweak the ottava height? Or is this a b
At 20:10 on 02 Aug 2014, David Kastrup wrote:
>Mark Knoop writes:
>
>> Through experimentation I have discovered that tweaks are effective
>> in quoted cues, however overrides do not work. It is possible to make
>> overrides work by adding StreamEvent to quotedCueEve
At 20:10 on 02 Aug 2014, David Kastrup wrote:
>Mark Knoop writes:
>
>> Through experimentation I have discovered that tweaks are effective
>> in quoted cues, however overrides do not work. It is possible to make
>> overrides work by adding StreamEvent to quotedCueEve
Score
quotedCueEventTypes = #'(
; default events
note-event rest-event tie-event beam-event tuplet-span-event
; additional events
;StreamEvent ; this works, but also adds dynamics and slurs
)
}
}
}
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ection. You'll see there is a property
"expand-limit" which controls the number of bars at which Kirchenpausen
become a simple line rest. You can change this default (10) with:
\override MultiMeasureRest.expand-limit = #3 % or the number you want
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_
t *compilable* examples (version statement must be quoted,
and music within braces).
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cal impression but the feature is still there.
For some reason (presumably to slightly exaggerate the effect) the
example in the essay includes:
\override NoteSpacing.stem-spacing-correction = #0.6
as opposed to the default of #0.5. Might it be a good idea for the
feature to be illustrated with t
up containing encapsulated postscript to create old
>French clavecin ornaments which have to have a low
>outside-staff-priority despite being textScript).
Since both events happen at the same moment in time, you have to use
tweak.
\version "2.18.0"
\score {
{
<>-\twea
eCounter.font-size = #1
}
}
\new Staff {
\repeat unfold 8 { c'4 }
\time 5/4
\repeatBars 40 { d' e' f' g' a' }
\time 4/4
\repeat unfold 8 { c'4 }
\break
\time 5/4
\repeatBars 40 { d' e' f' g' a' }
\time 4/4
\repeat
g_translator
}
}
\score {
{
<<
\new Staff {
c'1
c'1
\repeat volta 2 { c'1 }
}
\new Staff {
\repeat volta 2 { c'1 }
c'1
c'1
}
>>
}
}
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d need something like raise the dashes
>by 0.2 ...
Try a number like #-0.5 instead of #CENTER
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gt;- is it possible to tweak
> - the attachment of the first dash to the text and
TextSpanner.bound-details.left.padding = #-0.5
> - the vertical position of the dashes (i.e. raise
> it a little bit relatively to the text)
TextSpanner.
At 09:57 on 05 Feb 2014, Mark Knoop wrote:
>I'm making a music function below to automatically create a repeat
>structure. It's useable at the moment, but there are a couple of
>improvements that could be made - any suggestions for these would be
>very helpful.
>
>1.
c4 d e f }
\repeat unfold 4 { c1 }
}
\score { \new Staff { \removeWithTag #'score \music } }
\score { \new Staff { \removeWithTag #'part \music } }
%
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uplets.
>
>Musically the example is interestingly uncharacteristic (no clear
>motivic item in two whole systems!). But let me guess: Is this from
>"Mazeppa"?
Yes, and interestingly in this edition the rfz in the second system is
misplaced. It should be on the LH octave.
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this a bug or just unexpected behaviour on a border-case which
>doesn't occur in real music? ;)
Yes, it's a bug, the cause of which was discussed recently in this
thread:
http://comments.gmane.org/gmane.comp.gnu.lilypond.devel/56456
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There seems to be a bug - see attached screenshot. Key signatures are
inserted always as if in treble clef rather than appropriate to the
selected clef.
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such a function? I suppose
I just need to get the positions of the two noteheads and draw a thick
line in between.
Many thanks,
Mark
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At 16:03 on 16 Oct 2013, David Kastrup wrote:
>Mark Knoop writes:
>
>> Is there any way to use a variable in a \markup \override?
>
>That has nothing to do with LilyPond, but rather with Scheme.
>
>> gap = 5
>> bskip = #'(baseline-skip . 5)
>
>
/stencil.scm:70:24:
Wrong type argument in position 6 (expecting number): gap
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At 08:50 on 11 Oct 2013, James Worlton wrote:
>On Fri, Oct 11, 2013 at 8:29 AM, Mark Knoop wrote:
>
>> Hi all,
>>
>> I'm using partcombine and am looking for a way to add a text marking
>> when automatic combining starts. It seems the Part_combine_engraver
>&
nce). Any ideas?
Minimal example:
\version "2.17.27"
partone = \relative c' {
c d e f g a b^"combineText" c d e r r
}
parttwo = \relative c' {
r r e f r r g a d e f g
}
\score { <<
\new Staff { \partone }
\new Staff { \parttwo }
\new Staff <<
urePosition" with \bar "|"
3. your line "\new staff" is wrong and gives a warning - change this to
"\new Staff"
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ic-script pocoMarkup)
{ <<
\repeat unfold 32 { c''16 }
{ s4\< s4 s4 s4 s4\!\poco\> s4 s4 s4\! }
>> }
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idi output. i.e. just append to
your file something like:
\score {
<<
{ s1*4 \VoiceMusic }
{ \PianoRHMusicIntro \PianoRHMusic }
{ \PianoLHMusicIntro \PianoLHMusic }
>>
\midi { }
}
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the intervening
Staffs. Then, for example when the brass are all not playing on one
page, I get two rehearsal figures without a staff in between.
Is it possible to get the Dynamics contexts to be aware of when the
intervening staffs have been removed?
Minimal example attached and any thoughts
27;16 }
\new Score \with {
} {
<< \music \sixteens >>
}
\new Score \with {
% bar number set high to accentuate the problem
currentBarNumber = #200
barNumberVisibility = #(every-nth-bar-number-visible 1)
\override BarNumber.break-visibility = #end-of-line-invisible
} {
<
At 10:50 on 08 Apr 2013, Orm Finnendahl wrote:
>Am Montag, den 08. April 2013 um 08:47:45 Uhr (+0100) schrieb Mark
>Knoop:
>>
>> If you can send me that script and documentation I'll include it in
>> the git repo.
>
>ok, here you go:
Updated now at https://git
At 20:36 on 07 Apr 2013, Orm Finnendahl wrote:
>Hi Mark,
>
>Am Sonntag, den 07. April 2013 um 16:48:14 Uhr (+0100) schrieb Mark
>Knoop:
>>
>> https://github.com/markk/textedit-ly
>
>Thanks that was really helpful (especially the "apparmor" part! Ubun
t;documentation.
https://github.com/markk/textedit-ly
Cheers, M
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Mark Knoop
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There is now a new version of this in Python which should work better
for most people. Now configurable to your favourite editor.
https://github.com/markk/textedit-ly
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Mark Knoop
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https
e this. Gnome 3 no longer uses the
gconf key, it's now actually a little easier. I've put the info and
necessary files here:
https://github.com/markk/textedit-ly
Let me know if this works for you.
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be.com/watch?feature=player_detailpage&v=Sh03YXzvDF4#t=89s
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e B double flat is
notated first, I think wrongly. (And with awful spacing in this
Sibelius produced image.)
http://en.wikipedia.org/wiki/File:Db_minor_key_signature.png
I believe the initial B-flat is optional.
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Mark Knoop
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\alternative {
{ g, f | }
{ g g | }
> }
> \bar "|."
>}
>
>\score {
> \new Staff { << \Upper \\ \Lower >> }
> \layout { }
>}
>===
and all will be well.
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c4\stopTextSpan
> | c4 c4 c4 c4
> \nebenstimme
> | c4\startTextSpan c4 c4 c4
> | c4 c4 c4 c4\stopTextSpan
>}
>
>%%%
This is very nice, but unfortunately repeats the symbols at line
breaks, which is not ideal. To avoid this, you probably want to add:
\once \override TextSp
to the terminal
>window and the new file is empty.
Output is to stderr, so:
lilypond -dshow-available-fonts x 2> show-available-fonts.txt
should do the trick.
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ary accidentals here:
http://lilypond.org/doc/v2.14/Documentation/notation/writing-pitches#accidentals
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Mark Knoop
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pening bar is
> printed \hideNotes \grace { d8\5\glissando } \unHideNotes
> fis4\5 d fis\5 d |
> %% bar 21
> fis4\5 d fis\5 d |
See "Known issues and warnings" here:
http://lilypond.org/doc/v2.12/Documentation/user/lilypond/Special-rhythmic-concerns#Grace-notes
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M
till don't know how to correct the second quarter note (steven's
>suggestion gives beaming by eight notes, that i don't find
>satisfactory).
>
>i know i saw once a solution to this, but i can't find where...
\set bas
anywhere but the middle line mainly in
>Baroque music and earlier.
The tenor clef (on the 4th line) is very common in cello, bassoon,
trombone music.
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