> From: "Bernd Haegemann" <[EMAIL PROTECTED]>
> Date: Wed, 16 Mar 2005 00:03:44 +0100
> To: "Lutelist"
> Subject: viola da gamba [OT]
>
> dear lutenetters,
>
> on sunday I visited a little castle in Westfalia where surprisingly I found a
> a small exposition room with musical instruments. (No
dear lutenetters,
on sunday I visited a little castle in Westfalia where surprisingly I found a
a small exposition room with musical instruments. (No lute, though.)
But something that I would think is a viola da gamba (violoncello size),
7 strings, very nicely decorated with ivory and mother of p
My three original respondants all bowed out without seeing the instrument, its
a
good one folks, honest :-/
NO CASE NO CASE NO CASE
NO PHOTOS NO PHOTOS NO PHOTOS
MADE BY: Black Bird Music
8c, Venere style, 59 cm string length, gut stringing at a=440 is possible.
Currently _strung_ in nylon, ne
And then there is "one" (whatever the meaning of "one" might be) by
Francis Cutting -- Julian Bream plays it on "The Woods so Wild" sandwiched
between "da-di-da didi-da"s; it's in the Noad Renaissance guitar book ...
Peter.
On 15 Mar 2005, "Mathias Rösel" wrote:
> > I just know the one that 'eve
the second one should read
3 1 2 2 2 2 2 1 1 3 1 2 2 2 2 43 1 2 2 2 2 2 1 1 2 1 1 1
e f e e | d b g a b | c b c c | h g# E || e f e e | d b g a b | c b a
g#
1 1 11 1 2 2 2
a b g# | a a e c# a
As I said, both are trebles for the passamezzo ground that was popular
aroun
> I just know the one that 'everyone' plays, da-di-da didi-da di da,
> didi-da-di-da didi-da-di-da, etc., that one.
I suppose you think of
2 4 2 3 1 2 4 2 4 2 3 1 2 2 2 2 4 2 4
a | c d | e f e | d b | g | a b c | d e c | b g# |E
(1 = quaver, 2 = crotchet, 3 = dotted crotch
Roman Turovsky wrote:
> His name was A(dalbert?) Noney-Moose. He had a farm where Rayne's Park now
> stands.
And here I thought it was Hey Nonny Mouse, but maybe that was the other
one? ;-)
More seriously, as far as I know the first reference is in the
Stationers Register for 1580. There is a
Hi Mathias,
That there are two versions is also news to me. I just know the one that
'everyone' plays, da-di-da didi-da di da, didi-da-di-da didi-da-di-da, etc.,
that
one. If there are two versions, who wrote them, or are they both, as RT
wittily suggests, anon? Cheers
Tom Beck
--
To get on
> I do have a question, the old chestnut, I know, but is it known who wrote
> Greensleeves?
please specify which one. I've across at least two different tunes or,
rather, grounds which bore that name.
--
Cheers,
Mathias
--
To get on or off this list see list information at
http://www.cs.dartm
>
> I do have a question, the old chestnut, I know, but is it known who wrote
> Greensleeves? Some say Henry VIII, another says Dowland (that one was new to
> me,
> not that it signifies a great deal), and other countless candidates have been
> named. I've looked in Grove, on the web, and asked a
>> My view is that it is most likely a guitar
guitars have shallow bodies, by definition, or so I'm told. Whatsoever
this is, it is not a guitar.
>> (or rather late 19thC german lute/guitar) conversion direct from a
lute.
wandervogel lutes (if that is what you meant to say) have single
strings,
Dear Collected Wisdom,
I turn to you once again after long silence, mainly dictated by my total
ignorance of much of what you talk about. I found the 'little finger'
discussion
most interesting, as I have never come to terms with using it, my fingers
simply being too short to stretch as requir
> My view is that it is most likely a guitar (or rather late 19thC german
> lute/guitar) conversion direct from a lute. There are numerous examples of
> 18thC Colachons/mandoras (see Gill et als) and leaving aside the obvious
> guitar conversion features (eg bridge, rose) it looks pretty atypical (
My view is that it is most likely a guitar (or rather late 19thC german
lute/guitar) conversion direct from a lute. There are numerous examples of
18thC Colachons/mandoras (see Gill et als) and leaving aside the obvious guitar
conversion features (eg bridge, rose) it looks pretty atypical (eg
I don't know about omi but most of it is edited by the german publisher
Trekel who have a web page.
It's divided into several publications. All of them edited by Joachim
Domning.
(among them the complete works by Hagen, Falckenhagen which are omited from
the augsburg collction and he also sep
A few people have asked me about the 18th century chamber music. Von
Huene charges $60.00 for it, but Steve at OMI facsimiles charges $48.00.
Heres the link
http://www.omifacsimiles.com/
BTW, Roman whats in the Augsburg MS. Does OMI carry it?
Michael Thames
www.ThamesClassicalGuitars.com
Dear Michael,
Thank you for posting. Please see comments below.
Best regards,
Marion
-Original Message-
From: Michael Thames <[EMAIL PROTECTED]>
Sent: Mar 15, 2005 6:34 AM
To: "Dr. Marion Ceruti" <[EMAIL PROTECTED]>
Cc: Lute List
Subject: Re: Bent peg box
>Michael
>Were the old swan n
>Michael
>Were the old swan necks repaired or left in their >deformed
>state, assuming it is possible to tell this from looking at >it?
Marion,
I personally drew up some plans of the Yale Jauch, and noticed the
extension was in absolute perfect playable condition. There were other
problem
Some nice new pieces on my website:
4 different intabulations of a song by Claude de Sermisy by da crema,
newsiedler, phalese and waissel. Original song has also been included. This
must have been a hitparade piece in the 16th century.
Pieces are in the open abctab format and in postscript.
http
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