Am 2 Sep 2003 um 21:39 hat Rainer aus dem Spring
geschrieben:
> Anybody will acccept donations.
>
> Unforunatly they do NOT always accept orders.
> Some time ago I tried to order several microfilms form the
> Staatsbiliothek.
>
> They simply told me I can't buy them all.
>
> Who do these peop
Seems to be a matter of taste and anyway: Who are you to say what's
worth surviving and what not?!
Thomas
Rainer aus dem Spring schrieb am 02.09.2003:
>[EMAIL PROTECTED] wrote:
>
>> I find Stewart McCoy's discussion fascinating. His distinction
>between
>> primary sources and the sometimes cruc
[EMAIL PROTECTED] wrote:
> Dear all,
>
> while we're at it, I would like to once again point out that
> the Bavarian State Library in Munich will gratefully take
> donations that aim at certain lute manuscripts and books. See
> http://www.lautengesellschaft.de/bedroht.html for further
> expla
[EMAIL PROTECTED] wrote:
> I find Stewart McCoy's discussion fascinating. His distinction between
> primary sources and the sometimes crucial value of secondary sources when they
> preserve evidence of notations recently lost is important. As an art conservator
> specializing paintings in the
Dan Heiman wrote:
> I have recently encountered a distressing problem with a recording --
> although it is only about 15 years old, it will no longer play in any of
> the players in my possession. The CD, disk 1 of Monteverdi's Second
> Vespers for Santa Barbara done by the Sixteen (with Nigel No
the local authority, who neglected the building as it fell
into disrepair. Eventually they pulled the building down (in the
1950's), and built a school on the site. Goodness knows what
happened to the contents of the house, including the lute book. As
with the Welde Lute Book, we have a tantalising r
I find Stewart McCoy's discussion fascinating. His distinction between
primary sources and the sometimes crucial value of secondary sources when they
preserve evidence of notations recently lost is important. As an art conservator
specializing paintings in the museum field I deal with these ma
rt McCoy geschrieben:
> Dear All,
>
> My point about the Welde Lute Book is that some pages of the
> original manuscript have been repaired with the old-fashioned method
> of gauzing, that is covering flimsy paper with a thin sort of material
> (gauze) to strengthen and protect it.
tings.
There is some confusion in what people have in mind with the words
"primary source". A primary source for me is the one-and-only
original manuscript, e.g. the Welde Lute Book owned by Lord Forester
at Willey Park, Shropshire, which I looked at last Friday. A
secondary source mi
Dear All,
My point about the Welde Lute Book is that some pages of the
original manuscript have been repaired with the old-fashioned method
of gauzing, that is covering flimsy paper with a thin sort of
material (gauze) to strengthen and protect it. The trouble is that
reading anything on a gauzed
Hi Daniel, et al
Point taken regarding digital media going out of date. I was not
suggesting relying on lute-tablature saved this way. Merely to print ones
own legible paper copy to perform from, with as much of the ornamentation
as can be gleaned from the original, even if it happens to be o
ly seems good reason to make yourself some
>> new
>> performing copies of 'original' sources, in Fronimo, Django,
>> Stringwalker,
>> or whatever tab-setting program you prefer, before they become too
>> illegible with use, fade, or discolour.
>>
>&
gram you prefer, before they become too
> illegible with use, fade, or discolour.
>
> Save and protect your primary sources.
>
> Best Wishes
>
> Ron (UK)
>
> Stewart McCoy wrote
>
> I had fun yesterday playing music from the Welde Lute Book. The
> stave lin
Stewart McCoy wrote:
> Dear All,
>
> I had fun yesterday playing music from the Welde Lute Book. The
> stave lines are so faint you can hardly see them. There are lots of
> solos at the start of the book, but no-one ever got round to
> copying out any songs. Pity really.
ct your primary sources.
Best Wishes
Ron (UK)
Stewart McCoy wrote
I had fun yesterday playing music from the Welde Lute Book. The
stave lines are so faint you can hardly see them. There are lots of
solos at the start of the book, but no-one ever got round to
copying out any songs. Pity really. If
Dear All,
I had fun yesterday playing music from the Welde Lute Book. The
stave lines are so faint you can hardly see them. There are lots of
solos at the start of the book, but no-one ever got round to
copying out any songs. Pity really. If you have an old photocopy or
microfilm, hang on to it
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