From: Mark Roberts
Steve Cottrell wrote:
On 4/3/13, Postmaster, discombobulated, unleashed:
The job of the foley artists is to provide the sound the audience
expects - or whatever will emphasize the action on screen - not
provide *real* sounds. That's why we get spaceships making whooshing
so
> From: PDML [mailto:pdml-boun...@pdml.net] On Behalf Of Mark Roberts
>
> Steve Cottrell wrote:
>
> >On 4/3/13, Postmaster, discombobulated, unleashed:
> >
> >>The job of the foley artists is to provide the sound the audience
> >>expects - or whatever will emphasize the action on screen - not
> >
Steve Cottrell wrote:
>On 4/3/13, Postmaster, discombobulated, unleashed:
>
>>The job of the foley artists is to provide the sound the audience
>>expects - or whatever will emphasize the action on screen - not
>>provide *real* sounds. That's why we get spaceships making whooshing
>>sounds in the v
On 4/3/13, Postmaster, discombobulated, unleashed:
>The job of the foley artists is to provide the sound the audience
>expects - or whatever will emphasize the action on screen - not
>provide *real* sounds. That's why we get spaceships making whooshing
>sounds in the vacuum of space and handguns m
From: John Francis
On Mon, Mar 04, 2013 at 11:42:49AM -0600, Charles Robinson wrote:
On Mar 2, 2013, at 12:41 , Bruce Walker wrote:
2. Why do radio and TV ads depicting camera shutter presses still
insert the sound effect for a film-era motor drive? Wake up you
ad-creating doofuses!! It's not
On 04/03/2013 11:09 PM, knarftheria...@gmail.com wrote:
Yes.
Spaceships "whoosh!"
And when they whoosh you can see the stars zip by them in a near 3D effect.
Despite the fact that in reality the nearest star is light years away and the
stars would appear far away and not moving through the sk
is in fact whooshing through the cosmos as we speak - at
least it better be!).
cheers,
frank
--- Original Message ---
From: Postmaster
Sent: March 4, 2013 3/4/13
To: "Pentax-Discuss Mail List"
Subject: Re: OT - two unrelated complaints
Charles Robinson wrote:
>On Mar 2, 2013, at 12:4
Charles Robinson wrote:
>On Mar 2, 2013, at 12:41 , Bruce Walker wrote:
>>
>> 2. Why do radio and TV ads depicting camera shutter presses still
>> insert the sound effect for a film-era motor drive? Wake up you
>> ad-creating doofuses!! It's not 1995.
>
>The sound-effect for most every digital c
The worst offenders are the NCIS and Law & Order series. To me it's not the
shutter sound that grates, it's the motor drive film advance that drives me
nuts (except for the older reruns).
That, and basic camera handling technique, like not moving an inch in any
direction, yet firing off 3 or 4
On Mon, Mar 4, 2013 at 5:12 PM, Bob W wrote:
>> From: PDML [mailto:pdml-boun...@pdml.net] On Behalf Of Charles Robinson
>> >
>> > 2. Why do radio and TV ads depicting camera shutter presses still
>> > insert the sound effect for a film-era motor drive? Wake up you
>> > ad-creating doofuses!! It's
On Mon, Mar 04, 2013 at 11:42:49AM -0600, Charles Robinson wrote:
> On Mar 2, 2013, at 12:41 , Bruce Walker wrote:
> >
> > 2. Why do radio and TV ads depicting camera shutter presses still
> > insert the sound effect for a film-era motor drive? Wake up you
> > ad-creating doofuses!! It's not 1995
> From: PDML [mailto:pdml-boun...@pdml.net] On Behalf Of Charles Robinson
> >
> > 2. Why do radio and TV ads depicting camera shutter presses still
> > insert the sound effect for a film-era motor drive? Wake up you
> > ad-creating doofuses!! It's not 1995.
> >
>
> The sound-effect for most every
On Mar 2, 2013, at 12:41 , Bruce Walker wrote:
>
> 2. Why do radio and TV ads depicting camera shutter presses still
> insert the sound effect for a film-era motor drive? Wake up you
> ad-creating doofuses!! It's not 1995.
>
The sound-effect for most every digital camera (including cellphones)
From: Mark Roberts
David Mann wrote:
On Mar 3, 2013, at 7:41 AM, Bruce Walker wrote:
1. Why do forms that expect a credit card number reject spaces?
When you enter a credit card number in an online ordering form, it
would make sense to enter the groups of digits with spaces between so
you ca
On Sun, Mar 03, 2013 at 06:11:07AM -0800, Aahz Maruch wrote:
>
> Similarly, if you're only allowing US addresses, you don't need the state
> if you're getting the ZIP codes (ZIP codes cross every single legal
> boundary in the US except states AFAIK). But the cross-check is still
> useful.
I bel
That's contradiction.
Dan Matyola
http://www.pentaxphotogallery.com/danieljmatyola
On Sun, Mar 3, 2013 at 6:22 PM, mike wilson wrote:
>> Sorry, this is arguments.
>
> No, it isn't.
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On 03/03/2013 10:06, Steve Cottrell wrote:
On 2/3/13, Bruce Walker, discombobulated, unleashed:
I have complaints about two things that are unrelated except that
there's nowhere useful to complain about them, so I'll unload here.
Sorry, this is arguments.
No, it isn't.
--
No fixed Adobe
>
> How about when they ask you what type of credit card you are using when
> in actuality, the first digit of the number denotes the card type?
> Norm
>
redundancy is an important aspect of verifying user input. Something can be
valid but still wrong, so an element of redundancy helps to detect
True - it's a pain if you have to scroll far enough to get to a state
that begins with a letter toward the end of the alphabet. OTOH, most
lists will get you in the ballpark by hitting the first letter of the
state you want. I can get to Wisconsin usually with three taps of the "W".
-p
On 3
On Sun, Mar 03, 2013, Norman Baugher wrote:
>
> How about when they ask you what type of credit card you are using
> when in actuality, the first digit of the number denotes the card
> type?
Although you're right in this particular case, I'm somewhat sympathetic
to the desire for "check digits" in
How about when they ask you what type of credit card you are using when in
actuality, the first digit of the number denotes the card type?
Norm
On Mar 2, 2013, at 1:41 PM, Bruce Walker wrote:
> I have complaints about two things that are unrelated except that
> there's nowhere useful to complain
David Mann wrote:
>On Mar 3, 2013, at 7:41 AM, Bruce Walker wrote:
>
>> 1. Why do forms that expect a credit card number reject spaces?
>> When you enter a credit card number in an online ordering form, it
>> would make sense to enter the groups of digits with spaces between so
>> you can easily
On Mar 3, 2013, at 5:08 PM, Aahz Maruch wrote:
> As a programmer myself, agreed except for that very last point. I mean,
> the form as a whole shouldn't clear, but it's arguable (though not an
> argument I'm going to have on this list ;-) that clearing the credit card
> number is a requirement f
On 2/3/13, Bruce Walker, discombobulated, unleashed:
>I have complaints about two things that are unrelated except that
>there's nowhere useful to complain about them, so I'll unload here.
Sorry, this is arguments.
--
Cheers,
Cotty
___/\__Broadcast, Corporate,
|| (O) |Web Video
On Sun, Mar 03, 2013, David Mann wrote:
> On Mar 3, 2013, at 7:41 AM, Bruce Walker wrote:
>>
>> 1. Why do forms that expect a credit card number reject spaces?
>> When you enter a credit card number in an online ordering form, it
>> would make sense to enter the groups of digits with spaces betwe
On Mar 3, 2013, at 7:41 AM, Bruce Walker wrote:
> 1. Why do forms that expect a credit card number reject spaces?
> When you enter a credit card number in an online ordering form, it
> would make sense to enter the groups of digits with spaces between so
> you can easily see if you got them right
ker
Sent: March 2, 2013 3/2/13
To: Pentax Discuss Mailing List
Subject: OT - two unrelated complaints
I have complaints about two things that are unrelated except that
there's nowhere useful to complain about them, so I'll unload here.
1. Why do forms that expect a credit card number reject
I have complaints about two things that are unrelated except that
there's nowhere useful to complain about them, so I'll unload here.
1. Why do forms that expect a credit card number reject spaces?
When you enter a credit card number in an online ordering form, it
would make sense to enter the gro
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