Re: [313] groove la chord
PS2. From: Roberto Ty [EMAIL PROTECTED] To: [EMAIL PROTECTED],313@hyperreal.org Subject: Re: [313] groove la chord Date: Wed, 03 Jan 2001 14:40:27 -0500 What is Midnight Club? PS2 or 1? laura gavoor [EMAIL PROTECTED] - 1/3/01 7:40 PM That's because it was. That track amongst other Transmat records were licensed for soundtrack use on the Playstation II game called Midnight Club available now. Hippy New Year!! Logavo From: * ani * [EMAIL PROTECTED] To: 313 313@hyperreal.org Subject: [313] groove la chord Date: Wed, 3 Jan 2001 14:37:47 -0500 ok, maybe i've celebrated too much for new year's, but i could have sworn that i heard aril brikha's 'groove la chord' playing in the background of a video game commercial. anyone else see this? ani record time [EMAIL PROTECTED] www.recordtime.com ph 810.775.1550 fax 810.775.5830 icq# 33610265 want to be on the record time mailing list? send an email message from the address you want to subscribe with subscribe in the subject - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Get your FREE download of MSN Explorer at http://explorer.msn.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Get your FREE download of MSN Explorer at http://explorer.msn.com
peacefrog
does anyone have the contact details for peacefrog? Thanks _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
RE: [313] Alton Miller In Perth
Here's what it says about Alton Miller... Alton Miller did not attract a huge crowd at any time during his set of three hours. Was this due to his name being relatively unknown? In any case, he played a variety of music, from flowing groovy house to breaks to harder tech-house. Added comments: he is known, it's just that it wasn't pushed in a big way and to the right crowd (due the late addition??) and he needs to play East Coast (ie Melbourne Sydney) too to get that love. The house/deep house/tech-house scene is really blowing up here now. I saw Alton play NYE. It was a bit weird in that there must have been around 10,000 people at this gig - 4 floors of tunes: 1) trance/hard house and breaks, 2) techno, 3) house, 4) drum n bass - Perusing each of the floors, it quickly became apparent what the people were here for: trance, followed by techno and drum 'n bass. The house room was next to empty when we arrived (just before midnight), but after spending a couple of minutes in the other rooms we were more than happy to relax in the space and enjoy some quality music. Alton came on around 12:30 and although a few more people got on the dancefloor, the crowd remained very sparse. In a word, his set was funky. Lots of smooth, deep house, some vocals, some groovy breaks and some classic disco stuff. The DJ booth was very close to the dancefloor which allowed those of us on there to really feel Alton's vibe which was very relaxed - dancing, clapping hands, big smile. I thoroughly enjoyed his set as did the handful of others on and around the dancefloor. Now as to why there was hardly anyone there in the house room to see Alton. He was a late inclusion on the bill, but I can honestly say this has little or nothing to do with it. Cyclone's right, the whole gig wasn't pushed to the sort of crowd who would normally go and see Alton play. I mean tickets were around $100 each for 10 - 15 international DJs, but when there's only one out of that bunch that you know you'll enjoy, what's the point? This would be a good time to say I won free tickets to this, and wouldn't have gone otherwise ;-) Respect, and a belated happy new year to one and all 313'ers. JasonB
OT: Performing Live With A Laptop
Sorry about the off topic thread, but the tech-gear list has been way too quiet lately and I'm in a bind: Does anyone have experience using a laptop (particularly a Mac Powerbook) in a live setting/performance? It's coming down to the wire for me - I'll need to take my machine out in March and make folks move, but I'm a bit freaked. Never done this before... Please respond privately, and I apologize again for the bandwidth use. Jorge _ Get your FREE download of MSN Explorer at http://explorer.msn.com
Re: [313] OT: Performing Live With A Laptop
On Wed, Jan 03, 2001 at 10:35:09PM -0500, Jorge Velez wrote: Does anyone have experience using a laptop (particularly a Mac Powerbook) in a live setting/performance? It's coming down to the wire for me - I'll need to take my machine out in March and make folks move, but I'm a bit freaked. Never done this before... I've done a grip of live shows with a laptop and they've all gone off without a hitch, but I do use a PC (which would imply less stability unless you're using an old Mac OS)... I've also seen a lot of people use Macs live (running Max/MSP or Reaktor usually). Just do a few practice sets at home to make sure you're comfortable with the software and don't think it will crash if you run it for an hour+ straight. -- :: atomly :: [EMAIL PROTECTED] | [EMAIL PROTECTED] | [EMAIL PROTECTED] http://www.atomly.com | http://www.mp3.com/atomly
RE: [313] my favorites of 2000
You´re not alone on this one, i liked ´Dein Schweiss´ a lot to! Even so ´ein waggon voller geschichten´ by Sven Väth is a big rocking track! Martijn -Oorspronkelijk bericht- Van: FC3 Richards [mailto:[EMAIL PROTECTED] Verzonden: woensdag 3 januari 2001 6:10 Aan: 'marsel' CC: '313@hyperreal.org' Onderwerp: RE: [313] my favorites of 2000 i read this and wonder if i was the only one who liked Sven Vath's Dien Shwiess (spelling is way off there) abum. i know i did. JEFF! -Original Message- From: marsel [SMTP:[EMAIL PROTECTED] Sent: Tuesday, January 02, 2001 6:54 AM To: 313@hyperreal.org Subject: [313] my favorites of 2000 ten twelves___ seiji - second nature (bitasweet) aardvarck feat. wladimir m. - spoken (rushhour) aztec mystic - jaguar-mayday remix (430west) duplex - ep 3 (clone) newworldaquarium - theme from.. (delsin) pub - summer pt. 1 (vertical form) seiji - into the now (2000black) aardvarck - non spoken (delsin) nubian mindz - forgotten parts (archive) kdj - The thief that stole.. (kdj) ten albums__ moodymann - forevernevermore (peacefrog) millsart - every dog has its day (axis) metamatics clatterbox - project unison (neo ouija) various - 2000black the goodgood (2000black) jeff mills - every dog has it's day, vol. 2 (axis) the detroit escalator co. (peacefrog) le car - auto-biography (ersatz audio) theo parrish - parallel dimensions (sound signature) cim - reference (focus) nubian mindz - new world chaos (archive) robert hood - nighttime world vol. 2 (m-plant) ___ _ http://www.forcefield.org :: mindless entertainment _ _ http://nortroute.net :: weekly internet broadcast __ - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
nighttime world vol. 2
just fyi i spotted it on vinyl 3x12 - m plant fine stuff ___ _ http://www.forcefield.org :: mindless entertainment _ _ http://nortroute.net :: weekly internet broadcast __
Re: [313] OT: Performing Live With A Laptop
i play regularly with a mac powerbook using max/msp software. highly recommended. i use a doepfer pocket controller in combination with a peavey 1600x. Twerk At 10:35 PM 1/3/01 -0500, you wrote: Sorry about the off topic thread, but the tech-gear list has been way too quiet lately and I'm in a bind: Does anyone have experience using a laptop (particularly a Mac Powerbook) in a live setting/performance? It's coming down to the wire for me - I'll need to take my machine out in March and make folks move, but I'm a bit freaked. Never done this before... Please respond privately, and I apologize again for the bandwidth use. Jorge _ Get your FREE download of MSN Explorer at http://explorer.msn.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
i like tek house
sorry for the spam to all outside SA anywhere interesting in Adelaide to go on a fri/sat night to listen to some funky tek house beats? ab
Re: [313] OT: Performing Live With A Laptop
Jorge Velez wrote: Sorry about the off topic thread, but the tech-gear list has been way too quiet lately and I'm in a bind: Have a CDR looping of some original (ambient/easily mixable?) stuff in a CD-walkman nearby, plugged into the mixer. Rehearse fading it in smoothly without flipping out on stage when your machine locks (like it will, at the worst possible moment). Practice recovering your set from a sudden crash as quickly as possible (get someone to reset your machine while you are playing and see how you deal). If you are playing from a PC it's amazing how many people presume you aren't doing anything much and come and start yakking on about this amazing program called Rebirth that you should check out, or the latest motherboard they got or whatever. Ignore them, or have a sh-101 or something out in view so they know you are playing music and won't get in your face.
Re: [313] land of oz??
FC3 Richards wrote: anything going on in Melborne from the 17th -19th?? or sydney from the 21st to the 25th??? what are the good clubs there?? i need some good info on that sort of thing, being a foreighner and all. thanks http://www.beat.com.au/ has some info available for melbourne - there is a printed version of this plus another paper called Inpress that has whats on. These are available in a lot of clubs, cafes, music shops etc. I haven't been out much at all recently, but DJs I like that play around town are: DJ Toupee Jeff Tyler Damian Laird Jason Digby Jase Knipe DJ Pixelton
Where have the mighty 'spotters gone? (was Happy Records ID)
Surely somebody can answer this, or have a suggestion? 'Tis driving me mad that I can't remember the vocal line that would give it away. I'll put it another way, what are your favourite tracks on Happy? Or, to be even more general, Mad Mike produced House tracks? Or, hypothetically, what do you reckon Stacey Pullen's favourite Mad Mike produced house track is? And seeing as I remember it really well from before, it might be on a mix that is available either on the net or on CD. I am pretty sure it was on Happy, as it looked like that logo from afar, but I'm not 100% sure. It isn't Yolanda's Children of the world; Happy Trax I or IV or Unit 2's Sunshine. Go on, you can do it guys and girls... Jonny. The guy after Kenny Dixon Jr. at the Transit NYE party played a track on Happy Records (I think, judging from the label) that I have heard before and loved. I have now forgotten the vocal line which would give away the name but I am sure I have heard Stacey Pullen play it before. It's exactly the kind of track he was playing aroun 96/97. Any ideas at all? I know what it isn't on Happy, by what I have: Unit 2 Sunshine, Yolanda's Children of the world, Volume 4 are all I can think of that I have actually, but there is 1 more... I can't find any discography for the label, though, which would help.
Re: [313] dodgy mixing
--- darw_n [EMAIL PROTECTED] wrote: he was still desperately listening to his headphones (with both ears...) He might have been desperately listening, but I just want to point out that there are DJ's that listen to nothing but headphones. Yeah, me included... I find it pointless to do one ear mixing when you can switch between channels within the headphones. Some people find mixing in the headphones difficult... Everyone does it differently... I know ppl that just use the channel faders and not the crossfader to mix... Nick (Dj Pacific:) __ Do You Yahoo!? Yahoo! Photos - Share your holiday photos online! http://photos.yahoo.com/
Re: [313] check this out!
Thnx. You're right about the part. the homepage-URL is: www.xs4all.nl/~sanren - Partyguide with Detroit Techno minded input (needs updating..) - Detroit Techno links - Audio-section - Tools-downloads L. - Original Message - From: TB50 [EMAIL PROTECTED] To: DJ Laurenz [EMAIL PROTECTED]; 313@hyperreal.org Sent: Thursday, January 04, 2001 2:20 PM Subject: Re: [313] check this out! Nice mixes Laurenz !! Another source for your page should be www.frequencydetroit.com. p.s.: your page looks like a part of a site?? - Original Message - From: DJ Laurenz [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Wednesday, January 03, 2001 4:50 PM Subject: [313] check this out! http://listen.to/detroit-techno-mixes new sources are very welcome!! Thx. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] dodgy mixing
I never quite got that, mixing with the faders... its slow and inaccurate.. specially those dateq tables...u need a bike to mix in a tune... crossfading is the essence of a sparkling mix! 154
Re: [313] Traffic (off topic bandwith)
if ever an opinion was not expressed without clarity this is probably the case with this one. 145
Re: [313] Traffic (off topic bandwith)
mysterious diana :-) - Original Message - From: [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Thursday, January 04, 2001 3:09 PM Subject: Re: [313] Traffic (off topic bandwith) : : : if ever an opinion was not expressed without clarity this is probably the case : with this one. : : 145 : : : : - : To unsubscribe, e-mail: [EMAIL PROTECTED] : For additional commands, e-mail: [EMAIL PROTECTED] :
Re: [313] Traffic (off topic bandwith)
okay, so perhaps the only that understood me on that was myself. I'll give Jochem two bonus points for humor. To be more clear and to go into depth a bit... I thought the casting for this movie was well done. Though it was bumper to bumper celebrities, IMO they were each placed in roles that suited and challenged them. I thought the overall message that i got from the movie was something that I really grabbed onto, as its been a personal view of mine for a long, long time. BUT I don't want to give much of the movie away or give pre stated, concrete views into the topic or movie's message and ruin it for other people. And yes, that is still vague- but I think the less you know about this movie and the more you form your own thoughts about it, the more impact it will have. So, on that note- all i can say is I highly suggest Traffic as it has to do with a topic that has been discussed a little bit on this list and much with in the subculture we all exist in. Sorry if that all seems pointless, I think once you see the movie you'll understand. ok...that's enough off topic. sorry. d --- [EMAIL PROTECTED] wrote: if ever an opinion was not expressed without clarity this is probably the case with this one. 145 - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] __ Do You Yahoo!? Yahoo! Photos - Share your holiday photos online! http://photos.yahoo.com/
Re: [313] dodgy mixing
Including Jeff Mills and Dave Clarke ;) Christian Bloch www.mp3.com/bloch Tresor/LL/Deep Night Essentials/Simple Muzik/Funque Droppings/Set.Go - Original Message - From: Nick Walsh [EMAIL PROTECTED] To: darw_n [EMAIL PROTECTED] Cc: 313@hyperreal.org Sent: Thursday, January 04, 2001 2:37 PM Subject: Re: [313] dodgy mixing I know ppl that just use the channel faders and not the crossfader to mix... Nick (Dj Pacific:)
RE: [313] Traffic (off topic bandwith)
Well I know nothing about the film, but the website is very cool and enigmatic: http://www.trafficthemovie.com A very techno web-site, just to keep it somehow on topic! (nice little loops not a million miles from some Transmat material) Dan http://www.geocities.com/Paris/1267/index.html http://www.mp3.com/DanButler -Original Message- From: diana potts [SMTP:[EMAIL PROTECTED] Sent: Thursday, January 04, 2001 2:23 PM To: enlighten Subject: Re: [313] Traffic (off topic bandwith) okay, so perhaps the only that understood me on that was myself. I'll give Jochem two bonus points for humor. To be more clear and to go into depth a bit... I thought the casting for this movie was well done. Though it was bumper to bumper celebrities, IMO they were each placed in roles that suited and challenged them. I thought the overall message that i got from the movie was something that I really grabbed onto, as its been a personal view of mine for a long, long time. BUT I don't want to give much of the movie away or give pre stated, concrete views into the topic or movie's message and ruin it for other people. And yes, that is still vague- but I think the less you know about this movie and the more you form your own thoughts about it, the more impact it will have. So, on that note- all i can say is I highly suggest Traffic as it has to do with a topic that has been discussed a little bit on this list and much with in the subculture we all exist in. Sorry if that all seems pointless, I think once you see the movie you'll understand. ok...that's enough off topic. sorry. d
The Jones Girls and Moodymann
313, I was listening to a tape with a jones girls track on it.. the bass line was very reminiscent of I can't kick this feeling. can anyone confirm/deny this?? i know the vocal is from chic, but the bass line is just too similar to the jones girls. tan... -- graham [tan] wilson - i do because i couldn't care less [EMAIL PROTECTED] [EMAIL PROTECTED] http://fnord.fishwerx.org/tan
[OT sort of] Fwd: psy trance
Hi ppl, Don't mean to be a bore but I got this the other day. Backs up my statement that goa/psy is a direct descendant of heavy metal... I dunno how this guy got my email or found out about the discussion but he sent it to me all the same... Check it... I won't be posting anymore about this subject tho even if God himself mails me with more evidence... L8r, Nick (Dj Pacific:) --- james [EMAIL PROTECTED] wrote: From: james [EMAIL PROTECTED] To: 'Nick Walsh' [EMAIL PROTECTED] Subject: psy trance Date: Thu, 28 Dec 2000 12:40:22 - Nick, For those friends of those believe you about the links between psy trance and hard rock I suggest you play them Martin Freeland (aka Man With No Name)'s stuff as No God. Much of the current influence went through the Israeli industrial scene of the late '80s but the metal influence is constant through the lot. Listening to any Astral Projection tracks off Trust In Trance should persuade your mates. Also you might not know but most of the original Return To The Source lot were heavy metallers before discovering E. The name comes from a psychedelic rock/thrash metal band three of the key members (I can't remember which ones but I reckon Stevie was one of them) were in. I hope this gives you the ammo you need Regards, James Kendall Freelance Journalist DJmag [EMAIL PROTECTED] www.audiostreet.com 01293 40 20 40 psy trance is for life not just for christmas __ Do You Yahoo!? Yahoo! Photos - Share your holiday photos online! http://photos.yahoo.com/
MAKING traffic ON topic
(Thanks Diana for giving me a window) About a month ago, perhaps talking about the Juan Atkins is on crack bullshit rumor, I think I posted something to the effect that I didn't think that drugs should be associated either implicitly or explicitly with the dance music scene. Though no one cussed me out, a couple of people disagreed with me in various degrees. I didn't address their disagreements, because looking at the message I'd originally sent, I sounded like an old fuddy-duddy. Like somebody's daddy. WellI happen to BE somebody's daddy! ;) But furthermore, it seems that there are at least two distinct dance cultures...at least in Detroit. One scene deals with weedif it deals with drugs at all. The other scene deals with ecstasy and other substances. I've only attended the former functionsnever the latter. For me, the music was all I needed to get high. I guess what I am interested in is the root of the difference. Is it age? Is it the way the population became aware of the music? What? peace lks
glenn underground and boo williams *tonite*
beatdown.com Welcomes Chicago House Legends... Glenn Underground and Boo Williams (Nitelife Collective, Strictly JazzUnit) also, Special Birthday Celebrations for Detroit's own House Icons... Mike Agent X Clark (PlanetE Records, Beatdown.com) and Mike Huckaby (Deep Transportation, Harmonie Park Records) This Thursday 1/04/01 - 9pm OneX Warehouse Michigan Ave., 1/4 east of Jeffries Fwy. Happy Birthday Dj Mike Clark!! beatdown.com, Thursdays at OneX for more info, email [EMAIL PROTECTED] - ani :) record time [EMAIL PROTECTED] www.recordtime.com ph 810.775.1550 fax 810.775.5830 icq# 33610265 want to be on the record time mailing list? send an email message from the address you want to subscribe with subscribe in the subject
Re: [313] MAKING traffic ON topic
i think in the past people used to go out to listen to music and perhaps to take some drugs. today, many of my generation go out to take drugs and perhaps to listen to some music. peter - Original Message - From: Lester Kenyatta Spence [EMAIL PROTECTED] : (Thanks Diana for giving me a window) : : About a month ago, perhaps talking about the Juan Atkins is on crack : bullshit rumor, I think I posted something to the effect that I didn't : think that drugs should be associated either implicitly or explicitly with : the dance music scene. : : Though no one cussed me out, a couple of people disagreed with me in : various degrees. I didn't address their disagreements, because looking at : the message I'd originally sent, I sounded like an old fuddy-duddy. : Like somebody's daddy. : : WellI happen to BE somebody's daddy! ;) : : But furthermore, it seems that there are at least two distinct dance : cultures...at least in Detroit. One scene deals with weedif it deals : with drugs at all. The other scene deals with ecstasy and other : substances. I've only attended the former functionsnever the latter. : For me, the music was all I needed to get high. : : I guess what I am interested in is the root of the difference. Is it age? : Is it the way the population became aware of the music? What? : : : peace : lks : : : - : To unsubscribe, e-mail: [EMAIL PROTECTED] : For additional commands, e-mail: [EMAIL PROTECTED] :
RE: [313] MAKING traffic ON topic
Stop this before it turns into a boring drugs thread again [EMAIL PROTECTED] -Oorspronkelijk bericht- Van: [EMAIL PROTECTED] [mailto:[EMAIL PROTECTED] Verzonden: donderdag 4 januari 2001 18:10 Aan: Lester Kenyatta Spence CC: enlighten Onderwerp: Re: [313] MAKING traffic ON topic i think in the past people used to go out to listen to music and perhaps to take some drugs. today, many of my generation go out to take drugs and perhaps to listen to some music. peter - Original Message - From: Lester Kenyatta Spence [EMAIL PROTECTED] : (Thanks Diana for giving me a window) : : About a month ago, perhaps talking about the Juan Atkins is on crack : bullshit rumor, I think I posted something to the effect that I didn't : think that drugs should be associated either implicitly or explicitly with : the dance music scene. : : Though no one cussed me out, a couple of people disagreed with me in : various degrees. I didn't address their disagreements, because looking at : the message I'd originally sent, I sounded like an old fuddy-duddy. : Like somebody's daddy. : : WellI happen to BE somebody's daddy! ;) : : But furthermore, it seems that there are at least two distinct dance : cultures...at least in Detroit. One scene deals with weedif it deals : with drugs at all. The other scene deals with ecstasy and other : substances. I've only attended the former functionsnever the latter. : For me, the music was all I needed to get high. : : I guess what I am interested in is the root of the difference. Is it age? : Is it the way the population became aware of the music? What? : : : peace : lks : : : - : To unsubscribe, e-mail: [EMAIL PROTECTED] : For additional commands, e-mail: [EMAIL PROTECTED] : - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] OT:laptop-take backup
I hate the idea of doing shows with laptops, but then again its more compact. I have the infinit need to have the gear in front of me. something about all the knobs and sliders. I do however utilize a sampler to capture sounds from devices i dont want to take out live. But all my beats, i create improve style on the fly, like jazz. then my assistant tracks my moves with the synths. I would be concerned of crashes with computers. What the hell do you do if its not working? I dont worry about having that problem, if one piece is malfunctioning, i skip it and move on. with the computer, if it is rendered defective, your in a world of danger. I suggest taking one drum machine and a speak and spell along with a bleep device. then if your computer crashes you will be forced to create a new sound. sometimes, what was not expected, is the key to evolution. :non-compliant :rhythm device manipulator _ Get your FREE download of MSN Explorer at http://explorer.msn.com
Re: [313] MAKING traffic ON topic
I saw a behind the scenes thing on TV last night. Apparently, the writer, and Steven Soderbergh were trying to provide an interesting template on which to formulate your own opinions about drugs, etc. Personally, I think the drugs discussion doesn't yield many good results on this list, as everyone already has their own opinions and/or habits. Maybe we should all just see Traffic and make/keep our own opinions. Personally, I can't wait. It looks phenomenal and Soderbergh is a master craftsman. Tristan --- Jorge Velez [EMAIL PROTECTED] wrote: i think in the past people used to go out to listen to music and perhaps to take some drugs. today, many of my generation go out to take drugs and perhaps to listen to some music. peter A valid point. I also, going back to Lester's question, think the particular drugs that are used owe more to an age difference. The few places I go to here in NY - mainly deep/tracky house nights - cater to an older crowd (late 20's to mid-30's) who prefer drinking or toking than being off their heads on E or K. I also don't see anyone crashed out in front of the speakers on these nights, whereas it's still a common sight at some of the bigger techno nights. Though that seems to be changing, too (for the better). E in NY at the moment appears to be more the party drug of choice for those who didn't grow up in / with dance culture. I know less and less people who grew up with this culture who continue to use it. Jorge ++- SUNRUNNERS - continuous mix by DJ Swingsett featuring new tracks by yours truly as DUERMO, DJ SPINNA, JAYMZ NYLON, TWILIGHT CIRCUS, DJ SWINGSETT/J WARRIN and others - out NOW *www.ismrecords.com* _ Get your FREE download of MSN Explorer at http://explorer.msn.com - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] __ Do You Yahoo!? Yahoo! Photos - Share your holiday photos online! http://photos.yahoo.com/
Re: [313] Where have the mighty 'spotters gone? (was Happy Records ID)
Right, I reckon you're all crap and I am the mightiest of them all. Just to confirm, though, was the track Mad Mike did with Davina on Happy (I know it is also on Soul City, but it came out much earlier than I thought Soul City has been around to allow for)? Go on, redeem yourselves... ;) Jonny.
Re: [313] Where have the mighty 'spotters gone? (was Happy Records ID)
Title : Don't you want it :) one of my favorites on Happy/Soul City I think most people overlook much of Mad Mikes house projects. Another of my favorites are the instrumental and dub of Lift me up by Paula McPheirson on Night Groove Records circa '94. Just one of the many side labels from UR/Submerge. Still bumps whenever I bust it out. Sweet sweet music. David Cooper - Original Message - From: Jonny McIntosh [EMAIL PROTECTED] To: 313 mailing list 313@hyperreal.org Sent: January 4, 2001 1:25 PM Subject: Re: [313] Where have the mighty 'spotters gone? (was Happy Records ID) Right, I reckon you're all crap and I am the mightiest of them all. Just to confirm, though, was the track Mad Mike did with Davina on Happy (I know it is also on Soul City, but it came out much earlier than I thought Soul City has been around to allow for)? Go on, redeem yourselves... ;) Jonny. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Where have the mighty 'spotters gone? (was Happy Records ID)
Title : Don't you want it :) one of my favorites on Happy/Soul City That's what I needed to hear! Thanks David. My faith in 313 restored by super-dc ;) Take care all, I'm outta here... Jonny.
Re: [313] OT: Performing Live With A Laptop
i just recently started performing live dance music - and it took me a while to get things scaled down to where i could bring out just the laptop. anyway - now i use my old powerbook g3/250 running supercollider 2.2.10 with a peavey 1600x midi controller. sample at: www.soundmangle.com/mp3s/longlivejammin.mp3 all randomly generated rhythm/pitch/sound patterns that are controlled in real time... i spent about 3 months programming in supercollider (www.audiosynth.com) to be able to do this. max/msp and reaktor are also good options for live interactive performance... peace ben -- ben milstein aka mintyfresh www.soundmangle.com - your home for experimental dance music...
Re: [313] dodgy mixing
wait, are we talking about using levels vs. cross faders? If so, I would strongly disagree, using the levels is far more precise, and what to do if using three tables? I find cross faders to be way inaccurate... darw_n create, demonstrate, toneshift... search for djdarwin on napster www.sphereproductions.com www.mannequinodd.com www.mp3.com/darw_n - Original Message - From: [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Thursday, January 04, 2001 5:52 AM Subject: Re: [313] dodgy mixing I never quite got that, mixing with the faders... its slow and inaccurate.. specially those dateq tables...u need a bike to mix in a tune... crossfading is the essence of a sparkling mix! 154 - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
DEMF 2001
Any information about the next DEMF? Chloé Sasson marketing promo coordinator - [EMAIL PROTECTED] Inertia distribution ph: 61 2 9698 0111 fx: 61 2 9698 0888 www.inertia-music.com
