Re: [313] an observation
i saw it at recordtime, but its obviously long gone. good luck finding it. if you do, let me know :) kyle On Fri, 26 Jan 2001, Scotto wrote: > were did you see it? and do they have online ordering. I did the samw thing > you did a few months ago I have orange and thaught yello was the same. it > turns out richie made that track for a party he threw in '97 for halloween > and it rare, hard to find, they pressed 1000 copies! > > Scott Laakso --- > --- i maj'in > http://www.mp3.com/i_majin > > > - Original Message - > From: Kyle J Dupuy <[EMAIL PROTECTED]> > To: <313@hyperreal.org> > Sent: Thursday, January 25, 2001 11:03 PM > Subject: [313] an observation > > > > > > a few months back someone posted to the list requesting a description of > > richie hawtin's minus yellow. i believe the only response that was posted > > was like, "pretty boring - sounds just like minus orange," or something to > > that effect. a couple weeks later i came across it in a record bin but > > didn't pull it out, recalling what i had heard about it. recently i've > > borrowed a copy from a friend and have grown quite fond of it, and i get a > > kick out of the samples from ferris beuller. plus there are some pretty > > nice locked grooves that are good dj tools: you can go from one side of > > orange to a yellow locked groove, and then flip orange (its the same bpm) > > to the other side and quickly mix it in. sounds pretty good IMO. so now > > i'm quite wishing i had picked up that copy i saw in the record bin. just > > goes to show ya. . . > > > > kyle > > > > > > - > > To unsubscribe, e-mail: [EMAIL PROTECTED] > > For additional commands, e-mail: [EMAIL PROTECTED] > > > > >
Re: [313] attn: digital duds
man...I am getting so tired of this crap...people need to get over their elitist complexes...I use vinyl, I will always use vinyl, I -prefer- vinyl to other mediums, I have used cd decks along with vinyl in sets, if I wanted to do a cd set I would...it doesn't matter what you use as long as you get the job done...if the crowd was jumpin' when you did your thing, then you did it right, and that should be the end of the story, no one is better then anyone else for any damn reason, everything has it's own difficulty, everyone should just accept that and look for the finished piece of "art" the performer is putting forth, not how he does it, the end product is what matters... josh23 --- [EMAIL PROTECTED] wrote: > > ill go up next to anyone with these cd inventions > and well play out the real issue-who got the crowd > groovin, whos having a good time. you just have to > buy the plane ticket:> > > you'll go up against hawtin and acquaviva and their > "cd inventions?" > > sounds good, I'm sure it'll be the end-all, be-all > litmus test of which is > the superior medium. > > chris > > > - > To unsubscribe, e-mail: > [EMAIL PROTECTED] > For additional commands, e-mail: > [EMAIL PROTECTED] > __ Do You Yahoo!? Yahoo! Auctions - Buy the things you want at great prices. http://auctions.yahoo.com/
Re: [313] attn: digital duds
> ill go up next to anyone with these cd inventions and well play out the real > issue-who got the crowd groovin, whos having a good time. you just have to > buy the plane ticket:> you'll go up against hawtin and acquaviva and their "cd inventions?" sounds good, I'm sure it'll be the end-all, be-all litmus test of which is the superior medium. chris
attn: digital duds
we just threw a house party for all our friends and i caught a conversation that i always find enertaining. i was hooking up the tape deck and while i was down there attatching rca cables i was listening in on a guy who who goes to school w/ me who is a cd dj at a goth club downtown explain to his girlfriend how much more difficult it is to dj with cds and how records really suck because they skip and have pitch control problems and some other technical justifications that i didnt understand. she asked him if that was why he wasnt djing. he said well, you know, i guess im just not cool enough to play with this crowd, besides, i wasnt invited. actually, he wasnt with djing dae + me because i would never spend some of the most enjoyable hours of my week with someone who thinks like a football player. weve been doing house parties for friends for too long and have spent too much time together for that. he is missing the point of a house party, or any party. so we were using an amp w/ a blown channel. everyone WAS having fun. i dont see him out there throwing parties, or having a good time. this is where i see the "argument". some people are out there bangin records and having a good time while others are out on a playing field trying to come out with a victory. theres too much stress in living for me to carry that into djing. its not about not the choice of equipment or method of madness. sonic excellence is a luxury, thats all. ill go up next to anyone with these cd inventions and well play out the real issue-who got the crowd groovin, whos having a good time. you just have to buy the plane ticket:>
+HONEWDEW* BUZZ 02.16.01
FRIDAY, FEBRUARY 16, 2001: HONEYDEW Special Admission: $22 all night Advance tickets go on sale, Saturday, January 20, 2001. You must be 19 years of age or older w/ a valid, government-issued, photo I.D. Please do not purchase a ticket if you do not meet the age requirements. To purchase advance tickets please call: 202-432-SEAT (ticketmaster) 202-338-5638 (Yoshitoshi shop in Georgetown) To purchase advance tickets online: www.ticketmaster.com Tickets will also be sold on the door. We recommend that you purchase tickets in advance to guarantee entry and to avoid long lines. Do you remember the special Sting parties, back when Buzz was just Buzz? Before the Fox 5 fiasco?! Stellar DJ lineups, laser shows, extra production and decor all on the same night. Sting parties were major events, and only a few were held each year. Well, if you remember the intensity and excitement of the old days, prepare yourself once again! Friday nights in DC just got sweeter with a new series of special HoneyDew parties, held only a few times per year. Offering the freshest selection of global DJ talent, along with a spectacular laser show and an outdoor tent, HoneyDew will quench any cravings for those searching for the juiciest vibe. HoneyDew -- help yourself to a slice... Carl Cox has been named the "greatest DJ in the world." Under most circumstances this title would reflect supreme mixmaster status, which Carl has undoubtedly earned on an international level. Cox's noteworthy talents include spinning on three turntables and an uncanny ability to elicit enormous energy from dancefloors worldwide. However, Carl's multi-faceted career takes the role of DJ to an unprecedented level. As head and entrepreneur of Worldwide Ultimatum Records and Ultimate Music Management and mastermind behind the F.A.C.T. dance compilations, Cox has successfully shaken up all previous notions of what the role of 'DJ' encompasses. For more info: visit the dj booth at www.buzzdc.com Hightlights tonight include: -- 20-watt argon blue-green laser display from AA Laboratories -- Decor by Line III -- Outdoor heated tent featuring the finest local DJ talent CARL COX (www.djcarlcox.com, UK) DJ HURRICANE (TVT Records, NY) WINK (Ovum, Philly) DOM & ROLAND (Moving Shadow, UK) SCOTT HENRY (Buzz/Fever/Ultra Records, DC) JOHN TAB (Buzz/Fever/Reclaim-the-Beats, DC) SHEILA STORMS (Fusion Records, DC) <'Strictly Locals' tent featuring:> SIMON (The Syndicate/Pandemonium/www.SonicState.net, DC) JAMES BRENNAN (Natural Selections, DC) DEVIATE (FamilyProductions.net, Balto) TZEECH (TWO/FamilyProductions.net, Balto) BAKE (The Syndicate/Liquid Prophecy, DC) * You can stay up-to-date on all Buzz lineups and general info by subscribing to our email mailing list. Here's all you have to do to be added to our e-mailing list: Send a blank email to: [EMAIL PROTECTED] Or to unsubscribe, send a blank email to: [EMAIL PROTECTED] * Buzz Happens at Nation Every Friday + Buzz Resident DJ's + Dave Ralph Donald Glaude Scott Henry Lieven John Tab Are you interested in promoting for Buzz? Send Sarah S., Buzz' director of promotion, an email at [EMAIL PROTECTED] Lighting by John Niederhauser Festive Decor by Line III Regular admission $11 before 11 p.m./$15 after 11 p.m. As always, illegal drug use of ANY kind is NOT TOLERATED. * BUZZ is 19 and over with valid state/government-issued photo ID. * [EMAIL PROTECTED] Info line 202.554.1500 www.buzzdc.com Nation, 1015 Half St. SE, Washington, DC HOW TO GET TO BUZZ at NATION: 1- Metro One block north of the Navy Yard stop on the Green line. (west end exit of the station) 2 - Driving Directions FROM BALTO, PHILLY, & POINTS NORTH OF DC: Follow 95 South to 295 South; follow 295 South; do not get off on NY Ave.; after passing NY Ave. exit, go approx. three miles on 295 South to Howard Rd exit; at bottom of Howard Rd exit ramp there will be a stoplight; take a right; go through the next light in the left lane; this puts you on South Capitol Street; go across the bridge and get in the right lane; follow right lane to light; right onto M Street SE; go one block; left onto Half Street SE; go one block; the club is on the left at L Street and Half Street SE. FROM RICHMOND & POINTS SOUTH OF DC: Take 95 North to 395 North to DC; follow 395 N to South Capitol Street exit; at the bottom of the exit ramp there will be a stop light; go through this light and the next light; get in the right hand lane; follow right hand lane to the top of the overpass (don't go under the overpass); the light at the top of the overpass is the corner of M St. SE and South Capitol St. (look for the KFC and the 7-El
RE: [313] apple commersh: http://www.apple.com/hardware/ads/powerbook_g4-1.html
The 1/8" mini-TRS plugin is woefully inadequate for getting decent fidelity out of a recording. Now it might be interesting for the noise and other artefacts it brings to the sound of a recording, but not as a transparent recording device. There's no reason to make me pay for that audio in and I think a lot of folks felt the same way. Most of the "laptop techno" producers I've seen perform use either a totally software-based sound source or they use some sort of RME Hammerfall-type device (USB/PCMCIA). I applaud Apple on this decision. Ryan Heard -Original Message- From: Mark Khemma [mailto:[EMAIL PROTECTED] Sent: Friday, January 26, 2001 1:29 PM To: 313@hyperreal.org Subject: Re: [313] apple commersh: http://www.apple.com/hardware/ads/powerbook_g4-1.html Answer: Cut costs, increase profit. Chop :) On Fri, 26 Jan 2001, Ian wrote: > And the requisite USB audio-in will be the best selling bundled peripheral. > What were they thinking when they eliminated the audio in? > -- > There4IM - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] apple commersh: http://www.apple.com/hardware/ads/powerbook_g4-1.html
Answer: Cut costs, increase profit. Chop :) On Fri, 26 Jan 2001, Ian wrote: > And the requisite USB audio-in will be the best selling bundled peripheral. > What were they thinking when they eliminated the audio in? > -- > There4IM
New jamz
Technophiles, SHAWN RUDIMAN - My Life, My Grooves (SEVENTH CITY, US, 014, 12) it's out, so check it out. and let me know what you think. email me with your thoughts at [EMAIL PROTECTED] Jwan Allen Technoir Records [EMAIL PROTECTED] www.technoiraudio.com (coming soon) Free Game Guides! Complete walkthrus, secrets, hints and tips exclusively from IGN.com Play better today at http://guides.ign.com **
Re: [313] new Apple Portable Commercial -- Detroit Track in effect
On Fri, 26 Jan 2001, darw_n wrote: > look, they even have BT being an idiot on the web page, promoting that > INSANE lap-top... > > As far as the track, you sure its a detroit track? > No, but it sounds like it is.
Re: [313] new Apple Portable Commercial -- Detroit Track in effect
look, they even have BT being an idiot on the web page, promoting that INSANE lap-top... As far as the track, you sure its a detroit track? darw_n "create, demonstrate, toneshift..." www.thedemonstration.com www.sphereproductions.com www.mannequinodd.com www.mp3.com/darw_n search for "djdarwin" on napster - Original Message - From: "Kent williams" <[EMAIL PROTECTED]> To: "313 list" <313@hyperreal.org> Sent: Friday, January 26, 2001 7:54 AM Subject: [313] new Apple Portable Commercial -- Detroit Track in effect > So I was watching ER last night and a commercial for the new Apple titanium > portables came on, and the backing track is very obviously a Detroit Techno > track. Any trainspotters out there know what it is? > > Incidentally, the commercial can be watched in quicktime on the apple > site... > > kent williams -- [EMAIL PROTECTED] > http://www.cornwarning.com -- Iowa's First Techno Record Label > http://www.mp3.com/chaircrusher -- tunes > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] >
Re: [313] future of djing-excerpts from rich
that, or people could have learned more about the product before deciding it was the anti-christ. all the exact same dj skills required, human input remains consistent; one piece of vinyl becomes all the vinyl. sounds like progress. maybe it will be, maybe it won't. --Original Message-- From: [EMAIL PROTECTED] To: 313@hyperreal.org Sent: January 26, 2001 7:17:06 PM GMT Subject: Re: [313] future of djing-excerpts from rich See, what a guy. Just pure wisdom and no fussthis is why Richie is where he is.Should've posted this earlier so to settle the argument about this. =) Chow, Glyph In a message dated 1/26/01 12:56:53 PM, [EMAIL PROTECTED] writes: >i read some of the postings on 313 earlier and thought i'd add some excerpts > >from richie hawtin's latest plus 8 diary entry: > >(1/19/01)I'm sitting on board yet another plane... I'm 21 days into theNew > >Year and the gears of travel have started to grind again.Luckily (did I >say >that?) this is just a short trip to the southof France for Midem where >John >and I will be part of anannouncement of a new technology that we're involved > >with⦠a technology that could quite possibly change the way we all >playmusic, or will it change anything?! That's the beauty in whatis about >to >happen... ;) > >ps. As you may now have heard, the new technology that I wastalking about >at >the beginning is called Final Scratch... stayedtuned... ;) > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] future of djing-excerpts from rich
See, what a guy. Just pure wisdom and no fussthis is why Richie is where he is.Should've posted this earlier so to settle the argument about this. =) Chow, Glyph In a message dated 1/26/01 12:56:53 PM, [EMAIL PROTECTED] writes: >i read some of the postings on 313 earlier and thought i'd add some excerpts > >from richie hawtin's latest plus 8 diary entry: > >(1/19/01)I'm sitting on board yet another plane... I'm 21 days into theNew > >Year and the gears of travel have started to grind again.Luckily (did I >say >that?) this is just a short trip to the southof France for Midem where >John >and I will be part of anannouncement of a new technology that we're involved > >with… a technology that could quite possibly change the way we all >playmusic, or will it change anything?! That's the beauty in whatis about >to >happen... ;) > >ps. As you may now have heard, the new technology that I wastalking about >at >the beginning is called Final Scratch... stayedtuned... ;) >
future of djing-excerpts from rich
i read some of the postings on 313 earlier and thought i'd add some excerpts from richie hawtin's latest plus 8 diary entry: (1/19/01)I'm sitting on board yet another plane... I'm 21 days into theNew Year and the gears of travel have started to grind again.Luckily (did I say that?) this is just a short trip to the southof France for Midem where John and I will be part of anannouncement of a new technology that we're involved with a technology that could quite possibly change the way we all playmusic, or will it change anything?! That's the beauty in whatis about to happen... ;) ps. As you may now have heard, the new technology that I wastalking about at the beginning is called Final Scratch... stayedtuned... ;) _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
Re: [313] codebreaker message
Yeah i decoded it but didnt have a inet connection at the time when i got one it was one of the first things i looked for but it was gone =/ - Original Message - From: jonathan morse <[EMAIL PROTECTED]> To: Sean Deason <[EMAIL PROTECTED]>; <313@hyperreal.org> Sent: Friday, January 26, 2001 3:22 PM Subject: Re: [313] codebreaker message > i dont remember the URL but i do remember the page was a missive of some > sort about code breaking and made mention of british mathematician alan > turing and the enigma machine/codes used against germany in world war two > and that the background of the page was pictures of the enigma machine and > other espionage related stuffs. the page disappeared quick when the whole > scheme was compromised. im sure someone somewhere preserved it all for > prosperity though. > > so hows that prophecy working for ya, eh...? > > :) > > > -- > >From: Sean Deason <[EMAIL PROTECTED]> > >To: 'jonathan morse' <[EMAIL PROTECTED]>, 313@hyperreal.org > >Subject: RE: [313] codebreaker message > >Date: 26. Jan.200110:04 > > > > > so? whats the URL? tell us for gods sake! > > > > -Original Message- > > From: jonathan morse [mailto:[EMAIL PROTECTED] > > Sent: Friday, January 26, 2001 9:30 AM > > To: 313@hyperreal.org > > Subject: Re: [313] codebreaker message > > > > > > > > there was a URL given with sine tones via morse code in the track. > > > > -- > >>From: Jason <[EMAIL PROTECTED]> > >>To: 313@hyperreal.org > >>Subject: [313] codebreaker message > >>Date: 26. Jan.200115:31 > >> > > > >> I give up! > >> > >> Could somebody please email me privately with the 'answer' > >> > >> thanks > >> > >> jason > >> > >>> And it's a code for a reason, for those that know. > >>> > >>> Remember what happened with Codebreaker. Someone opened their fat mouth > >>> and defeated the purpose of the exercise. > >> > >>>I think UR expected from the beginning that eventually someone would > >>>figure it out and spread the word through the grapevine. And with that > >>>in mind, I'd say they even *counted on* someone to do that and spread > >>>the message for them. > >> > >> > >> - > >> To unsubscribe, e-mail: [EMAIL PROTECTED] > >> For additional commands, e-mail: [EMAIL PROTECTED] > >> > > > > - > > To unsubscribe, e-mail: [EMAIL PROTECTED] > > For additional commands, e-mail: [EMAIL PROTECTED] > > > > - > > To unsubscribe, e-mail: [EMAIL PROTECTED] > > For additional commands, e-mail: [EMAIL PROTECTED] > > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > >
Re: [313] apple commersh: http://www.apple.com/hardware/ads/powerbook_g4-1.html
The REAL required accessory will be the hammerfall PCMCIA audio interface ;-) For music production, I could spend $8k on one of these in a flash ... kent williams -- [EMAIL PROTECTED] http://www.cornwarning.com -- Iowa's First Techno Record Label http://www.mp3.com/chaircrusher -- tunes On Fri, 26 Jan 2001, Ian wrote: > on 1/26/01 11:40 AM, Kent williams at [EMAIL PROTECTED] wrote: > > > http://www.apple.com/hardware/ads/powerbook_g4-1.html > > > > I don't know if it's a real detroit track but definitely influenced. > > > > By the way the Titanium G4 will be THE material fetish for all the > > laptop live crowd. > > And the requisite USB audio-in will be the best selling bundled peripheral. > What were they thinking when they eliminated the audio in? > -- > There4IM >
Re: [313] apple commersh: http://www.apple.com/hardware/ads/powerbook_g4-1.html
On 01-01-26 17.59, "Ian" <[EMAIL PROTECTED]> wrote: >> By the way the Titanium G4 will be THE material fetish for all the >> laptop live crowd. > > And the requisite USB audio-in will be the best selling bundled peripheral. > What were they thinking when they eliminated the audio in? I guess just that! > And the requisite USB audio-in will be the best selling bundled peripheral. /Tobias
Re: [313] apple commersh: http://www.apple.com/hardware/ads/powerbook_g4-1.html
on 1/26/01 11:40 AM, Kent williams at [EMAIL PROTECTED] wrote: > http://www.apple.com/hardware/ads/powerbook_g4-1.html > > I don't know if it's a real detroit track but definitely influenced. > > By the way the Titanium G4 will be THE material fetish for all the > laptop live crowd. And the requisite USB audio-in will be the best selling bundled peripheral. What were they thinking when they eliminated the audio in? -- There4IM
Re: [313] records & recommendations
Another Detroit related record you will want to pick up is Rexxx Mantis EP D Records Jared Wilson FTM RECORDS From: "Tom Robbins" <[EMAIL PROTECTED]> Reply-To: "Tom Robbins" <[EMAIL PROTECTED]> To: "313 mailing list" <313@hyperreal.org> Subject: [313] records & recommendations Date: Fri, 26 Jan 2001 10:59:53 - Just wanted to mention some new D-related stuff that has come my way recently: Tim Baker: The Believer EP (Ovum) - two very mixable, very accessible, rolling grooves from Tim. Can't fail to see action. Trevor Rockcliffe feat. Blake Baxter: Visions Of You remixes (In-Tec) - loads of new mixes from Rockcliffe, Carl Cox, Samuel L Sessions, Roberto Mello (house), Smith & Selway. I have to say I wasn't that enamoured of most of them, but Cox's is the best mix I've ever heard from him. DJ T-1000: Hyper-Stylized Life (Pure Sonik) - Welcome back, Mr Oldham. Wicked EP, this, with 3 really impressive energetic and non-cliched loop cuts and one cool, original electroic funk cut. Definitely recommended. Other good stuff: WeltZwei: Intercity (Sender) - good funky minimalism from Germany. Len Faki; Everywhere Is Nowhere EP (Goodlife) - more very playable trax from Goodlife, though not as outstanding as their previous release - remixes of The Hacker's 'Fadin Away' Percy X: Maintain (Soma) - humming techno funk with a Steve Bicknell remix in Purpose Maker mode Midfield General: Coatnoise (Skint) - a bit like ZombieNation, actually, but defintely not what you'd expect from Skint. Good Dave Clarke remix, too. Cheers, Tom MF - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Get your FREE download of MSN Explorer at http://explorer.msn.com
apple commersh: http://www.apple.com/hardware/ads/powerbook_g4-1.html
http://www.apple.com/hardware/ads/powerbook_g4-1.html I don't know if it's a real detroit track but definitely influenced. By the way the Titanium G4 will be THE material fetish for all the laptop live crowd. kent williams -- [EMAIL PROTECTED] http://www.cornwarning.com -- Iowa's First Techno Record Label http://www.mp3.com/chaircrusher -- tunes
Re: [313] new Apple Portable Commercial -- Detroit Track in effect
It almost sounds like David Alvardo with a vocal. Tristan --- Kent williams <[EMAIL PROTECTED]> wrote: > So I was watching ER last night and a commercial for > the new Apple titanium > portables came on, and the backing track is very > obviously a Detroit Techno > track. Any trainspotters out there know what it is? > > Incidentally, the commercial can be watched in > quicktime on the apple > site... > > kent williams -- [EMAIL PROTECTED] > http://www.cornwarning.com -- Iowa's First Techno > Record Label > http://www.mp3.com/chaircrusher -- tunes > > > > - > To unsubscribe, e-mail: > [EMAIL PROTECTED] > For additional commands, e-mail: > [EMAIL PROTECTED] > __ Do You Yahoo!? Yahoo! Auctions - Buy the things you want at great prices. http://auctions.yahoo.com/
tonight on radio mortale
tonight on radio mortale, amsterdam 21-22h 106.8 air/88.1 cable guest dj-set by peel seamus (delsin records) set online tomorrow :: http://www.paracid.com/rude66/
new Apple Portable Commercial -- Detroit Track in effect
So I was watching ER last night and a commercial for the new Apple titanium portables came on, and the backing track is very obviously a Detroit Techno track. Any trainspotters out there know what it is? Incidentally, the commercial can be watched in quicktime on the apple site... kent williams -- [EMAIL PROTECTED] http://www.cornwarning.com -- Iowa's First Techno Record Label http://www.mp3.com/chaircrusher -- tunes
Re: [313] hawtin & acquaviva sets on napster?
It's probably from the X-Mix 3 CD that was released in the early 90's. Some of the tracks are by Sysex, Speedy J, Laurent Garnier, and Plastikman. The first 42 minutes or so are mixed by John Acquaviva and the next 30 minutes are mixed by Rich Hawtin. Peace Phat Pat --- [EMAIL PROTECTED] wrote: > > so i was looking around on napster and found a set > of mp3s called "richie > hawtin & john acquaviva - 10 years of plus8 records" > - now I assumed they > were just the plus8 classics cds but they're really > big (40-70 mins > each) and when I downloaded part of one it appeared > to be a dj mix, and > not of classic plus 8 stuff. Anyone know what these > really are? There's > a whole lot of them too, several hours' worth of > music altogether > probably. > > chris > > > - > To unsubscribe, e-mail: > [EMAIL PROTECTED] > For additional commands, e-mail: > [EMAIL PROTECTED] > __ Do You Yahoo!? Yahoo! Auctions - Buy the things you want at great prices. http://auctions.yahoo.com/
Re: [313] codebreaker message
i dont remember the URL but i do remember the page was a missive of some sort about code breaking and made mention of british mathematician alan turing and the enigma machine/codes used against germany in world war two and that the background of the page was pictures of the enigma machine and other espionage related stuffs. the page disappeared quick when the whole scheme was compromised. im sure someone somewhere preserved it all for prosperity though. so hows that prophecy working for ya, eh...? :) -- >From: Sean Deason <[EMAIL PROTECTED]> >To: 'jonathan morse' <[EMAIL PROTECTED]>, 313@hyperreal.org >Subject: RE: [313] codebreaker message >Date: 26. Jan.200110:04 > > so? whats the URL? tell us for gods sake! > > -Original Message- > From: jonathan morse [mailto:[EMAIL PROTECTED] > Sent: Friday, January 26, 2001 9:30 AM > To: 313@hyperreal.org > Subject: Re: [313] codebreaker message > > > > there was a URL given with sine tones via morse code in the track. > > -- >>From: Jason <[EMAIL PROTECTED]> >>To: 313@hyperreal.org >>Subject: [313] codebreaker message >>Date: 26. Jan.200115:31 >> > >> I give up! >> >> Could somebody please email me privately with the 'answer' >> >> thanks >> >> jason >> >>> And it's a code for a reason, for those that know. >>> >>> Remember what happened with Codebreaker. Someone opened their fat mouth >>> and defeated the purpose of the exercise. >> >>>I think UR expected from the beginning that eventually someone would >>>figure it out and spread the word through the grapevine. And with that >>>in mind, I'd say they even *counted on* someone to do that and spread >>>the message for them. >> >> >> - >> To unsubscribe, e-mail: [EMAIL PROTECTED] >> For additional commands, e-mail: [EMAIL PROTECTED] >> > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] >
Re: [313] codebreaker message
jonathan morse wrote: > there was a URL given with sine tones via morse code in the track. Yes! It works. :-). There is a Morse code listing here: http://www.soton.ac.uk/~scp93ch/morse/ -- Miro.
Re: [313] codebreaker message
Sean Deason wrote: > so? whats the URL? tell us for gods sake! Jonathan Morse: > there was a URL given with sine tones via morse code in the track. If I remember right, there wasn't so much a URL given, as they told you where to click on the special Codebreaker page (I think it said 'click on the dot' or something along those lines) that was up for a while, after which you got to a new page with a long UR statement. Otto
RE: [313] codebreaker message
so? whats the URL? tell us for gods sake! -Original Message- From: jonathan morse [mailto:[EMAIL PROTECTED] Sent: Friday, January 26, 2001 9:30 AM To: 313@hyperreal.org Subject: Re: [313] codebreaker message there was a URL given with sine tones via morse code in the track. -- >From: Jason <[EMAIL PROTECTED]> >To: 313@hyperreal.org >Subject: [313] codebreaker message >Date: 26. Jan.200115:31 > > I give up! > > Could somebody please email me privately with the 'answer' > > thanks > > jason > >> And it's a code for a reason, for those that know. >> >> Remember what happened with Codebreaker. Someone opened their fat mouth >> and defeated the purpose of the exercise. > >>I think UR expected from the beginning that eventually someone would >>figure it out and spread the word through the grapevine. And with that >>in mind, I'd say they even *counted on* someone to do that and spread >>the message for them. > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] > - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] codebreaker message
there was a URL given with sine tones via morse code in the track. -- >From: Jason <[EMAIL PROTECTED]> >To: 313@hyperreal.org >Subject: [313] codebreaker message >Date: 26. Jan.200115:31 > > I give up! > > Could somebody please email me privately with the 'answer' > > thanks > > jason > >> And it's a code for a reason, for those that know. >> >> Remember what happened with Codebreaker. Someone opened their fat mouth >> and defeated the purpose of the exercise. > >>I think UR expected from the beginning that eventually someone would >>figure it out and spread the word through the grapevine. And with that >>in mind, I'd say they even *counted on* someone to do that and spread >>the message for them. > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] >
codebreaker message
I give up! Could somebody please email me privately with the 'answer' thanks jason > And it's a code for a reason, for those that know. > > Remember what happened with Codebreaker. Someone opened their fat mouth > and defeated the purpose of the exercise. >I think UR expected from the beginning that eventually someone would >figure it out and spread the word through the grapevine. And with that >in mind, I'd say they even *counted on* someone to do that and spread >the message for them.
Montreal?
Just looking for some suggestions, of places to check out while I'm in Montreal (Feb. 1 - 5). More specifically, are there any techno related events happening during this period? Please email me directly. Sorry for wasting others people time. Cheers, Gerald
My opinion...
> Hallo to all!I subscribe for this mailing list few days aga. I live in
> Ukraine, in small townUzhgorod.& I want to express my opinion...
> I think that the real DJ is that "man", that can bring people move over the
> dance floor ("The DJ make U move"), & no matter in what way he did it. If
> people dance,catch rhitm & think only about music... The stream catch them...
> They flow in this stream. & no matter what "make" this music (PC, hands or
> mind)... But: there is one vital "thing" - Big clubs (popular) demand "live
> play"(on turntable), Small clubs - ...
> Every DJ begin "play", & no - without fail(with turntable), some mix
> samples, some CD's...
> Here is example: in our town U can't find Vinyl Disc (U must go to capital
> or in forein countries, they cost from 10$ to...), but U can find some CD's
> (but oftenly collections, they cost from 3$ (illegal versions) )...& there
> is one BIG problem - MONEY...
> Most of our DJ's mix on CD's (oftenly mixed collections)... But when U have
> money...
> We all think that turntable is right thing...But if U want to begin U may
> training in any way...
> There is many "beautiful" things in all ways of DJing. It's like: some like
> D'n'B, others like Techno...
> There is big space...& U do what U want to do...
>
> Peace to all
>Diablo ([EMAIL PROTECTED])...
>
>
>
>
>
My opinion...
Hallo to all!I subscribe for this mailing list few days aga. I live in
Ukraine, in small townUzhgorod.& I want to express my opinion...
I think that the real DJ is that "man", that can bring people move over the
dance floor ("The DJ make U move"), & no matter in what way he did it. If
people dance,catch rhitm & think only about music... The stream catch them...
They flow in this stream. & no matter what "make" this music (PC, hands or
mind)... But: there is one vital "thing" - Big clubs (popular) demand "live
play"(on turntable), Small clubs - ...
Every DJ begin "play", & no - without fail(with turntable), some mix samples,
some CD's...
Here is example: in our town U can't find Vinyl Disc (U must go to capital or
in forein countries, they cost from 10$ to...), but U can find some CD's (but
oftenly collections, they cost from 3$ (illegal versions) )...& there is one
BIG problem - MONEY...
Most of our DJ's mix on CD's (oftenly mixed collections)... But when U have
money...
We all think that turntable is right thing...But if U want to begin U may
training in any way...
There is many "beautiful" things in all ways of DJing. It's like: some like
D'n'B, others like Techno...
There is big space...& U do what U want to do...
Peace to all
Diablo ([EMAIL PROTECTED])...
Re: [313] Signal
LOL!!! Go to www.sphereproductions.com and look at the front page (the music is annoying, but it's not my page;) there's a common though going around the area I see!! darw_n "create, demonstrate, toneshift..." www.thedemonstration.com www.sphereproductions.com www.mannequinodd.com www.mp3.com/darw_n search for "djdarwin" on napster - Original Message - From: "dj revolver" <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Friday, January 26, 2001 3:54 AM Subject: [313] Signal > THINKBOX PRESENTS > > SIGNAL > > William Van Loo: Live PA > Mark Laliberte > Christopher Bissonnette > Steven Roy > > Friday January 26, 2001 > Milk Cafe: 68 Unversity W, Windsor > Coming Soon: www.thinkbox.ca > _ > Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com. > > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] >
Re: [313] Signal
For those in the area-might i _highly_ suggest checking this out and supporting. Not only for the music but for the ideology behind Thinkbox. c/u/there d --- dj revolver <[EMAIL PROTECTED]> wrote: > THINKBOX PRESENTS > > SIGNAL > > William Van Loo: Live PA > Mark Laliberte > Christopher Bissonnette > Steven Roy > > Friday January 26, 2001 > Milk Cafe: 68 Unversity W, Windsor > Coming Soon: www.thinkbox.ca > _ > Get Your Private, Free E-mail from MSN Hotmail at > http://www.hotmail.com. > > > - > To unsubscribe, e-mail: > [EMAIL PROTECTED] > For additional commands, e-mail: > [EMAIL PROTECTED] > __ Do You Yahoo!? Yahoo! Auctions - Buy the things you want at great prices. http://auctions.yahoo.com/
313 codebreaker
can someone mail me directly and let me know what the deal was with codebreaker? m Date: Fri, 26 Jan 2001 04:05:56 +1100 To: 313@hyperreal.org From: Benn Glazier <[EMAIL PROTECTED]> Subject: Re: [313] Millennium 2 millennium Message-Id: <[EMAIL PROTECTED]> At 17:05 25/01/01 +0100, you wrote: > > Remember what happened with Codebreaker. Someone opened their fat mouth > and defeated the purpose of the exercise. _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
Re: K.Hand and Motordetroit.com
Back Room Lounge Set has moved from Friday Feb. 2, 2001 To Friday February 23, 2001 -- Join- K.Hand @ 10p.m. For some of the Hottest Disco, Jazz, and Listening music. The Latest: Feel free to visit us Click here---> http://www.detroit-history.com/";> www.Detroit-History.com website, for Ordering products, merchandise, future K.Hand Bookings, Tour Calender, plus more - Detroit-History.com PO Box 32854 Detroit, Michigan 48232-0854 T: 313 785-7790 F: 240 331 7626 E: [EMAIL PROTECTED] W: detroit-history.com Music from a Well Known Place... SEE YA THERE Stay Real
Signal
THINKBOX PRESENTS SIGNAL William Van Loo: Live PA Mark Laliberte Christopher Bissonnette Steven Roy Friday January 26, 2001 Milk Cafe: 68 Unversity W, Windsor Coming Soon: www.thinkbox.ca _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
Re: [313] an observation
...just to add to your comments kyle, minus yellow is fun to play at a club too because 1/2 the people don't know that this is a richie hawtin remix track. people think your playing some goofy 80's tune so you see their faces light up with excitement because they recognize the track. then yes - it's a simple/effective mix into minus orange if you care to do that and the sounds of minus yellow can really be effective while mixing in various styles of techno/house. it's a nice record to have to change things up while djing. steve From: Kyle J Dupuy <[EMAIL PROTECTED]> To: 313@hyperreal.org Subject: [313] an observation Date: Thu, 25 Jan 2001 23:03:21 -0500 (EST) a few months back someone posted to the list requesting a description of richie hawtin's minus yellow. i believe the only response that was posted was like, "pretty boring - sounds just like minus orange," or something to that effect. a couple weeks later i came across it in a record bin but didn't pull it out, recalling what i had heard about it. recently i've borrowed a copy from a friend and have grown quite fond of it, and i get a kick out of the samples from ferris beuller. plus there are some pretty nice locked grooves that are good dj tools: you can go from one side of orange to a yellow locked groove, and then flip orange (its the same bpm) to the other side and quickly mix it in. sounds pretty good IMO. so now i'm quite wishing i had picked up that copy i saw in the record bin. just goes to show ya. . . kyle - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Get Your Private, Free E-mail from MSN Hotmail at http://www.hotmail.com.
Re: [313] records & recommendations
Entertainment UK Limited Registered Office: 243 Blyth Road, Hayes, Middlesex UB3 1DN. Registered in England Numbered 409775 This e-mail is only intended for the person(s) to whom it is addressed and may contain confidential information. Unless stated to the contrary, any opinions or comments are personal to the writer and do not represent the official view of the company. If you have received this e-mail in error, please notify us immediately by reply e-mail and then delete this message from your system. Please do not copy it or use it for any purposes, or disclose its contents to any other person. Thank you for your co-operation. Has anyone heard / got the Dave Clarke remix of Miwais (?). I thought the original had a good electro bassline - it was an ideal candidate for a Dave. C remix, then I went to my friends house for a mix and he'd just bought it - great record!
records & recommendations
Just wanted to mention some new D-related stuff that has come my way recently: Tim Baker: The Believer EP (Ovum) - two very mixable, very accessible, rolling grooves from Tim. Can't fail to see action. Trevor Rockcliffe feat. Blake Baxter: Visions Of You remixes (In-Tec) - loads of new mixes from Rockcliffe, Carl Cox, Samuel L Sessions, Roberto Mello (house), Smith & Selway. I have to say I wasn't that enamoured of most of them, but Cox's is the best mix I've ever heard from him. DJ T-1000: Hyper-Stylized Life (Pure Sonik) - Welcome back, Mr Oldham. Wicked EP, this, with 3 really impressive energetic and non-cliched loop cuts and one cool, original electroic funk cut. Definitely recommended. Other good stuff: WeltZwei: Intercity (Sender) - good funky minimalism from Germany. Len Faki; Everywhere Is Nowhere EP (Goodlife) - more very playable trax from Goodlife, though not as outstanding as their previous release - remixes of The Hacker's 'Fadin Away' Percy X: Maintain (Soma) - humming techno funk with a Steve Bicknell remix in Purpose Maker mode Midfield General: Coatnoise (Skint) - a bit like ZombieNation, actually, but defintely not what you'd expect from Skint. Good Dave Clarke remix, too. Cheers, Tom MF
RE: [313] ID's
Just as a follow up : TERRA DEVA FRESH START (REMIXES) TRUE 02 D.CARTER/HERBERT/JOSHUA 1998 BELGIUM TERRA DEVA FRESH START REMIXES NRK 014 DERRICK CARTER & JOSHUA MIXES 1998 Thank you, the hunt begins! H -Original Message- From: stuffed bird [mailto:[EMAIL PROTECTED] Sent: 26 January 2001 08:08 To: [EMAIL PROTECTED] Cc: 313@hyperreal.org Subject: Re:[313] ID's I think that could be Terra Deva (sorry, short-term memory forgot the title, but if no one else comes through I'll look it up at home, have it somewhere). The track you want is a Joshua rmx, the b-side has a fabulous stripped-down underwater grooving Derrick Carter remix. I've got it on True records, a label distributed by belgian N.E.W.S. RD >Hi 313ers > >If someone could ID the following track for me i would be so happy (i've >been trying to discover what it is for a few years now after i heard Carl >Craig play it on his Radio One Essential mix...) > >It's in Kenny Larkin's set on Plus 8 Transmissions part a, and it plays at >aroun 18mins 30 secs.WHAT a track : kind of a looped strummed guitar >sound with simple but effective bassline with the occasional break in the >loop...vocal comes in : "searchin'.searchin' every night" which >loops round and round > >Hopefully yours, > >H > >- >To unsubscribe, e-mail: [EMAIL PROTECTED] >For additional commands, e-mail: [EMAIL PROTECTED] > > Signup for FREE email and member home pages at http://www.turkey.com
Re: [313] an observation
Entertainment UK Limited Registered Office: 243 Blyth Road, Hayes, Middlesex UB3 1DN. Registered in England Numbered 409775 This e-mail is only intended for the person(s) to whom it is addressed and may contain confidential information. Unless stated to the contrary, any opinions or comments are personal to the writer and do not represent the official view of the company. If you have received this e-mail in error, please notify us immediately by reply e-mail and then delete this message from your system. Please do not copy it or use it for any purposes, or disclose its contents to any other person. Thank you for your co-operation. I'd agree with that - the two do sound good when mixed together.
Re:[313] ID's
I think that could be Terra Deva (sorry, short-term memory forgot the title, but if no one else comes through I'll look it up at home, have it somewhere). The track you want is a Joshua rmx, the b-side has a fabulous stripped-down underwater grooving Derrick Carter remix. I've got it on True records, a label distributed by belgian N.E.W.S. RD >Hi 313ers > >If someone could ID the following track for me i would be so happy (i've >been trying to discover what it is for a few years now after i heard Carl >Craig play it on his Radio One Essential mix...) > >It's in Kenny Larkin's set on Plus 8 Transmissions part a, and it plays at >aroun 18mins 30 secs.WHAT a track : kind of a looped strummed guitar >sound with simple but effective bassline with the occasional break in the >loop...vocal comes in : "searchin'.searchin' every night" which >loops round and round > >Hopefully yours, > >H > >- >To unsubscribe, e-mail: [EMAIL PROTECTED] >For additional commands, e-mail: [EMAIL PROTECTED] > > Signup for FREE email and member home pages at http://www.turkey.com
Re: [313] an observation
Re: i get a kick out of the samples from ferris beuller. Sort of, it's actually from Yellow's "Oh, Yeah". Check them out. Fred From: Kyle J Dupuy <[EMAIL PROTECTED]> To: 313@hyperreal.org Subject: [313] an observation Date: Thu, 25 Jan 2001 23:03:21 -0500 (EST) a few months back someone posted to the list requesting a description of richie hawtin's minus yellow. i believe the only response that was posted was like, "pretty boring - sounds just like minus orange," or something to that effect. a couple weeks later i came across it in a record bin but didn't pull it out, recalling what i had heard about it. recently i've borrowed a copy from a friend and have grown quite fond of it, and i get a kick out of the samples from ferris beuller. plus there are some pretty nice locked grooves that are good dj tools: you can go from one side of orange to a yellow locked groove, and then flip orange (its the same bpm) to the other side and quickly mix it in. sounds pretty good IMO. so now i'm quite wishing i had picked up that copy i saw in the record bin. just goes to show ya. . . kyle - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Get your FREE download of MSN Explorer at http://explorer.msn.com
RE: [313] look what someone said to me about the 313 is this true or false
I AM SICK OF GOING AWAY FOR A FEW DAYS AND COMING BACK TO THIS LIST HAVE IT FULL OF CRAP. E-MAIL STORAGE SPACE HAS ITS LIMITS FOR MOST OF US WHO DON'T OWN A SERVER. QUIT SENDING COMPLETE AND UTTER BULL$H!T... thanks for the time and more wasted space to vent...what a long night i had... JEFF! > -Original Message- > From: unsel brown [SMTP:[EMAIL PROTECTED] > Sent: Wednesday, January 24, 2001 7:08 PM > To: mailing party > Subject: [313] look what someone said to me about the 313 is this > true or false > > Become a Fool for FREE!(listen to people to talk trash > on the 313) > -Get out of being a real artist just dj only(no real > live shows) > -Learn how to invest time spin records not playing > with real equipment > -Retire early with old vinyl records > > Join over 2 million Fools who are taking control of > weak player hater 313 mailing list. > Register for free with The Motley Fool. Get special > offers for > investors > too.this is a joke > > > = > Unsel Brown > www.dancedance.com > > __ > Do You Yahoo!? > Yahoo! Auctions - Buy the things you want at great prices. > http://auctions.yahoo.com/ > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED]
an observation
a few months back someone posted to the list requesting a description of richie hawtin's minus yellow. i believe the only response that was posted was like, "pretty boring - sounds just like minus orange," or something to that effect. a couple weeks later i came across it in a record bin but didn't pull it out, recalling what i had heard about it. recently i've borrowed a copy from a friend and have grown quite fond of it, and i get a kick out of the samples from ferris beuller. plus there are some pretty nice locked grooves that are good dj tools: you can go from one side of orange to a yellow locked groove, and then flip orange (its the same bpm) to the other side and quickly mix it in. sounds pretty good IMO. so now i'm quite wishing i had picked up that copy i saw in the record bin. just goes to show ya. . . kyle
Re: [313] Re: Ludovic Navarre
- Original Message - From: Benn Glazier <[EMAIL PROTECTED]> To: <313@hyperreal.org> Sent: Friday, January 26, 2001 5:37 AM Subject: [313] Re: Ludovic Navarre Hi, I saw them play down here in Wellington NZ, It was nice to see some high quality Jazz, How Long did they play for? 2 Hours seemed a bit short > > Finally, the band members from St. Germain > Producer - Ludovic Navarre > Trumpet - Pascal Ohse > Percussion - one hand percussion and one drummer?? > Keyboards - Alexandre Destrez > Sax & Flute - Edouard Labor > Guitar - ? >
hawtin & acquaviva sets on napster?
so i was looking around on napster and found a set of mp3s called "richie hawtin & john acquaviva - 10 years of plus8 records" - now I assumed they were just the plus8 classics cds but they're really big (40-70 mins each) and when I downloaded part of one it appeared to be a dj mix, and not of classic plus 8 stuff. Anyone know what these really are? There's a whole lot of them too, several hours' worth of music altogether probably. chris
new on techno
http://www.dancedance.com/radiobroadcast.HTML reply if this is good or bad and i,m telling everyone who was on the list for my record release party jan 20th sorry for put your names on the this with calling you first. But it was a good show more 300 people did show so i think being new to the game of techno i hope no harm was done.so please review my music with a good heart and let the music speak for its self.so reply only if your real to your self and the music that we do.remember to listen for at lease 20 min be for you make your mind about.if you like it and would like to get a copy please call me and i will send you a copy but you have to pay for shiping.THANKS UNSEL BROWN NEW FRIEND IN THE TECHNO MUSIC = Unsel Brown www.dancedance.com __ Do You Yahoo!? Yahoo! Auctions - Buy the things you want at great prices. http://auctions.yahoo.com/
Re: [313] THIS IS THE PERSON WHO WAS TALKING TRASH ABOUT
What? On Thu, 25 Jan 2001, unsel brown wrote: > [EMAIL PROTECTED] SEND THEM A PEACE OF YOUR MIND > ABOUT THERE LITTLE JOKE ABOUT THE 313 DID ANYONE > THINK > IT WAS FUNNY I DIDN'T > > = > Unsel Brown > www.dancedance.com > > __ > Do You Yahoo!? > Yahoo! Auctions - Buy the things you want at great prices. > http://auctions.yahoo.com/ > > - > To unsubscribe, e-mail: [EMAIL PROTECTED] > For additional commands, e-mail: [EMAIL PROTECTED] >
THIS IS THE PERSON WHO WAS TALKING TRASH ABOUT
[EMAIL PROTECTED] SEND THEM A PEACE OF YOUR MIND ABOUT THERE LITTLE JOKE ABOUT THE 313 DID ANYONE THINK IT WAS FUNNY I DIDN'T = Unsel Brown www.dancedance.com __ Do You Yahoo!? Yahoo! Auctions - Buy the things you want at great prices. http://auctions.yahoo.com/
Re: [313] live on the puters
If it's crowd reaction you're talking about, setting up long breakdowns and pumping your fist in the air when the kick comes in seems to work pretty well, even if it's a cheap trick. The true heads aren't swayed by cheap theatrics, but then they'll be with you if the tracks are tight, even if all you do is hide under a table and tweak knobs. kent williams -- [EMAIL PROTECTED] http://www.cornwarning.com -- Iowa's First Techno Record Label http://www.mp3.com/chaircrusher -- tunes I'm doing my first ever set in a couple of weeks, Powerbook playing my tracks straight off Logic and tweaking them live with Pluggo. It doesn't matter to me that I'll have a few seconds of space in between songs. I think of it as time to let the listener clean their aural palate, so to speak ; ). What matters is that the tracks are "tight" before I even go in and mess with them. Jorge ++- SUNRUNNERS - continuous mix by DJ Swingsett featuring new tracks by yours truly as DUERMO, DJ SPINNA, JAYMZ NYLON, TWILIGHT CIRCUS, DJ SWINGSETT/J WARRIN and others - out NOW *www.ismrecords.com* _ Get your FREE download of MSN Explorer at http://explorer.msn.com
