[313] Prince/Electrifyin' Mojo interview
After Minneapolis it was THE place where he broke and the Electrifyin' Mojo interview with Prince was widely circulated and introduced me to Mojo. I have only ever heard snippets of the interview (via napster). Even thought that a recent moodyman release used a bit of the interview (untitled black label 12/ workaholic??) does anybody know where i can listen to the whole interview?,has anybody put it in online?, was it released as a cd for fan club members only? Dave - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Fwd: Life Fest- Windsor, Aug. 25
From: [EMAIL PROTECTED] To: [EMAIL PROTECTED] Subject: Life Fest- Windsor, Aug. 25 Date: Wed, 22 Aug 2001 16:32:58 -0400 (EDT) hi everyone, In order to make things as easy as possible for those of you living in the U.S., tickets for life fest are now available at all Record Time locations (Roseville and Ferndale), Threads, and selected clubs in the Detroit area for the remainder of the week. Tickets are $20 U.S. in advance and more at the door. visit http//:www.lifefestcanada.com for more details. see you all there. _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] oops
Before someone unleashes a bitchfest... please excuse that last message... I was told to FWD it to 313 and didn't realize j3s allread did. I just got home from Kings Island and still feel like Im on a rollercoaster. For those of you going to lifefest.. have a blast. I wish I could be there! Lorie _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Prince/Electrifyin' Mojo interview
It was a bootleg - one of those spurious 'interview' disks you would get in HMV. I have it somewhere along with unnumerable tapes/CDs of shows from everywhere (D included). I am giving a lot away to friends but haven't organised it because of work commitments (two full-time jobs). I reckon you could get it easily through one of the collections mags. I know there would be heaps around Aust. After Minneapolis it was THE place where he broke and the Electrifyin' Mojo interview with Prince was widely circulated and introduced me to Mojo. I have only ever heard snippets of the interview (via napster). Even thought that a recent moodyman release used a bit of the interview (untitled black label 12/ workaholic??) does anybody know where i can listen to the whole interview?,has anybody put it in online?, was it released as a cd for fan club members only? - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Is Prince the root of all Techno?
i think the early dub pioneers such as lee perry, king tubby, augustus pablo deserve a mention and would be closer to techno than prince/hendrix/wonder. these guys were using basic studio technology with advanced mixing ideas. adding echo and reverb effects to create some mind blowing soundscapes all usually recorded innovatley on 4-track tape/desk. then the early techno ppl were also doing a similar thing using old drum machines and sythns and bedroom studios in a new way. both used the mixing desk as an instrument. the similarities are all there to this day in the techno of many artists, the basic channel stuff is in a way revisting the dub of old. -Original Message- From: laura gavoor [SMTP:[EMAIL PROTECTED] Sent: Wednesday, August 22, 2001 6:39 PM To: 313@hyperreal.org Subject: Re: [313] Is Prince the root of all Techno? I think if you were to ask some of the source innovators, both American and Euro alike, Jimi Hendrix's name would arise more often than Prince's. While Prince was a huge influence, Jimi built the world's most innovative recording studio, Electric Ladyland Studios, in 1968 (I think) and up until very recently...it remained one of THE most innovative recording studios because of his obsession with recording and performing technology as THE means to get down on tape the sounds he had in his head. Secondarily and perhaps without most artists even realizing this fact would be Stevie Wonder. His obsession with electronic keyboards evolved into the very first 'do everything yourself' recording studio back in the 70's. I recall Stevie talking about how and why he records most every track in a song he's composing all by himself. Pretty much the same reason as Jimi's that he knew what sound(s) he wanted and was often frustrated in trying to communicate it to an engineer or musician in order to obtain it. He felt that with the age of the synthesizer a songwriter/composer had the ability to personalize their music and sound unlike anything that had come before...even though the same notes in a scale were present...they had never before sound like THAT. Moreover, the personal studio he developed back then gave him the luxury of recording the moment he was inspired to do so...at any hour of the day. Stevie, like Jimi, innovated a lot of gear to suit his needs, and because he was Stevie Wonder, a living genius, the keyboard companies bent over backwards to accommodate him. Don't forget that Songs in the Key of Life is considered by artists and industry alike to be one of the most brilliant pieces of popular music ever put out in one project. If VH-1 ever re-runs that (dunno the name of it) special one hour program just about that particular album...I highly recommend its viewing. The musicians interviewed, from Miles Davis to Mick Jagger, were awed by the quality of the sound on that LP and explain in far greater detail why it marked a turning point in recording history. THEN came George ClintonTHEN came Prince. humbly offered.. From: Mike Taylor [EMAIL PROTECTED] To: 313@hyperreal.org Subject: [313] Is Prince the root of all Techno? Date: Tue, 21 Aug 2001 20:34:12 -0400 Well? _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] re: flux / UR
So who's going to this little shindig then? - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Is Prince the root of all Techno?
I agree... dub has been s important for techno. remember as well chain reaction and profan. btw, no influence came from europe? (same old discussion :P ) daweed Mensaje citado por: Mann, Ravinder [CCS] [EMAIL PROTECTED]: i think the early dub pioneers such as lee perry, king tubby, augustus pablo deserve a mention and would be closer to techno than prince/hendrix/wonder. these guys were using basic studio technology with advanced mixing ideas. adding echo and reverb effects to create some mind blowing soundscapes all usually recorded innovatley on 4-track tape/desk. then the early techno ppl were also doing a similar thing using old drum machines and sythns and bedroom studios in a new way. both used the mixing desk as an instrument. the similarities are all there to this day in the techno of many artists, the basic channel stuff is in a way revisting the dub of old. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] re: flux / UR
I'm going. Chris Finke advised me that Mr Mad Mike WILL be there. Some confusion as to whether the Manchester Gig is still going ahead. - Original Message - From: seth redmond [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Thursday, August 23, 2001 10:08 AM Subject: [313] re: flux / UR So who's going to this little shindig then? - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Is Prince the root of all Techno?
It really does not apply in this situation. we are talking Detroit 85-91, and it doesnt show in the music. The roots of that stuff is Kraftwerk/Prince/Italio/New Wave/Electro. Yeah, you cannot deny the influence the Jamaicans had in general on music, but their music did not become a major influence on Techno until like 92-93, and then primarily in Europe. Jamaica by way of Europe definitely influenced Detroit, but not until after the first wave had already run its course. When is BMG going to throw down a 5 page dance music essay and school us like it was 96 again? Take care, mt i think the early dub pioneers such as lee perry, king tubby, augustus pablo deserve a mention and would be closer to techno than prince/hendrix/wonder. these guys were using basic studio technology with advanced mixing ideas. adding echo and reverb effects to create some mind blowing soundscapes all usually recorded innovatley on 4-track tape/desk. then the early techno ppl were also doing a similar thing using old drum machines and sythns and bedroom studios in a new way. both used the mixing desk as an instrument. the similarities are all there to this day in the techno of many artists, the basic channel stuff is in a way revisting the dub of old. -Original Message- From: laura gavoor [SMTP:[EMAIL PROTECTED] Sent: Wednesday, August 22, 2001 6:39 PM To:313@hyperreal.org Subject: Re: [313] Is Prince the root of all Techno? I think if you were to ask some of the source innovators, both American and Euro alike, Jimi Hendrix's name would arise more often than Prince's. While Prince was a huge influence, Jimi built the world's most innovative recording studio, Electric Ladyland Studios, in 1968 (I think) and up until very recently...it remained one of THE most innovative recording studios because of his obsession with recording and performing technology as THE means to get down on tape the sounds he had in his head. Secondarily and perhaps without most artists even realizing this fact would be Stevie Wonder. His obsession with electronic keyboards evolved into the very first 'do everything yourself' recording studio back in the 70's. I recall Stevie talking about how and why he records most every track in a song he's composing all by himself. Pretty much the same reason as Jimi's that he knew what sound(s) he wanted and was often frustrated in trying to communicate it to an engineer or musician in order to obtain it. He felt that with the age of the synthesizer a songwriter/composer had the ability to personalize their music and sound unlike anything that had come before...even though the same notes in a scale were present...they had never before sound like THAT. Moreover, the personal studio he developed back then gave him the luxury of recording the moment he was inspired to do so...at any hour of the day. Stevie, like Jimi, innovated a lot of gear to suit his needs, and because he was Stevie Wonder, a living genius, the keyboard companies bent over backwards to accommodate him. Don't forget that Songs in the Key of Life is considered by artists and industry alike to be one of the most brilliant pieces of popular music ever put out in one project. If VH-1 ever re-runs that (dunno the name of it) special one hour program just about that particular album...I highly recommend its viewing. The musicians interviewed, from Miles Davis to Mick Jagger, were awed by the quality of the sound on that LP and explain in far greater detail why it marked a turning point in recording history. THEN came George ClintonTHEN came Prince. humbly offered.. From: Mike Taylor [EMAIL PROTECTED] To: 313@hyperreal.org Subject: [313] Is Prince the root of all Techno? Date: Tue, 21 Aug 2001 20:34:12 -0400 Well? _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Stacey Pullen In Melbourne
yeah this was one of the best nights out and the best music I have heard for ages! I'm not hugely into housy stuff but it was good he mixed styles around so such a long set didn't get monotonous. great use of FX, usually DJs messing with FX annoys me but he did it just so well. and having a prepaid ticket meant I was permitted to walk the hallowed grounds of expensive, super snob seven nightclub without putting up with the arbitrary and bullshit decisions of the bouncers. Cyclone Wehner wrote: How amazing was Stacey Pullen in Melbourne last night - a Wednesday, it's raining, it's winter, there's a recession on, and the house is packed. Five hours plus. He played EVERY style, jazzy house through to deep house through to vocal -- zog dontrii album now at http://www.crispydisc.com/ nerd nerd nerd at http://www.linuxbandwagon.com/ - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Is Prince the root of all Techno?
well. I think that there are connections among all of the work by these artists on techno. Techno is nothing but more synthesized sounding house with more abstract sounding concepts. There is dub in there, R B, funk, disco and whatever else. Another branch on the Black music tree that gets its roots in gospel. The techno folks may or may not know about Wonder's studio work or Lee Perry but the similarities are there. It's like serendipidity. But in anything I've read they always cite P-Funk, Italo Disco and Kraftwerk. Kraftwerk loves James Brown. P-Funk comes from Brown, Hendrix, gospel, R B. Italo disco gets some of its imperatives from r b and dub. I think when it comes to something like music, it's hard to pinpoint to one place. These artists listen to so much and the people they listen to have their influences. I don't even know what if anything radio would have to do with it. A lot of the electro pop from Europe the techno artists like comes from its own place. for example, I recently learned that Alleys of Your Mind is just Dr. No by Ultravox and what were they into?? It sounds like funk to me as one source. I think Prince is just one more person these artists like. Five - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] re: flux / UR
Some confusion as to whether the Manchester Gig is still going ahead. Confusion??? What do you mean confusion? Tell me more as I have tickets. Ta Mark Do You Yahoo!? Get your free @yahoo.co.uk address at http://mail.yahoo.co.uk or your free @yahoo.ie address at http://mail.yahoo.ie - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] re: flux / UR
Dunno - there were a few rumours flying about that it had been cancelled that's all. Best to just check with the venue I suppose. - Original Message - From: Mark Hughes [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Thursday, August 23, 2001 11:51 AM Subject: Re: [313] re: flux / UR Some confusion as to whether the Manchester Gig is still going ahead. Confusion??? What do you mean confusion? Tell me more as I have tickets. Ta Mark Do You Yahoo!? Get your free @yahoo.co.uk address at http://mail.yahoo.co.uk or your free @yahoo.ie address at http://mail.yahoo.ie - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Is Prince the root of all Techno?
on 8/23/01 6:38 AM, [EMAIL PROTECTED] wrote: for example, I recently learned that Alleys of Your Mind is just Dr. No by Ultravox and what were they into?? It sounds like funk to me as one source. You must mean Mr. X, off of Vienna (1980). Classic New Wave. -- im - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] re: flux / UR - Vauxhall!
OK, I know it's prolly getting to a point where everyone's annoyed by reading this. Sorry... :) I'm going too, plus: Dan, Simon - you out there still? Seeya there - anyone else wanna hook up drop me a private email... :) Cheers, Anya - Original Message - From: Toby Frith [EMAIL PROTECTED] To: seth redmond [EMAIL PROTECTED], 313@hyperreal.org Sent: Thu, 23 Aug 2001 10:08:48 +0100 (GMT+01:00) Subject: Re: [313] re: flux / UR I'm going. Chris Finke advised me that Mr Mad Mike WILL be there. Some confusion as to whether the Manchester Gig is still going ahead. - Original Message - From: seth redmond [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Thursday, August 23, 2001 10:08 AM Subject: [313] re: flux / UR So who's going to this little shindig then? ___ FSmail - Get your free web-based email from Freeserve: www.fsmail.net - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Life Fest Pre-Party Aug 24 (unofficial)
CONNECT *** A night of electronic exploration and community. Hit the main room for pumpin' techno and house and lose yourself in the front lounge with downtempo, ambient and experimental frequencies. Friday, August 24, 2001 Amsterdam Lounge Windsor, Canada 261 Pelissier St 519-977-7232 *Neksis/313/mp313 Room - Main Room* PSilopoliSP (aka Keith Kemp, gammaplayers.com) DJ Ben WU (GreyTech, Neksis) Steven Roy (Thinkbox.ca) Tristan Watkins (aka Phonopsia, MetroTechno, mp313.com) Mercenary (Chicago, mp313) *Thinkbox Room - Front Lounge* Bill Van Loo (chromedecay.org) Rob Theakston (planet e, ear3) dj on/off Christopher Bissonnette (Thinkbox.ca) Chris McNamara (Thinkbox.ca) ***part of the lifefest party weekend*** _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] re: flux / UR - Vauxhall!
someone on the Overload board commented that the Manchester event has been pulled as the promoter is unable to pay for the acts. www.overloadmedia.co.uk - Original Message - From: Anya Stang [EMAIL PROTECTED] To: Toby Frith [EMAIL PROTECTED]; seth redmond [EMAIL PROTECTED]; 313@hyperreal.org Sent: Thursday, August 23, 2001 2:36 PM Subject: Re: [313] re: flux / UR - Vauxhall! OK, I know it's prolly getting to a point where everyone's annoyed by reading this. Sorry... :) I'm going too, plus: Dan, Simon - you out there still? Seeya there - anyone else wanna hook up drop me a private email... :) Cheers, Anya - Original Message - From: Toby Frith [EMAIL PROTECTED] To: seth redmond [EMAIL PROTECTED], 313@hyperreal.org Sent: Thu, 23 Aug 2001 10:08:48 +0100 (GMT+01:00) Subject: Re: [313] re: flux / UR I'm going. Chris Finke advised me that Mr Mad Mike WILL be there. Some confusion as to whether the Manchester Gig is still going ahead. - Original Message - From: seth redmond [EMAIL PROTECTED] To: 313@hyperreal.org Sent: Thursday, August 23, 2001 10:08 AM Subject: [313] re: flux / UR So who's going to this little shindig then? ___ FSmail - Get your free web-based email from Freeserve: www.fsmail.net - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] UR - Manchester
AAAahhh fu**in gutted!!! :( Mark Do You Yahoo!? Get your free @yahoo.co.uk address at http://mail.yahoo.co.uk or your free @yahoo.ie address at http://mail.yahoo.ie - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] kind of OT
Hi there, This might not be of interest to some of you (sorry). A new mailing list has recently been set up. It's purpose is the same as this one, but is focused on Madrid's and furthermore Spain's fast growing techno scene. Since I know there are quite a lot of spanish-speaking subscribers in 313, I thought I'd let you know. the name of the list is madrid-techno to subscribe send a blank message to [EMAIL PROTECTED] or send a message to [EMAIL PROTECTED] with the first line of the body: subscribe madrid-techno [EMAIL PROTECTED] thnx and sorry again for the dissgresion - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] London 313'ers
Anyone know the best sources on-line for events in london? 313'ers in the area interested in meeting up feelfree to message back privately. thanks in advance. ryan - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Is Prince the root of all Techno?
||Another branch on the Black music tree that gets its roots in gospel. Don't forget Kraftwerk, as well as Giorgio Moroder, and nobody has mentioned Industrial music; all very significant branches of the White music tree. Also, don't forget Tomita; of the rarely mentioned Yellow music tree. If this sounds silly, or even offensive; I agree. I've heard black, white, yellow, and even purple music before, but it's been years since I dropped any acid. misappropriating cultural influences since 1971, -tjw __ Do You Yahoo!? Make international calls for as low as $.04/minute with Yahoo! Messenger http://phonecard.yahoo.com/ - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
RE: [313] Is Prince the root of all Techno?
I'd say that Jamacians did have a major influence, not just with dub though. Look at turntablism and New York's hip-hop/electro scene, in particular one DJ Kool Herc (born in Kingston, Jamaica). He brought in the idea of sampling and breakbeats. Without him might hardcore and drum bass never been realized? Techno is like a dandelion...the roots go deep, just pull on them and see if you get the whole thing. That's my new motto by the way.;) MEK From: Mike Taylor [EMAIL PROTECTED] To: [EMAIL PROTECTED], 313@hyperreal.org Subject: RE: [313] Is Prince the root of all Techno? Date: Thu, 23 Aug 2001 05:50:17 -0400 It really does not apply in this situation. we are talking Detroit 85-91, and it doesnt show in the music. The roots of that stuff is Kraftwerk/Prince/Italio/New Wave/Electro. Yeah, you cannot deny the influence the Jamaicans had in general on music, but their music did not become a major influence on Techno until like 92-93, and then primarily in Europe. Jamaica by way of Europe definitely influenced Detroit, but not until after the first wave had already run its course. When is BMG going to throw down a 5 page dance music essay and school us like it was 96 again? Take care, mt i think the early dub pioneers such as lee perry, king tubby, augustus pablo deserve a mention and would be closer to techno than prince/hendrix/wonder. these guys were using basic studio technology with advanced mixing ideas. adding echo and reverb effects to create some mind blowing soundscapes all usually recorded innovatley on 4-track tape/desk. then the early techno ppl were also doing a similar thing using old drum machines and sythns and bedroom studios in a new way. both used the mixing desk as an instrument. the similarities are all there to this day in the techno of many artists, the basic channel stuff is in a way revisting the dub of old. -Original Message- From: laura gavoor [SMTP:[EMAIL PROTECTED] Sent: Wednesday, August 22, 2001 6:39 PM To:313@hyperreal.org Subject: Re: [313] Is Prince the root of all Techno? I think if you were to ask some of the source innovators, both American and Euro alike, Jimi Hendrix's name would arise more often than Prince's. While Prince was a huge influence, Jimi built the world's most innovative recording studio, Electric Ladyland Studios, in 1968 (I think) and up until very recently...it remained one of THE most innovative recording studios because of his obsession with recording and performing technology as THE means to get down on tape the sounds he had in his head. Secondarily and perhaps without most artists even realizing this fact would be Stevie Wonder. His obsession with electronic keyboards evolved into the very first 'do everything yourself' recording studio back in the 70's. I recall Stevie talking about how and why he records most every track in a song he's composing all by himself. Pretty much the same reason as Jimi's that he knew what sound(s) he wanted and was often frustrated in trying to communicate it to an engineer or musician in order to obtain it. He felt that with the age of the synthesizer a songwriter/composer had the ability to personalize their music and sound unlike anything that had come before...even though the same notes in a scale were present...they had never before sound like THAT. Moreover, the personal studio he developed back then gave him the luxury of recording the moment he was inspired to do so...at any hour of the day. Stevie, like Jimi, innovated a lot of gear to suit his needs, and because he was Stevie Wonder, a living genius, the keyboard companies bent over backwards to accommodate him. Don't forget that Songs in the Key of Life is considered by artists and industry alike to be one of the most brilliant pieces of popular music ever put out in one project. If VH-1 ever re-runs that (dunno the name of it) special one hour program just about that particular album...I highly recommend its viewing. The musicians interviewed, from Miles Davis to Mick Jagger, were awed by the quality of the sound on that LP and explain in far greater detail why it marked a turning point in recording history. THEN came George ClintonTHEN came Prince. humbly offered.. From: Mike Taylor [EMAIL PROTECTED] To: 313@hyperreal.org Subject: [313] Is Prince the root of all Techno? Date: Tue, 21 Aug 2001 20:34:12 -0400 Well? _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp
[313] todd terry
theres a track ive been looking for but cant seem to find the right version. its todd terrys back to the batmobil bango. the only version i can find has a cheesy break in the middle. im looking for the one kenny larkin always plays. anyone know which record its on. _ Get your FREE download of MSN Explorer at http://explorer.msn.com/intl.asp - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Is Prince the root of all Techno?
Well, Back in the day Detroit had a largish punk scene. One of punks primary influences was Jamaican reggae dubb. Just had to bring it all back full circle. Actually pbs had a very interesting show a couple weeks ago regarding the influence of reggae on punk music. I was fabu to hear that the original version of 'heart of glass' was reggae :-) jim http://www.assasins.net - Original Message - From: Lester Kenyatta Spence [EMAIL PROTECTED] To: M Elliot-Knight [EMAIL PROTECTED] Cc: [EMAIL PROTECTED]; 313@hyperreal.org Sent: Thursday, August 23, 2001 2:27 PM Subject: RE: [313] Is Prince the root of all Techno? On Thu, 23 Aug 2001, M Elliot-Knight wrote: I'd say that Jamacians did have a major influence, not just with dub though. Look at turntablism and New York's hip-hop/electro scene, in particular one DJ Kool Herc (born in Kingston, Jamaica). He brought in the idea of sampling and breakbeats. Without him might hardcore and drum bass never been realized? I haven't wanted to get social sciency on the list...but I have questions about this. Are we making a distinction between primary and secondary influences? It seems to me that a primary influence--like Mojo--would have to be an influence that is direct. I listen to Mojo ergo I am influenced. I listen to Kraftwerk, ergo I am influenced. It also seems to me that a secondary influence--like the Jamaican one here--would have to be an influence that is INdirect. Kool Herc created the breakbeat...some disco DJ picked up this and influenced someone in Chicago...who happened to spin while Derrick May was working in a record store. Herc is an influence then...but not a primary influence. peace lks - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED] - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Is Prince the root of all Techno?
you can not forget Can! they were making some very forward music in the late 60's. holger czukay is still producing there is a remix album with a carl craig remix of future days. most of the remixes are jungle. the black radio and steve shelly rmx is my favorite. scotto ps. tago mago is my favorite. oh yea is a crazy tune. anyone know what language it is in? I've always suspected the backwards vocal. - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
Re: [313] Is Prince the root of all Techno?
On Thu, 23 Aug 2001 [EMAIL PROTECTED] wrote: now that is something that I would have to ask them but the only thing I'm familar with is the famous statement, Techno is George Clinton and Kraftwerk in an elevator. That statement right there opens up a whole bunch of influences. I can only assume they listened to music in their homes, radio and whatever else but I don't know that for sure. Just the story about Juan turning Derrick onto Kraftwerk. Oh this makes a great deal of sense. Thinking about my own musical influences as a bedroom DJ, some primary influences are Kraftwerk, Juan Atkins as Cybotron, and Afrika Bambaata...as far as MUSIC is concerned. These three artists were the ones that expanded my mind as far as dance music is concerned. The influence is really simple...I hear their music and it affects me somehow. Now why THIS music affects me and not some OTHER music is a whole 'nother bag of worms. Then there are the non-musical primary influences. Ultraman, Johnny Socko and His Giant Robot (or Giant Robot), Monster Movie week on Channel 7, Battle of the PLanetsare all non-musical primary influences. They took me into a new world that was intensely futuristic, and now that I think about it, intensely non-white. I saw these movies/tv shows and they influenced me. Now there are a whole HOST of secondary influences that go into these primary influences...as well as a host of tertiary influences that caused me to be affected by the first level influences. Feel me? - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Green House Top 40
Hey hey, It's about time I sent out a chart, eh? Note: You can find out more about the Green House Record Pool by visiting our brand-spanking new Web site at http://www.greengalactic.com. If you are interested in servicing Green House Record Pool, or require further details about our DJ roster, charts, etc., please feel free to drop me a line or ring me at the # listed below. Green House Record Pool's address: 1680 N. Vine Street, Suite 1118 Los Angeles, CA 90028 Sincerely, Aaron Michelson Green Galactic fon: 323.466.5141 fax: 323.466.5121 http://www.greengalactic.com WEEK OF AUGUST 20, 2001 Green House Record Pool Chart Director, Aaron Michelson 1. S. I. Futures - We Are Not a Rock Band (Novamute) 2. Peace Division - Body Soul/OurHouseMusic (Low Pressings) 3. Simple Pleasures (Bootleg) 4. Rithma - More Funny House Music (Beau Monde) 5. Universal Principles - Latin Stroll (Soma) 6. Monkey Business - Monkedelic Phunk remixes (Phunked Up) 7. Slam - Alien Radio (Soma) 8. Uberzone - Bounce (Astralwerks) 9. Funky Derrick - Love Me Still Remixes (Clip) 10. Scott Findley - Deepinit (Nordic Trax CD-R) 11. Depeche Mode - I Feel Loved (Reprise) 12. Funk D'Void - Diabla (Soma) 13. Home Garden - Innocent Remixes (Nordic Trax) 14. Mint Royale - Show Me (Faith and Hope) 15. New Order - Crystal (Reprise 16. Hakan Lidbo - Sinful Sadie (Soco Audio) 17. Zentz, Bryan - Watch the Sun (In-Tec) 18. ADNY - Never Leave You (Turbo) 19. Birdy Meet Madrid De Los Austrias - Star Alliance (Birdy) 20. Halo - Dirty Soil (Bluem) 21. Jay Salino - Here Is (Statra) 22. Double 99 - 7th High (Arista) 23. Sir Piers and Si Ashton vs. Tribe Called Quest - Bonita Applebum (?) 24. Bran Van 3000 - Astounded (Grand Royal) 25. Keoki - Astounded (Moonshine) 26. Brommage Dub - Funky Badja (Svek) 27. Joshua - Watch the Bass (Tweekin) 28. Felix Da House Cat feat. Miss Kitten - Silver Screen, Shower Scene (Rockers) 29. 2nd Generation - Musicians are Morons (Novamute) 30. Gorillaz - Clint Eastwood (Virgin) 31. J Lo - Play *Rui da Silva remix (Epic) 32. Faithless - Muhammad Ali (Cheeky) 33. Fake Blonde (Bootleg) 34. Modjo - Chillin' (MCA) 35. Electric Avenue (Bootleg) 36. Afro Medusa - Pasilda (Jellybean) 37. Tall Paul vs. INXS - Precious Heart (Decode) 38. Depeche Mode - Dream On (Reprise) 39. Dub Pistols - Official Chemical (Geffen) 40. Squarepusher - My Red Hot Car (Warp) - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
[313] Streaming Titonton and Tejada....
Check out John Tejada and Titonton Duvante sets streaming at http://cerebrum.dnalounge.com/archive/ ... Enjoy, Tim - To unsubscribe, e-mail: [EMAIL PROTECTED] For additional commands, e-mail: [EMAIL PROTECTED]
